AsIcrossedthebridgeovertheAvononmyreturn,Ipausedto
contemplatethedistantchurchinwhichthepoetliesburied,and
couldnotbutexultinthemalediction,whichhaskepthisashes
undisturbedinitsquietandhallowedvaults。Whathonorcouldhis
namehavederivedfrombeingmingledindustycompanionshipwiththe
epitaphsandescutcheonsandvenaleulogiumsofatitledmultitude?
WhatwouldacrowdedcornerinWestminsterAbbeyhavebeen,compared
withthisreverendpile,whichseemstostandinbeautiful
lonelinessashissolemausoleum!Thesolicitudeaboutthegravemay
bebuttheoffspringofanover—wroughtsensibility;buthuman
natureismadeupoffoiblesandprejudices;anditsbestand
tenderestaffectionsaremingledwiththesefactitiousfeelings。He
whohassoughtrenownabouttheworld,andhasreapedafullharvest
ofworldlyfavor,willfind,afterall,thatthereisnolove,no
admiration,noapplause,sosweettothesoulasthatwhichspringsup
inhisnativeplace。Itistherethatheseekstobegatheredinpeace
andhonoramonghiskindredandhisearlyfriends。Andwhenthe
wearyheartandfailingheadbegintowarnhimthattheeveningof
lifeisdrawingon,heturnsasfondlyasdoestheinfanttothe
mother’sarms,tosinktosleepinthebosomofthesceneofhis
childhood。
Howwouldithavecheeredthespiritoftheyouthfulbardwhen,
wanderingforthindisgraceuponadoubtfulworld,hecastbacka
heavylookuponhispaternalhome,couldhehaveforeseenthat,before
manyyears,heshouldreturntoitcoveredwithrenown;thathis
nameshouldbecometheboastandgloryofhisnativeplace;thathis
ashesshouldbereligiouslyguardedasitsmostprecioustreasure;and
thatitslesseningspire,onwhichhiseyeswerefixedintearful
contemplation,shouldonedaybecomethebeacon,toweringamidstthe
gentlelandscape,toguidetheliterarypilgrimofeverynationtohis
tomb!
THEEND。
1819—20
THESKETCHBOOK
THEARTOFBOOK—MAKING
byWashingtonIrving
"IfthatseveredoomofSynesiusbetrue—’Itisagreateroffence
tostealdeadmen’slabor,thantheirclothes,’whatshallbecomeof
mostwriters?"
BURTON’SANATOMYOFMELANCHOLY。
IHAVEoftenwonderedattheextremefecundityofthepress,andhow
itcomestopassthatsomanyheads,onwhichnatureseemedtohave
inflictedthecurseofbarrenness,shouldteemwithvoluminous
productions。Asamantravelson,however,inthejourneyoflife,his
objectsofwonderdailydiminish,andheiscontinuallyfindingout
someverysimplecauseforsomegreatmatterofmarvel。ThushaveI
chanced,inmyperegrinationsaboutthisgreatmetropolis,to
blunderuponascenewhichunfoldedtomesomeofthemysteriesofthe
book—makingcraft,andatonceputanendtomyastonishment。
Iwasonesummer’sdayloiteringthroughthegreatsaloonsofthe
BritishMuseum,withthatlistlessnesswithwhichoneisaptto
saunteraboutamuseuminwarmweather;sometimeslollingoverthe
glasscasesofminerals,sometimesstudyingthehieroglyphicsonan
Egyptianmummy,andsometimestrying,withnearlyequalsuccess,to
comprehendtheallegoricalpaintingsontheloftyceilings。WhilstI
wasgazingaboutinthisidleway,myattentionwasattractedtoa
distantdoor,attheendofasuiteofapartments。Itwasclosed,
buteverynowandthenitwouldopen,andsomestrange—favored
being,generallyclothedinblack,wouldstealforth,andglide
throughtherooms,withoutnoticinganyofthesurroundingobjects。
Therewasanairofmysteryaboutthisthatpiquedmylanguid
curiosity,andIdeterminedtoattemptthepassageofthatstrait,and
