St。26。Bigordi：Ghirlandajo；seeabove。{notetoSt。23。}
　　Sandro：SandroFilipepi，calledBotticelli1437-1515，”belongedinfeeling，totheolderChristianschool，tho’hisreligioussentimentwasnotquitestrongenoughtoresistentirelythepaganizinginfluenceofthetime”Heaton；
　　becameadiscipleofSavonarola。
　　Lippino：FilippinoLippi，sonofFraFilippo1460-1505，”addedtohisfather’sboldnaturalismadramatictalentincomposition，whichplaceshisworksabovethemererealismsofFraFilippo，andrendershimworthytobeplacednexttoMasacciointhelineofprogress。”——Heaton。
　　FraAngelico：seeundertheMonologueofFraLippoLippi。
　　TaddeoGaddi：”foremostamongstthese`TheGiotteschi’
　　standsthenameofT。G。1300，livingin1366，thesonofGaddoGaddi，andgodsonofGiotto；wasanarchitectaswellaspainter，andwasonthecouncilofWorksofS。MariadelFiore，afterGiotto’sdeath，andcarriedouthisdesignforthebell-tower。”——Heaton。
　　intonaco：rough-casting。
　　LorenzoMonaco：seeundertheMonologueofFraLippoLippi。
　　27。
　　Couldnottheghostwiththecloseredcap，MyPollajolo，thetwiceacraftsman，Savemeasample，givemethehapOfamuscularChristthatshowsthedraughtsman?
　　NoVirginbyhimthesomewhatpetty，Offinicaltouchandtemperacrumbly——
　　CouldnotAlessoBaldovinettiContributesomuch，Iaskhimhumbly?——
　　St。27。Pollajolo：”AntonioPollajuoloab。1430-1498
　　wasasculptorandgoldsmith，morethanapainter；……hismaster-workinpictorialartistheMartyrdomofSt。Sebastian，intheNat。Gal。，paintedforthePucciChapelintheChurchofSanSebastianode’Servi，atFlorence。`Thispainting’，saysVasari，`hasbeenmoreextolledthananyothereverexecutedbyAntonio’。Itis，however，unpleasantlyhardandobtrusivelyanatomical。Pollajuoloissaidtohavebeenthefirstartistwhostudiedanatomybymeansofdissection，andhissoleaiminthispictureseemstohavebeentodisplayhisknowledgeofmuscularaction。Hewasanengraveraswellasgoldsmith，sculptor，andpainter。”——Heaton。
　　tempera：seeWebster，s。vv。”tempera”and”distemper”。{painttypes}
　　AlessoBaldovinetti：Florentinepainter，b。1422，orlater，d。1499；
　　workedinmosaic，particularlyasarestorerofoldmosaics，besidespainting；hemademanyexperimentsinbothbranchesofart，andattemptedtoworkfresco`alsecco’，andvarnishitsoastomakeitpermanent，butinthishefailed。Hisworksweredistinguishedforextrememinutenessofdetail。”InthechurchoftheAnnunziatainFlorence，heexecutedanhistoricalpieceinfresco，butfinished`asecco’，whereinherepresentedtheNativityofChrist，paintedwithsuchminutenessofcare，thateachseparatestrawintheroofofacabin，figuredtherein，maybecounted，andeveryknotinthesestrawsdistinguished。”——Vasari。
　　Hisremainingworksaremuchinjuredbyscalingortheabrasionofthecolors。
　　28。
　　MargheritoneofArezzo，Withthegrave-clothesgarbandswaddlingbarretWhypurseupmouthandbeakinapetso，Youbaldoldsaturninepoll-clawedparrot?
　　NotapoorglimmeringCrucifixion，Whereintheforegroundkneelsthedonor?
