首页 >出版文学> An Introduction to the Study of Robert Browning’s>第40章
  Addressesthecelestialpresence,”nay——
  Hemadeyouanddevisedyou,afterall,Thoughhe’snoneofyou!couldSaintJohnthere,draw——
  Hiscamel-hairmakeupapainting-brush?
  WecometobrotherLippoforallthat,Isteperfecitopus!”So,allsmile——
  IshufflesidewayswithmyblushingfaceUnderthecoverofahundredwingsThrownlikeaspreadofkirtleswhenyou’regay[380]
  Andplayhotcockles,allthedoorsbeingshut,Till,whollyunexpected,intherepopsThehot-headhusband!ThusIscuttleoffTosomesafebenchbehind,notlettinggoThepalmofher,thelittlelilythingThatspokethegoodwordformeinthenick,LikethePrior’sniece……SaintLucy,Iwouldsay。
  Andsoall’ssavedforme,andforthechurchAprettypicturegained。Go,sixmonthshence!
  Yourhand,sir,andgood-bye:nolights,nolights![390]
  Thestreet’shushed,andIknowmyownwayback,Don’tfearme!There’sthegraybeginning。Zooks!——
  17。CosimooftheMedici:Cosimo,orCosmo,de’Medici,surnamedtheElder,acelebratedFlorentinestatesman,andapatronoflearningandthearts;b。1389,d。1464。
  23。pilchards:akindoffish。
  34。JohnBaptist’shead:animaginarypicture。
  67。SaintLawrence:churchofSanLorenzo,inFlorence,famousforthetombsoftheMedici,adornedwithMichelAngelo’sDayandNight,MorningandEvening,etc。See`Hawthorne’sItalianNote-Books’。
  88。OldauntLapaccia:MonaLapaccia,hisfather’ssister。
  121。theEight:`gliOttodiguerra’,surnamed`iSanti’,theSaints;
  amagistracycomposedofEightcitizens,institutedbytheFlorentines,duringtheirwarwiththeChurch,in1376,fortheadministrationofthecitygovernment。Twowerechosenfromthe`Signori’,three,fromthe`Mediocri’MiddleClasses,andthree,fromthe`Bassi’LowerClasses。Fortheirsubsequenthistory,see`LeIstorieFiorentinediNiccoloMachiavelli’。
  122。HowsayI?:——nay,worsethanthat,whichdogbites,etc。
  127。remarks:observations。
  139。Camaldolese:monksofthecelebratedconventofCamaldoli。
  143。Thankyou!:there’saremarkinterposedherebyoneofthemen,perhaps”YOU’REnodauber”,towhichhereplies,”Thankyou”。
  145etseq。Therealisticpainter,whodisdainsnothing,isshownhere。
  189。GiottodiBondone1266-1337:apupilofCimabue,andregardedastheprincipalreviverofartinItaly。HewasapersonalfriendofDante。Seenoteunder`OldPicturesinFlorence’,St。2。
  223。I’mgrownamannodoubt,I’vebrokenbounds:alltheeditionsaresopunctuated;butitseemsthecommashouldbeafter”man”,connecting”nodoubt”with”I’vebrokenbounds”。
  235。”GiovannidaFiesole,betterknownasFraAngelico1387-1455。
  Angelicowasincomparablythegreatestofthedistinctivelymediaevalschool,whose`dicta’thePriorinthepoemhasallathistongue’send。To`paintthesoulsofmen’,to`makethemforgetthere’ssuchathingasflesh’,wastheendofhisart。And,sidebysidewithAngelico,Masacciopainted。Hisshortlifetaughthimadifferentlesson——`thevalueandsignificanceofflesh’。
  HewouldpaintbypreferencetheBODIESofmen,andwouldgiveusNOMOREOFSOULthanthebodycanreveal。Sohe`laboured’,saiththechronicler,`innakeds’,andhisfrescoesmarkanepochinart。”——ErnestBradfordB。S。Illustrations。”Oneartistintheseclusionofhiscloister,remainedtruetothetraditionsandmodeofexpressionofthemiddleages,intowhich,nevertheless,theincomparablebeautyandfeelingofhisnaturebreathedfreshlife。FraGiovanniAngelico,calleddaFiesolefromtheplaceofhisbirth,occupiesanentirelyexceptionalposition。
  Heisthelate-bloomingflowerofanalmostby-gonetimeamidthepulsationsofanewlife。Never,inthewholerangeofpictorialart,havetheinspiredfervorofChristianfeeling,theangelicbeautyandpurityofwhichthesouliscapable,beensogloriouslyinterpretedasinhisworks。Theexquisiteatmosphereofanalmostsupernaturallyideallifesurroundshispictures,irradiatestherosyfeaturesofhisyouthfulfaces,orgreetsus,likethepeaceofGod,inthedignifiedfiguresofhisdevoutoldmen。