toexploretheunknownregionsbeyond。Thedooryieldedtomyhand,
withthatfacilitywithwhichtheportalsofenchantedcastlesyield
totheadventurousknight—errant。Ifoundmyselfinaspacious
chamber,surroundedwithgreatcasesofvenerablebooks。Abovethe
cases,andjustunderthecornice,werearrangedagreatnumberof
black—lookingportraitsofancientauthors。Abouttheroomwereplaced
longtables,withstandsforreadingandwriting,atwhichsatmany
pale,studiouspersonages,poringintentlyoverdustyvolumes,
rummagingamongmouldymanuscripts,andtakingcopiousnotesof
theircontents。Ahushedstillnessreignedthroughthismysterious
apartment,exceptingthatyoumightheartheracingofpensover
sheetsofpaper,oroccasionally,thedeepsighofoneofthesesages,
asheshiftedhispositiontoturnoverthepageofanoldfolio;
doubtlessarisingfromthathollownessandflatulencyincidentto
learnedresearch。
Nowandthenoneofthesepersonageswouldwritesomethingona
smallslipofpaper,andringabell,whereuponafamiliarwould
appear,takethepaperinprofoundsilence,glideoutoftheroom,and
returnshortlyloadedwithponderoustomes,uponwhichtheotherwould
falltoothandnailwithfamishedvoracity。Ihadnolongeradoubt
thatIhadhappeneduponabodyofmagi,deeplyengagedinthestudy
ofoccultsciences。ThesceneremindedmeofanoldArabiantale,ofa
philosophershutupinanenchantedlibrary,inthebosomofa
mountain,whichopenedonlyonceayear;wherehemadethespirits
oftheplacebringhimbooksofallkindsofdarkknowledge,sothat
attheendoftheyear,whenthemagicportaloncemoreswungopen
onitshinges,heissuedforthsoversedinforbiddenlore,astobe
abletosoarabovetheheadsofthemultitude,andtocontrolthe
powersofnature。
Mycuriositybeingnowfullyaroused,Iwhisperedtooneofthe
familiars,ashewasabouttoleavetheroom,andbeggedan
interpretationofthestrangescenebeforeme。Afewwordswere
sufficientforthepurpose。Ifoundthatthesemysterious
personages,whomIhadmistakenformagi,wereprincipallyauthors,
andintheveryactofmanufacturingbooks。Iwas,infact,inthe
reading—roomofthegreatBritishLibrary—animmensecollectionof
volumesofallagesandlanguages,manyofwhicharenowforgotten,
andmostofwhichareseldomread:oneofthesesequesteredpoolsof
obsoleteliterature,towhichmodernauthorsrepair,anddraw
bucketsfullofclassiclore,or"pureEnglish,undefiled,"
wherewithtoswelltheirownscantyrillsofthought。
Beingnowinpossessionofthesecret,Isatdowninacornerand
watchedtheprocessofthisbookmanufactory。Inoticedonelean,
bilious—lookingwight,whosoughtnonebutthemostworm—eaten
volumes,printedinblack—letter。Hewasevidentlyconstructingsome
workofprofounderudition,thatwouldbepurchasedbyeverymanwho
wishedtobethoughtlearned,placeduponaconspicuousshelfofhis
library,orlaidopenuponhistable;butneverread。Iobserved
him,nowandthen,drawalargefragmentofbiscuitoutofhispocket,
andgnaw;whetheritwashisdinner,orwhetherhewasendeavoring
tokeepoffthatexhaustionofthestomachproducedbymuch
ponderingoverdryworks,Ileavetoharderstudentsthanmyselfto
determine。
Therewasonedapperlittlegentlemaninbright—coloredclothes,
withachirping,gossipingexpressionofcountenance,whohadall
theappearanceofanauthorongoodtermswithhisbookseller。After
consideringhimattentively,Irecognizedinhimadiligent
getter—upofmiscellaneousworks,whichbustledoffwellwiththe
trade。Iwascurioustoseehowhemanufacturedhiswares。Hemade