　　Ifsuchremain，asismyconviction，Thehoardingitdoesyoubutlittlehonor——
　　St。28。Margheritone：Margaritone；painter，sculptor，andarchitect，ofArezzo1236-1313；themostimportantofhisremainingpicturesisaMadonna，intheLondonNationalGallery，fromChurchofSt。Margaret，atArezzo，”saidtobeacharacteristicwork，andmentionedbyVasari，whopraisesitssmallfigures，whichhesaysareexecuted`withmoregraceandfinishedwithgreaterdelicacy’thanthelargerones。Nothing，however，canbemoreunlikenature，thanthegrimMadonnaandtheweirdstarvedChildinherarmssee`Wornum’sCatal。Nat。Gal。’，foradescriptionofthispainting。Margaritone’sfavoritesubjectwasthefigureofSt。Francis，hisstylebeingwellsuitedtodepictthechiefasceticsaint。Crucifixionswerealsomuchtohistaste，andherepresentedtheminalltheirrepulsivedetails。
　　Vasarirelatesthathediedattheageof77，afflictedanddisgustedathavinglivedtoseethechangesthathadtakenplaceinart，andthehonorsbestowedonthenewartists。”——Heaton。
　　HismonumenttoPopeGregoryX。intheCathedralofArezzo，isrankedamonghisbestworks。”Browningpossessesthe`Crucifixion’
　　byM。towhichhealludes，asalsothepicturesofAlessoBaldovinetti，andTaddeoGaddi，andPollajuolodescribedinthepoem。”——
　　BrowningSoc。Papers，Pt。II。，p。169。
　　29。
　　Theypass；forthemthepanelsmaythrill，Thetemperagrowaliveandtinglish；
　　TheirpicturesarelefttothemerciesstillOfdealersandstealers，JewsandtheEnglish，Who，seeingmeremoney’sworthintheirprize，WillsellittosomebodycalmasZenoAtnakedHighArt，andinecstasiesBeforesomeclay-coldvileCarlino！——
　　St。29。tempera：seeWebster，s。v。{atypeofpaint}
　　tinglish：sharp?
　　Zeno：founderoftheStoicphilosophy。
　　Carlino：someexpressionlesspicturebyCarlo，orCarlino，Dolci。
　　Hisworksshowanextremefinish，oftenwithnoendbeyonditself；
　　somebeing，touseRuskin’swords，”polishedintoinanity”。
　　30。
　　Nomatterforthese！ButGiotto，you，Haveyouallowed，asthetown-tonguesbabbleit——
　　Oh，never！itshallnotbecountedtrue——
　　ThatacertainpreciouslittletabletWhichBuonarrotieyedlikealover，Wasburiedsolonginoblivion’swombAnd，leftforanotherthanItodiscover，Turnsupatlast！andtowhom?——towhom?——
　　St。30。acertainpreciouslittletablet：”The`littletablet’wasafamous`LastSupper’，mentionedbyVasari，andgoneastraylongagofromtheChurchofS。Spirito：itturnedup，accordingtoreport，insomeobscurecorner，whileIwasinFlorence，andwasatonceacquiredbyastranger。Isawit，genuineorno，aworkofgreatbeauty。”——FromPoet’sLettertotheEditor。
　　Buonarotti：MichaelAngelomorecorrectly，MichelAgnoloBuonarotti，b。6thofMarch，1475，atCastelCaprese，nearFlorence；
　　d。atRome，18thofFeb。，1564。
　　andtowhom?——towhom?：acontemptuousrepetition。
　　31。
　　I，thathavehauntedthedimSanSpirito，OrwasitrathertheOgnissanti?
　　Patientonaltar-stepplantingawearytoe！
　　Nay，Ishallhaveityet！Deturamanti！
　　MyKoh-i-noor——orifthat’saplatitude
　　JewelofGiamschid，thePersianSofi’seye；
　　So，inanticipativegratitude，WhatifItakeupmyhopeandprophesy?——
　　St。31。SanSpirito：achurchofthe14thcentury，inFlorence。
　　Ognissanti：i。e。，”AllSaints”，inFlorence。
　　Ishallhaveityet！：Ishallmakeahappyfindyet。
　　Deturamanti！：letitbegiventothelovingone。
　　Koh-i-noor：”MountainofLight”，acelebrateddiamond，”thediamondofthegreatMogul”，presentedtoQueenVictoria，in1850。
　　SeeArt。ontheDiamond，`N。Brit。Rev。’Vol。18，p。186，andArt。，Diamond，`Encycl。Brit。’；usedhere，bymetonymy，foragreattreasure。