  HisprevailingthemesarethehumilityofsoulofthosewhohavejoyfullyacceptedthewillofGod,andthetranquilSabbathcalmofthosewhoarelovinglyconsecratedtotheserviceoftheHighest。
  Themovementandthechangingcourseoflife,theenergyofpassionandactionconcernhimnot。”——`OutlinesoftheHistoryofArt’。
  ByDr。Wilh。Luebke。
  236。LorenzoMonaco:amonkoftheorderofCamaldoli;
  aconservativeartistofthetime,whoadheredtothemannerofTaddeoGaddiandhisdisciples,butFraAngelicoappearslikewisetohaveinfluencedhim。
  238。Flowero’thepine,etc。:thissnatchofsongappliestowhathehasjustbeentalkingabout:youhaveyourownnotionsofart,andIhavemine。
  276。TommasoGuidi1401-1428,betterknownasMasaccio,i。e。,Tommasaccio,SlovenlyorHulkingTom。”Fromhistime,andforward,”saysMr。ErnestRadfordB。S。Illustrations,”religiouspaintingintheoldsensewasatanend。Paintersnolongerattemptedtotranscendnature,buttocopyher,andtocopyherinherloveliestaspects。Thebreachbetweentheoldorderandthenewwascomplete。”ThepoetmakeshimlearnofLippi,not,asVasaristates,Lippiofhim。”WhenBrowningwrotethispoem,heknewthatthemastershiporpupilshipofFraLippotoMasacciocalled`Guidi’inthepoem,andviceversa,wasamootpoint;butinmakingFraLippithemaster,hefollowedthebestauthorityhehadaccessto,thelasteditionofVasari,ashestatedinaLettertothe`PallMall’atthetime,inanswertoM。Etienne[awriterinthe`RevuedesdeuxMondes’。]
  Sincethen,hefindsthatthelatestenquirerintothesubject,Morelli,believesthefactistheotherway,andthatFraLippowasthepupil。”——B。Soc。Papers,Pt。II,p。160。
  Thelettertothe`PallMallGazette’Ihavenotseen。
  M。Etienne’sArticleisinTome85,pp。704-735,ofthe`RevuedesDeuxMondes’,1870,andtheletterprobablyappearedsoonafteritspublication。WhateditionofVasariisreferredto,intheabovenote,asthelast,isuncertain;butinVasari’sowneditionsof1550and1568,andinMrs。Foster’stranslation,1855,Lippiismadethepupil,andnotthemaster,ofMasaccio。
  323。SaintLaurence:sufferedmartyrdominthereignoftheEmperorValerian,A。D。258。Hewasbroiledtodeathonagridiron。
  327。Alreadynotonephizofyourthreeslaves……but’sscratched:
  thepeoplearesoindignantatwhattheyaredoing,inthelife-likepicture。
  336。Thatis——:hefearshehasspokentooplainly,andwillbereported。
  339。Chianti:awinenamedfromthepartofItalysocalled。
  345。There’sforyou:hetipsthem。
  346。Sant’Ambrogio’s:aconventinFlorence。
  354。SaintJohn:JohntheBaptistismeant;seev。375。
  355。SaintAmbrose:bornabout340;madearchbishopofMilanin374;
  died397;institutedthe`AmbrosianChant’。
  377。Isteperfecitopus!:thisisonascroll,inthepicture,heldbythe”sweetangelicslipofathing”。
  389。Thepicturereferredtois`TheCoronationoftheVirgin’,inthe`AccademiadelleBelleArti’,inFlorence。Thereisaphotographofitin`IllustrationstoBrowning’sPoems’,PartI。,publishedbytheBrowningSociety,withaninterestingdescriptionofthepicture,byMr。ErnestRadford。There’sno”babe”inthepicture。
  392。Zooks!:it’shightimeIwasbackandinbed,thatmynight-larkingbenotknown。
  AFace。
  IfonecouldhavethatlittleheadofhersPainteduponabackgroundofpalegold,SuchastheTuscan’searlyartprefers!
  NoshadeencroachingonthematchlessmouldOfthosetwolips,whichshouldbeopeningsoftInthepureprofile;notaswhenshelaughs,Forthatspoilsall:butratherasifaloftYonhyacinth,shelovesso,leaneditsstaff’sBurthenofhoney-coloredbuds,tokissAndcapture’twixtthelipsapartforthis。[10]
  Thenherlitheneck,threefingersmightsurround,Howitshouldwaver,onthepalegoldground,Uptothefruit-shaped,perfectchinitlifts!