morestirandshowofbusinessthananyoftheothers;dippinginto
variousbooks,flutteringovertheleavesofmanuscripts,takinga
morseloutofone,amorseloutofanother,"lineuponline,precept
uponprecept,herealittleandtherealittle。"Thecontentsofhis
bookseemedtobeasheterogeneousasthoseofthewitches’caldronin
Macbeth。Itwashereafingerandthereathumb,toeoffrogand
blind—worm’ssting,withhisowngossippouredinlike"baboon’s
blood,"tomakethemedley"slabandgood。"
Afterall,thoughtI,maynotthispilferingdispositionbe
implantedinauthorsforwisepurposes;mayitnotbethewayinwhich
Providencehastakencarethattheseedsofknowledgeandwisdomshall
bepreservedfromagetoage,inspiteoftheinevitabledecayof
theworksinwhichtheywerefirstproduced?Weseethatnaturehas
wisely,thoughwhimsically,providedfortheconveyanceofseeds
fromclimetoclime,inthemawsofcertainbirds;sothatanimals,
which,inthemselves,arelittlebetterthancarrion,andapparently
thelawlessplunderersoftheorchardandthecornfield,are,infact,
nature’scarrierstodisperseandperpetuateherblessings。Inlike
manner,thebeautiesandfinethoughtsofancientandobsoleteauthors
arecaughtupbytheseflightsofpredatorywriters,andcastforth
againtoflourishandbearfruitinaremoteanddistanttractof
time。Manyoftheirworks,also,undergoakindofmetempsychosis,and
springupundernewforms。Whatwasformerlyaponderoushistory
revivesintheshapeofaromance—anoldlegendchangesintoamodern
play—andasoberphilosophicaltreatisefurnishesthebodyfora
wholeseriesofbouncingandsparklingessays。Thusitisinthe
clearingofourAmericanwoodlands;whereweburndownaforestof
statelypines,aprogenyofdwarfoaksstartupintheirplace:andwe
neverseetheprostratetrunkofatreemoulderingintosoil,butit
givesbirthtoawholetribeoffungi。
Letusnot,then,lamentoverthedecayandoblivionintowhich
ancientwritersdescend;theydobutsubmittothegreatlawof
nature,whichdeclaresthatallsublunaryshapesofmattershallbe
limitedintheirduration,butwhichdecrees,also,thattheir
elementsshallneverperish。Generationaftergeneration,bothin
animalandvegetablelife,passesaway,butthevitalprincipleis
transmittedtoposterity,andthespeciescontinuetoflourish。
Thus,also,doauthorsbegetauthors,andhavingproducedanumerous
progeny,inagoodoldagetheysleepwiththeirfathers,thatisto
say,withtheauthorswhoprecededthem—andfromwhomtheyhad
stolen。
WhilstIwasindulgingintheseramblingfancies,Ihadleanedmy
headagainstapileofreverendfolios。Whetheritwasowingtothe
soporificemanationsfromtheseworks;ortotheprofoundquietofthe
room;ortothelassitudearisingfrommuchwandering;ortoan
unluckyhabitofnappingatimpropertimesandplaces,withwhichIam
grievouslyafflicted,soitwas,thatIfellintoadoze。Still,
however,myimaginationcontinuedbusy,andindeedthesamescene
remainedbeforemymind’seye,onlyalittlechangedinsomeofthe
details。Idreamtthatthechamberwasstilldecoratedwiththe
portraitsofancientauthors,butthatthenumberwasincreased。The
longtableshaddisappeared,and,inplaceofthesagemagi,I
beheldaragged,threadbarethrong,suchasmaybeseenplyingabout
thegreatrepositoryofcast—offclothes,Monmouth—street。Whenever
theyseizeduponabook,byoneofthoseincongruitiescommonto
dreams,methoughtitturnedintoagarmentofforeignorantique