　　JewelofGiamschid：the`Deria-i-noor’，or`theSeaofLight’，oneofthelargestofknowndiamonds，belongingtothekingofPersia，isprobablyreferredto。See`N。Brit。Rev。’，Vol。18，p。217。
　　32。
　　Whenthehourgrowsripe，andacertaindotardIspitched，noparcelthatneedsinvoicing，TotheworsesideoftheMontSt。Gothard，Weshallbeginbywayofrejoicing；
　　Noneofthatshootingtheskyblankcartridge，Noracivicguard，allplumesandlacquer，HuntingRadetzky’ssoullikeapartridgeOverMorellowithsquibandcracker——
　　St。32。acertaindotard：JosephWenzelRadetzky，b。Nov。2，1766，d。Jan。5，1858，inhis92dyear；governedtheAustrianpossessionsinItalytoFeb。28，1857。
　　Morello：MonteMorello，thehighestofthespursoftheApennines，tothenorthofFlorence。
　　33。
　　Thistimewe’llshootbettergameandbag’emhot：
　　NomeredisplayatthestoneofDante，ButakindofsoberWitanagemotEx：”CasaGuidi”，`quodvideasante’
　　Shallponder，onceFreedomrestoredtoFlorence，HowArtmayreturnthatdepartedwithher。
　　Go，hatedhouse，goeachtraceoftheLoraine’s，AndbringusthedaysofOrgagnahither！——
　　St。33。thestoneofDante：see`CasaGuidiWindows’，Pt。I，Sect。XIV。，XV。
　　Witanagemot：A。S。`witenagemo^t’：anassemblyofwisemen，aparliament。
　　CasaGuidi：Mrs。Browning’s`CasaGuidiWindows’，apoemnamedfromthehouseinFlorenceinwhichshelived，andgivingherimpressionsofeventsinTuscanyatthetime。
　　theLoraine’s：the”hatedhouse”includedtheCardinalsofGuise，orLorraine，andtheDukesofGuise，ayoungerbranchofthehouseofLorraine。
　　Orgagna：AndreadiCionesurnamedOrcagna，orArcagnolo，approximatedatesofb。andd。1315-1376，oneofthemostnotedsuccessorsofGiotto，andalliedtohimingenius；thoughheowedmuchtoGiotto，heshowedgreatindependenceofspiritinhisstyle。
　　34。
　　Howweshallprologuize，howweshallperorate，Utterfitthingsuponartandhistory，Feeltruthatblood-heatandfalsehoodatzerorate，Makeofthewantoftheagenomystery；
　　Contrastthefructuousandsterileeras，Show——monarchyeveritsuncouthcublicksOutofthebear’sshapeintoChimaera’s，WhilePureArt’sbirthisstilltherepublic’s！
　　35。
　　ThenoneshallproposeinaspeechcurtTuscan，Expurgateandsober，withscarcelyan”issimo”，Toendnowourhalf-toldtaleofCambuscan，Andturnthebell-tower’sALTtoALTISSIMO；
　　And，fineasthebeakofayoungbeccaccia，TheCampanile，theDuomo’sfitally，Shallsoarupingoldfullfiftybraccia，CompletingFlorence，asFlorence，Italy——
　　St。35。an”issimo”：anyadjectiveinthesuperlativedegree。
　　toend：complete。
　　ourhalf-toldtaleofCambuscan：bymetonymyfortheunfinishedCampanileofGiotto；”Orcalluphimthatlefthalf-toldThestoryofCambuscanbold。”——
　　Milton’s`IlPenseroso’。
　　AnallusiontoChaucer，wholeftthe`Squire’sTale’inthe`CanterburyTales’unfinished。ThepoetfollowsMilton’saccentuationoftheword”Cambuscan”，onthepenult；
　　it’sproperlyaccentedontheultimate。
　　beccaccia：woodcock。
　　theDuomo’sfitally：”Thereis，asfarasIknow，onlyoneGothicbuildinginEurope，theDuomoofFlorence，inwhichtheornamentissoexquisitelyfinishedastoenableustoimaginewhatmighthavebeentheeffectoftheperfectworkmanshipoftheRenaissance，comingoutofthehandsofmenlikeVerocchioandGhiberti，haditbeenemployedonthemagnificentframeworkofGothicstructure。”——Ruskinin`StonesofVenice’。
　　36。
　　ShallIbealivethatmorningthescaffoldIsbrokenaway，andthelong-pentfire，Likethegoldenhopeoftheworld，unbaffledSpringsfromitssleep，andupgoesthespire，While，”GodandthePeople”plainforitsmotto，Thencethenewtricolorflapsatthesky?
　　AtleasttoforeseethatgloryofGiottoAndFlorencetogether，thefirstamI！