首页 >出版文学> An Introduction to the Study of Robert Browning’s>第41章
  ForasIliehere,hoursofthedeadnight,Dyinginstateandbysuchslowdegrees,Ifoldmyarmsasiftheyclaspedacrook,Andstretchmyfeetforthstraightasstonecanpoint,Andletthebedclothes,foramortcloth,dropIntogreatlapsandfoldsofsculptor’swork:[90]
  Andasyontapersdwindle,andstrangethoughtsGrow,withacertainhumminginmyears,AboutthelifebeforeIlivedthislife,Andthislifetoo,popes,cardinals,andpriests,SaintPraxedathissermononthemount,Yourtallpalemotherwithhertalkingeyes,Andnew-foundagateurnsasfreshasday,Andmarble’slanguage,Latinpure,discreet,——Aha,ELUCESCEBATquothourfriend?
  NoTully,saidI,Ulpianatthebest![100]
  Evilandbriefhathbeenmypilgrimage。
  Alllapis,all,sons!ElseIgivethePopeMyvillas!Willyeevereatmyheart?
  Everyoureyeswereasalizard’squick,Theyglitterlikeyourmother’sformysoul,Oryewouldheightenmyimpoverishedfrieze,Pieceoutitsstarveddesign,andfillmyvaseWithgrapes,andaddavisorandaTerm,AndtothetripodyewouldtiealynxThatinhisstrugglethrowsthethyrsusdown,[110]
  TocomfortmeonmyentablatureWhereonIamtolietillImustask”DoIlive,amIdead?”There,leaveme,there!
  ForyehavestabbedmewithingratitudeTodeath:yewishit——God,yewishit!Stone——
  Gritstone,a-crumble!ClammysquareswhichsweatAsifthecorpsetheykeepwereoozingthrough——
  Andnomorelapistodelighttheworld!
  Wellgo!Iblessye。Fewertapersthere,Butinarow:and,going,turnyourbacks[120]——
  Ay,likedepartingaltar-ministrants,Andleavemeinmychurch,thechurchforpeace,ThatImaywatchatleisureifheleers——
  OldGandolf,atme,fromhisonion-stone,Asstillheenviedme,sofairshewas!——
  1。Vanity,saiththepreacher,vanity!:”TheBishoponhisdeath-bedhasreachedSolomon’sconclusionthat`allisvanity’。Soheproceedstospecifyhisparticularvanityinthechoiceofatombstone。”——
  N。Brit。Rev。34,p。367。”In`ThePalaceofArt’,Mr。Tennysonhasshownthedespairandisolationofasoulsurroundedbyallluxuriesofbeauty,andlivinginandforthem;butintheendthesoulisredeemedandconvertedtothesimplehumanitiesofearth。
  Mr。Browninghasshownthatsuchasenseofisolationandsuchdespairarebynomeansinevitable;thereisadeathinlifewhichconsistsintranquilsatisfaction,acalmprideinthesoul’sdwellingamongtheworld’sgatheredtreasuresofstatelinessandbeauty……
  SotheunbelievingandworldlyspiritofthedyingBishop,whoordershistombatSaintPraxed’s,hissenseofthevanityoftheworldsimplybecausetheworldispassingoutofhisreach,theregretfulmemoryofthepleasuresofhisyouth,theenviousspitetowardsGandolf,whorobbedhimofthebestpositionforatomb,andthedreadlesthisreputedsonsshouldplayhimfalseandfailtocarryouthisdesigns,areunitedwithaperfectappreciationofRenaissanceart,andaluxurioussatisfaction,whichevenadeath-bedcannotdestroy,inthesplendorofvoluptuousformandcolor。”——
  EdwardDowden。
  46。Frascati:atownofcentralItaly,nearthesiteoftheancientTusculum,tenortwelvemilesS。E。ofRome;
  ithasmanyfineoldvillas。
  53。DidIsay,basaltformyslab,sons?:Notehowallthingselse,evensuchreflectionsasareexpressedinthetwoprecedingverses,areincidentalwiththeBishop;hispoor,art-besottedmindturnsabruptlytotheblackbasaltwhichhecravesfortheslabofhistomb;
  andseevv。101,102。
  66。travertine:seenotetov。67of`PictorIgnotus’。
  71。pistachio-nut:or,greenalmond。
  79。Ulpian:DomitiusUlpianus,oneofthegreatestofRomanjurists,andchiefadviseroftheemperor,AlexanderSeverus;bornabout170,died228;belongstotheBrazenageofRomanliterature。
  95。SaintPraxedathissermononthemount:thepoordyingBishop,inthedisorderofhismind,makesa`lapsuslinguae’here;seev。59。
  99。elucescebat:”hewasbeginningtoshineforth”;alateLatinwordnotfoundintheCiceronianvocabulary,andthereforecondemnedbytheBishop;thiswordis,perhaps,whatismeantbythe”gaudyware”
  inthesecondlineofGandolf’sepitaph,referredtoinv。78。
  AToccataofGaluppi’s。
  1。
  OhGaluppi,Baldassaro,thisisverysadtofind!