fashion,withwhichtheyproceededtoequipthemselves。Inoticed,
however,thatnoonepretendedtoclothehimselffromanyparticular
suit,buttookasleevefromone,acapefromanother,askirtfrom
athird,thusdeckinghimselfoutpiecemeal,whilesomeofhis
originalragswouldpeepoutfromamonghisborrowedfinery。
Therewasaportly,rosy,well—fedparson,whomIobservedogling
severalmouldypolemicalwritersthroughaneye—glass。Hesoon
contrivedtosliponthevoluminousmantleofoneoftheold
fathers,and,havingpurloinedthegraybeardofanother,endeavored
tolookexceedinglywise;butthesmirkingcommonplaceofhis
countenancesetatnaughtallthetrappingsofwisdom。One
sickly—lookinggentlemanwasbusiedembroideringaveryflimsygarment
withgoldthreaddrawnoutofseveraloldcourt—dressesofthereign
ofQueenElizabeth。Anotherhadtrimmedhimselfmagnificentlyfrom
anilluminatedmanuscript,hadstuckanosegayinhisbosom,culled
from"TheParadiseofDaintieDevices,"andhavingputSirPhilip
Sidney’shatononesideofhishead,struttedoffwithanexquisite
airofvulgarelegance。Athird,whowasbutofpunydimensions,had
bolsteredhimselfoutbravelywiththespoilsfromseveralobscure
tractsofphilosophy,sothathehadaveryimposingfront;buthewas
lamentablytatteredinrear,andIperceivedthathehadpatchedhis
small—clotheswithscrapsofparchmentfromaLatinauthor。
Thereweresomewell—dressedgentlemen,itistrue,whoonly
helpedthemselvestoagemorso,whichsparkledamongtheirown
ornaments,withouteclipsingthem。Some,too,seemedtocontemplate
thecostumesoftheoldwriters,merelytoimbibetheirprinciples
oftaste,andtocatchtheirairandspirit;butIgrievetosay,that
toomanywereapttoarraythemselvesfromtoptotoeinthepatchwork
mannerIhavementioned。Ishallnotomittospeakofonegenius,in
drabbreechesandgaiters,andanArcadianhat,whohadaviolent
propensitytothepastoral,butwhoseruralwanderingshadbeen
confinedtotheclassichauntsofPrimroseHill,andthesolitudes
oftheRegent’sPark。Hehaddeckedhimselfinwreathsandribbons
fromalltheoldpastoralpoets,and,hanginghisheadononeside,
wentaboutwithafantasticallack—a—daisicalair,"babblingabout
greenfields。"Butthepersonagethatmoststruckmyattentionwasa
pragmaticaloldgentleman,inclericalrobes,witharemarkably
largeandsquare,butbaldhead。Heenteredtheroomwheezingand
puffing,elbowedhiswaythroughthethrong,withalookofsturdy
self—confidence,andhavinglaidhandsuponathickGreekquarto,
clappedituponhishead,andsweptmajesticallyawayina
formidablefrizzledwig。
Intheheightofthisliterarymasquerade,acrysuddenly
resoundedfromeveryside,of"Thieves!thieves!"Ilooked,andlo!
theportraitsaboutthewallbecameanimated!Theoldauthorsthrust
out,firstahead,thenashoulder,fromthecanvas,lookeddown
curiously,foraninstant,uponthemotleythrong,andthen
descendedwithfuryintheireyes,toclaimtheirrifledproperty。The
sceneofscamperingandhubbubthatensuedbafflesalldescription。
Theunhappyculpritsendeavoredinvaintoescapewiththeir
plunder。Ononesidemightbeseenhalfadozenoldmonks,strippinga
modernprofessor;onanother,therewassaddevastationcarriedinto
theranksofmoderndramaticwriters。BeaumontandFletcher,sideby
side,ragedroundthefieldlikeCastorandPollux,andsturdyBen
Jonsonenactedmorewondersthanwhenavolunteerwiththearmyin
Flanders。Astothedapperlittlecompileroffarragos,mentionedsome
timesince,hehadarrayedhimselfinasmanypatchesandcolorsas