  Iknow,Correggiolovestomass,inriftsOfheaven,hisangelfaces,orbonorbBreakingitsoutline,burningshadesabsorb:
  Buttheseareonlymassedthere,Ishouldthink,WaitingtoseesomewondermomentlyGrowout,standfull,fadeslowagainsttheskyThat’sthepalegroundyou’dseethissweetfaceby,[20]
  Allheaven,meanwhile,condensedintooneeyeWhichfearstolosethewonder,shoulditwink——
  1。Ifonecouldhave:Oh,ifonecouldonlyhave,etc。
  9,10。tokissandcapture:gerundives:tobekissedandcaptured。
  14。Correggio:AntonioAllegridaCorreggio,born1494,died1534。”Hewasthefirstmaster——theVenetiansnotwithstanding——
  totakeaschemeofcolorandchiaro-scuroasthe`raisond’etre’
  ofacompletecomposition,andhisbrush,respondingtotheidea,blendslightandshadeindeliciousharmony。”——WoltmannandWoermann’s`HistoryofPainting’。
  TheBishopordershisTomb。
  [Rome,15。]——
  *Thetombisimaginary;thoughitissaidtobepointedouttovisitorstoSaintPraxed’swhodesireparticularlytoseeit——
  Vanity,saiththepreacher,vanity!
  Drawroundmybed:isAnselmkeepingback?
  Nephews——sonsmine……ahGod,Iknownot!Well——
  She,menwouldhavetobeyourmotheronce,OldGandolfenviedme,sofairshewas!
  What’sdoneisdone,andsheisdeadbeside,Deadlongago,andIamBishopsince,Andasshediedsomustwedieourselves,Andthenceyemayperceivetheworld’sadream。
  Life,howandwhatisit?AshereIlie[10]
  Inthisstate-chamber,dyingbydegrees,Hoursandlonghoursinthedeadnight,Iask”DoIlive,amIdead?”Peace,peaceseemsall。
  SaintPraxed’severwasthechurchforpeace;
  Andso,aboutthistombofmine。IfoughtWithtoothandnailtosavemyniche,yeknow:——
  OldGandolfcozenedme,despitemycare;
  ShrewdwasthatsnatchfromoutthecornerSouthHegracedhiscarrionwith,Godcursethesame!
  Yetstillmynicheisnotsocrampedbutthence[20]
  Oneseesthepulpitontheepistle-side,Andsomewhatofthechoir,thosesilentseats,AndupintotheaerydomewhereliveTheangels,andasunbeam’ssuretolurk;
  AndIshallfillmyslabofbasaltthere,And’neathmytabernacletakemyrest,Withthoseninecolumnsroundme,twoandtwo,TheoddoneatmyfeetwhereAnselmstands:
  Peach-blossommarbleall,therare,theripeAsfresh-pouredredwineofamightypulse。[30]——
  OldGandolfwithhispaltryonion-stone,PutmewhereImaylookathim!Truepeach,Rosyandflawless:howIearnedtheprize!
  Drawclose:thatconflagrationofmychurch——Whatthen?Somuchwassavedifaughtweremissed!
  Mysons,yewouldnotbemydeath?GodigThewhite-grapevineyardwheretheoil-pressstood,Dropwatergentlytillthesurfacesink,Andifyefind……AhGod,Iknownot,I!……
  Beddedinstoreofrottenfig-leavessoft,[40]
  Andcordedupinatightolive-frail,Somelump,ahGod,oflapislazuli,BigasaJew’sheadcutoffatthenape,Blueasaveino’ertheMadonna’sbreast……
  Sons,allhaveIbequeathedyou,villas,all,ThatbraveFrascativillawithitsbath,So,letthebluelumppoisebetweenmyknees,LikeGodtheFather’sglobeonbothhishandsYeworshipintheJesuChurchsogay,ForGandolfshallnotchoosebutseeandburst![50]
  Swiftasaweaver’sshuttlefleetouryears:
  Mangoethtothegrave,andwhereishe?
  DidIsay,basaltformyslab,sons?Black——
  ’Twaseverantique-blackImeant!HowelseShallyecontrastmyfriezetocomebeneath?
  Thebas-reliefinbronzeyepromisedme,ThosePansandNymphsyewotof,andperchanceSometripod,thyrsus,withavaseorso,TheSaviourathissermononthemount,SaintPraxedinaglory,andonePan[60]
  ReadytotwitchtheNymph’slastgarmentoff,AndMoseswiththetables……butIknowYemarkmenot!Whatdotheywhisperthee,Childofmybowels,Anselm?Ah,yehopeToreveldownmyvillaswhileIgaspBrickedo’erwithbeggar’smouldytravertineWhichGandolffromhistomb-topchucklesat!
  Nay,boys,yeloveme——allofjasper,then!
  ’Tisjasperyestandpledgedto,lestIgrieveMybathmustneedsbeleftbehind,alas![70]
  Oneblock,puregreenasapistachio-nut,There’splentyjaspersomewhereintheworld——
  AndhaveInotSaintPraxed’seartoprayHorsesforye,andbrownGreekmanuscripts,Andmistresseswithgreatsmoothmarblylimbs?——
  That’sifyecarvemyepitapharight,ChoiceLatin,pickedphrase,Tully’severyword,NogaudywarelikeGandolf’ssecondline——
  Tully,mymasters?Ulpianserveshisneed!
  AndthenhowIshallliethroughcenturies,[80]
  Andheartheblessedmutterofthemass,AndseeGodmadeandeatenalldaylong,Andfeelthesteadycandle-flame,andtasteGoodstrongthickstupefyingincense-smoke!