  Icanhardlymisconceiveyou;itwouldprovemedeafandblind;
  But,althoughItakeyourmeaning,’tiswithsuchaheavymind!——
  St。1。Galuppi,BaldassaroratherBaldassare:b。1703,inBurano,anislandnearVenice,andthencecalledBuranello;d。1785;
  adistinguishedcomposer,whoseoperas,aboutfiftyinnumber,andmostlycomic,wereatonetimethemostpopularinItaly;
  GaluppiisregardedasthefatheroftheItaliancomicopera。
  2。
  Hereyoucomewithyouroldmusic,andhere’sallthegooditbrings。
  What,theylivedoncethusatVenicewherethemerchantswerethekings,WhereSaintMark’sis,wheretheDogesusedtowedtheseawithrings?——
  St。2。SaintMark’s:seeRuskin’sdescriptionofthisgloriousbasilica,in`TheStonesofVenice’。
  3。
  Ay,becausethesea’sthestreetthere;and’tisarchedby……
  whatyoucall……Shylock’sbridgewithhousesonit,wheretheykeptthecarnival:
  IwasneveroutofEngland——it’sasifIsawitall。
  4。
  DidyoungpeopletaketheirpleasurewhentheseawaswarminMay?
  Ballsandmasksbegunatmidnight,burningevertomid-day,Whentheymadeupfreshadventuresforthemorrow,doyousay?
  5。
  Wasaladysuchalady,cheekssoroundandlipssored,——
  Onherneckthesmallfacebuoyant,likeabell-floweronitsbed,O’erthebreast’ssuperbabundancewhereamanmightbasehishead?
  6。
  Well,anditwasgracefulofthem:they’dbreaktalkoffandafford——She,tobitehermask’sblackvelvet,he,tofingeronhissword,WhileyousatandplayedToccatas,statelyattheclavichord?——
  St。6。Toccatas:theToccatawasaformofmusicalcompositionfortheorganorharpsichord,somewhatinthefreeandbrilliantstyleofthemodernfantasiaorcapriccio;
  clavichord:”akeyedstringedinstrument,nowsupersededbythepianoforte{nowcalledapiano}。”——Webster。
  7。
  What?Thoselesserthirdssoplaintive,sixthsdiminished,sighonsigh,Toldthemsomething?Thosesuspensions,thosesolutions——”Mustwedie?”
  Thosecommiseratingsevenths——”Lifemightlast!wecanbuttry!”——
  St。7。Themusicaltechnicalitiesusedinthisstanza,anymusiciancanexplainandillustrate。
  8。”Wereyouhappy?”——”Yes。”——”Andareyoustillashappy?”——”Yes。
  Andyou?”——”Then,morekisses!”——”DidIstopthem,whenamillionseemedsofew?”
  Hark,thedominant’spersistencetillitmustbeansweredto!——
  St。8。Thequestionsinthisstanzamustbesupposedtobecausedbytheeffectupontherevellersofthe”plaintivelesserthirds”,the”diminishedsixths”,the”commiseratingsevenths”,etc。,oftheprecedingstanza。
  9。
  So,anoctavestrucktheanswer。Oh,theypraisedyou,Idaresay!”BraveGaluppi!thatwasmusic!goodalikeatgraveandgay!