Harlequin,andtherewasasfierceacontentionofclaimantsabout
him,asaboutthedeadbodyofPatroclus。Iwasgrievedtoseemany
men,towhomIhadbeenaccustomedtolookupwithaweand
reverence,faintostealoffwithscarcearagtocovertheir
nakedness。Justthenmyeyewascaughtbythepragmaticalold
gentlemanintheGreekgrizzledwig,whowasscramblingawayinsore
affrightwithhalfascoreofauthorsinfullcryafterhim!Theywere
closeuponhishaunches:inatwinklingoffwenthiswig;atevery
turnsomestripofraimentwaspeeledaway;untilinafewmoments,
fromhisdomineeringpomp,heshrunkintoalittle,pursy,"chopped
baldshot,"andmadehisexitwithonlyafewtagsandragsfluttering
athisback。
Therewassomethingsoludicrousinthecatastropheofthis
learnedTheban,thatIburstintoanimmoderatefitoflaughter,which
brokethewholeillusion。Thetumultandthescufflewereatanend。
Thechamberresumeditsusualappearance。Theoldauthorsshrunk
backintotheirpictureframes,andhunginshadowysolemnityalong
thewalls。Inshort,Ifoundmyselfwideawakeinmycorner,with
thewholeassemblageofbookwormsgazingatmewithastonishment。
Nothingofthedreamhadbeenrealbutmyburstoflaughter,asound
neverbeforeheardinthatgravesanctuary,andsoabhorrenttothe
earsofwisdom,astoelectrifythefraternity。
Thelibrariannowsteppeduptome,anddemandedwhetherIhada
cardofadmission。AtfirstIdidnotcomprehendhim,butIsoonfound
thatthelibrarywasakindofliterary"preserve,"subjectto
game—laws,andthatnoonemustpresumetohunttherewithout
speciallicenseandpermission。Inaword,Istoodconvictedof
beinganarrantpoacher,andwasgladtomakeaprecipitateretreat,
lestIshouldhaveawholepackofauthorsletlooseuponme。
THEEND。
1819—20
THESKETCHBOOK
THEAUTHOR’SACCOUNTOFHIMSELF
byWashingtonIrving
"IamofthismindwithHomer,thatasthesnailethatcreptout
ofhershelwasturnedeftsoonsintoatoad,andtherebywasforcedto
makeastooletositon;sothetravellerthatstraglethfromhisowne
countryisinashorttimetransformedintosomonstrousashape,that
heisfainetoalterhismansionwithhismanners,andtolivewhere
hecan,notwherehewould。"
LYLY’SEUPHUES。
IWASalwaysfondofvisitingnewscenes,andobservingstrange
charactersandmanners。EvenwhenamerechildIbeganmytravels,and
mademanytoursofdiscoveryintoforeignpartsandunknownregionsof
mynativecity,tothefrequentalarmofmyparents,andtheemolument
ofthetown—crier。AsIgrewintoboyhood,Iextendedtherangeof
myobservations。Myholidayafternoonswerespentinramblesaboutthe
surroundingcountry。Imademyselffamiliarwithallitsplacesfamous
inhistoryorfable。Ikneweveryspotwhereamurderorrobberyhad
beencommitted,oraghostseen。Ivisitedtheneighboringvillages,
andaddedgreatlytomystockofknowledge,bynotingtheirhabitsand
customs,andconversingwiththeirsagesandgreatmen。Ieven
journeyedonelongsummer’sdaytothesummitofthemostdistant
hill,whenceIstretchedmyeyeovermanyamileofterraincognita,
andwasastonishedtofindhowvastaglobeIinhabited。
Thisramblingpropensitystrengthenedwithmyyears。Booksof
voyagesandtravelsbecamemypassion,andindevouringtheir
contents,Ineglectedtheregularexercisesoftheschool。How
wistfullywouldIwanderaboutthepier—headsinfineweather,and
watchthepartingships,boundtodistantclimes—withwhatlonging
eyeswouldIgazeaftertheirlesseningsails,andwaftmyselfin
imaginationtotheendsoftheearth!
Furtherreadingandthinking,thoughtheybroughtthisvague
inclinationintomorereasonablebounds,onlyservedtomakeitmore
decided。Ivisitedvariouspartsofmyowncountry;andhadIbeen
merelyaloveroffinescenery,Ishouldhavefeltlittledesireto
seekelsewhereitsgratification,foronnocountryhavethecharmsof
naturebeenmoreprodigallylavished。Hermightylakes,likeoceansof
liquidsilver;hermountains,withtheirbrightaerialtints;her
valleys,teemingwithwildfertility;hertremendouscataracts,
thunderingintheirsolitudes;herboundlessplains,wavingwith
spontaneousverdure;herbroaddeeprivers,rollinginsolemn
silencetotheocean;hertracklessforests,wherevegetationputs
forthallitsmagnificence;herskies,kindlingwiththemagicof
summercloudsandglorioussunshine;—no,neverneedanAmerican
lookbeyondhisowncountryforthesublimeandbeautifulofnatural
scenery。
ButEuropeheldforththecharmsofstoriedandpoetical
association。Thereweretobeseenthemasterpiecesofart,the
refinementsofhighly—cultivatedsociety,thequaintpeculiarities
ofancientandlocalcustom。Mynativecountrywasfullofyouthful
promise:Europewasrichintheaccumulatedtreasuresofage。Hervery
ruinstoldthehistoryoftimesgoneby,andeverymoulderingstone
wasachronicle。Ilongedtowanderoverthescenesofrenowned
achievement—totread,asitwere,inthefootstepsofantiquity—to
loiterabouttheruinedcastle—tomeditateonthefallingtower—to
escape,inshort,fromthecommonplacerealitiesofthepresent,and
losemyselfamongtheshadowygrandeursofthepast。
Ihad,besideallthis,anearnestdesiretoseethegreatmenof
theearth。Wehave,itistrue,ourgreatmeninAmerica:notacity
buthasanampleshareofthem。Ihavemingledamongtheminmy
time,andbeenalmostwitheredbytheshadeintowhichtheycastme;
forthereisnothingsobalefultoasmallmanastheshadeofagreat
one,particularlythegreatmanofacity。ButIwasanxioustosee
thegreatmenofEurope;forIhadreadintheworksofvarious
philosophers,thatallanimalsdegeneratedinAmerica,andmanamong
thenumber。AgreatmanofEurope,thoughtI,mustthereforebeas
superiortoagreatmanofAmerica,asapeakoftheAlpstoa
highlandoftheHudson;andinthisideaIwasconfirmed,byobserving
thecomparativeimportanceandswellingmagnitudeofmanyEnglish
travellersamongus,who,Iwasassured,wereverylittlepeoplein
theirowncountry。Iwillvisitthislandofwonders,thoughtI,and
seethegiganticracefromwhichIamdegenerated。
Ithasbeeneithermygoodorevillottohavemyrovingpassion
gratified。Ihavewanderedthroughdifferentcountries,and
witnessedmanyoftheshiftingscenesoflife。IcannotsaythatI
havestudiedthemwiththeeyeofaphilosopher;butratherwiththe
saunteringgazewithwhichhumbleloversofthepicturesquestroll
fromthewindowofoneprint—shoptoanother;caughtsometimesby
thedelineationsofbeauty,sometimesbythedistortionsof
caricature,andsometimesbythelovelinessoflandscape。Asitisthe
fashionformoderntouriststotravelpencilinhand,andbringhome
theirportfoliosfilledwithsketches,Iamdisposedtogetupafew
fortheentertainmentofmyfriends。When,however,Ilookoverthe
hintsandmemorandumsIhavetakendownforthepurpose,myheart
almostfailsmeatfindinghowmyidlehumorhasledmeasidefromthe
greatobjectsstudiedbyeveryregulartravellerwhowouldmakea
book。IfearIshallgiveequaldisappointmentwithanunlucky
landscapepainter,whohadtravelledonthecontinent,but,
followingthebentofhisvagrantinclination,hadsketchedin
nooks,andcorners,andby—places。Hissketchbookwasaccordingly
crowdedwithcottages,andlandscapes,andobscureruins;buthehad
neglectedtopaintSt。Peter’s,ortheColiseum;thecascadeofTerni,
orthebayofNaples;andhadnotasingleglacierorvolcanoinhis
wholecollection。
THEEND
第13章