  IcanalwaysleaveofftalkingwhenIhearamasterplay!”
  10。
  Thentheyleftyoufortheirpleasure:tillinduetime,onebyone,Somewithlivesthatcametonothing,somewithdeedsaswellundone,Deathsteppedtacitly,andtookthemwheretheyneverseethesun。
  11。
  ButwhenIsitdowntoreason,thinktotakemystandnorswerve,WhileItriumpho’erasecretwrungfromnature’sclosereserve,InyoucomewithyourcoldmusictillIcreepthrougheverynerve——
  St。11。WhileItriumpho’erasecretwrungfromnature’sclosereserve:thesecretofthesoul’simmortality。
  12。
  Yes,you,likeaghostlycricket,creakingwhereahousewasburned:”Dustandashes,deadanddonewith,VenicespentwhatVeniceearned。
  Thesoul,doubtless,isimmortal——whereasoulcanbediscerned。
  13。”Yoursforinstance:youknowphysics,somethingofgeology,Mathematicsareyourpastime;soulsshallriseintheirdegree;
  Butterfliesmaydreadextinction,——you’llnotdie,itcannotbe!——
  St。13。Theideaisinvolvedinthisstanzathatthesoul’scontinuedexistenceisdependentonitsdevelopmentinthislife;
  theironiccharacterofthestanzaisindicatedbythemerelyintellectualsubjectsnamed,physics,geology,mathematics,whichdonotofthemselves,necessarily,contributetoSOUL-development。Allfromthe2dverseofthe12thstanzadownto”Dustandashes”inthe15th,iswhatthemusic,”likeaghostlycricket,creakingwhereahousewasburned”,saystothespeaker,inthemonologue,ofthemenandwomenforwhomlifemeantsimplyabutterflyenjoyment。
  14。”AsforVeniceandherpeople,merelyborntobloomanddrop,Hereonearththeyboretheirfruitage,mirthandfollywerethecrop:
  Whatofsoulwasleft,Iwonder,whenthekissinghadtostop?
  15。”Dustandashes!”Soyoucreakit,andIwantthehearttoscold。
  Deardeadwomen,withsuchhair,too——what’sbecomeofallthegoldUsedtohangandbrushtheirbosoms?Ifeelchillyandgrownold。
  AbtVogler。
  AfterhehasbeenextemporizingupontheMusicalInstrumentofhisInvention。
  1。
  Wouldthatthestructurebrave,themanifoldmusicIbuild,Biddingmyorganobey,callingitskeystotheirwork,Claimingeachslaveofthesound,atatouch,aswhenSolomonwilledArmiesofangelsthatsoar,legionsofdemonsthatlurk,Man,brute,reptile,fly,——alienofendandofaim,Adverse,eachfromtheotherheaven-high,hell-deepremoved,——
  ShouldrushintosightatonceashenamedtheineffableName,Andpilehimapalacestraight,topleasuretheprincessheloved!——
  St。1。Theleadingsentence,”Wouldthatthestructurebrave”,etc。,isinterruptedbythecomparison,”aswhenSolomonwilled”,etc。,andcontinuedinthe2dstanza,”Woulditmighttarrylikehis”,etc。;
  theconstructionofthecomparisonis,”aswhenSolomonwilledthatarmiesofangels,legionsofdevils,etc。,shouldrushintosightandpilehimapalacestraight”;thereferenceistothelegendsoftheKoraninregardtoSolomon’smagicalpowers。
  2。
  Woulditmighttarrylikehis,thebeautifulbuildingofmine,Thiswhichmykeysinacrowdpressedandimportunedtoraise!
  Ah,oneandall,howtheyhelped,woulddispartnowandnowcombine,Zealoustohastenthework,heightentheirmasterhispraise!
  Andonewouldburyhisbrowwithablindplungedowntohell,Burrowawhileandbuild,broadontherootsofthings,Thenupagainswimintosight,havingbasedmemypalacewell,Foundedit,fearlessofflame,flatonthenethersprings。