ToMyFather
Preface
Thiseditionofthe`SelectPoemsofSidneyLanier’isissuedinthehopeofmakinghispoetryknowntowidercirclesthanhitherto,especiallyamongthestudentsofourhigh-schoolsandcolleges。
Totheseastoolderpeople,thepoemswill,itisbelieved,proveaninspirationfromthestand-pointbothofliteratureandoflife。
ThebiographicalsectionoftheIntroductionrestsinthemainuponDr。Ward’sadmirable`Memorial’prefixedtothe`PoemsofSidneyLanier’
editedbyhiswife,thoughafewadditionalfactshavebeengleanedhereandthere。Formost*oftheBibliographydownto1888IamindebtedtomyHopkinscomrade,Dr。RichardE。Burton,nowofHartford,Conn。,whocompiledoneforthe`MemorialofSidneyLanier’,publishedbyPresidentGilman,oftheJohnsHopkinsUniversity,in1888。
ObligationstootherpublicationsaboutLanierareineveryinstanceacknowledgedintheappropriateplace。
——
*Isay`mostoftheBibliographydownto1888’,becauseDr。Burton’sdifferentpurposeledhimtoexcludeitemsthatcouldnotbeomittedinaBibliographythat,likemine,triestobecomplete。
——
Astotheselectionsmade,Iwishedtoinclude`TheMarshesofGlynn’
andyetnottoexclude`Sunrise’。Butbothcouldnotbeputin,andIfinallygavethepreferenceto`Sunrise’,chieflyonthegroundofitsbeingLanier’slatestcompletepoem。*Ibelieveallwilladmitthatthepoemsselectedfairlyexemplifythegeniusofthepoet。
Thepoemsarearranged,notasinthecompleteedition,butintheirchronologicalorder,theonlyproperone,Ithink,foratext-book。Ofcourse,theyareallgivencomplete。
——
*Lateropiniongenerallyagreesthat"TheMarshesofGlynn"
isLanier’sgreatestpoem,andasthiseditionhasnolimitationsofspace,itwouldbeinappropriatetoexcludeit。Thereforeithasbeeninsertedmoreorlessinchronologicalorder(inaccordancewithCallaway’splan),withsomecomments。——AlanLight,1998。
——
IntheNotesIhavemaderathercopiousquotationsfrompoemsfamiliartoEnglishscholars,becauseIhopethatthisbookwillgointothehandsofmanytowhomtheyarenotfamiliar,andtowhomtheoriginaltextsarenoteasilyaccessible。
Andyet,iftheyatallattaintheirend,theNotesmustleadonetowishtoknowmoreofEnglishpoetry,ofwhichLanier’sisbutapart。
AmongthefriendsthathavehelpedmebycounselorotherwiseIgratefullynameMr。CliffordLanier,brotherofthepoet;
ProfessorWm。HandBrowne,oftheJohnsHopkinsUniversity;
Dr。CharlesH。Ross,oftheAlabamaPolytechnicInstitute;
andmycolleaguesintheSchoolofEnglishintheUniversityofTexas,Mr。L。R。HamberlinandProfessorLeslieWaggener。
Chief-justiceLoganE。Bleckley,ofGeorgia,amanoflettersaswellasoflaw,verykindlyputatmyusehiscorrespondencewiththepoet,theoriginaldraftof`Corn’,andhiscriticismsuponthesame。
Mychiefindebtedness,however,istoMrs。SidneyLanier,whohasbeenmostgenerouswithhertimeandherhusband’spapers。
MorganCallaway,Jr。
UniversityofTexas,October1,1894。
ContentsIntroductionI。ABriefSketchofLanier’sLifeII。Lanier’sProseWorksIII。Lanier’sPoetry:ItsThemesIV。Lanier’sPoetry:ItsStyleV。Lanier’sTheoryofPoetryVI。ConclusionPoemsLifeandSongJones’sPrivateArgymentCornMySpringsTheSymphonyThePowerofPrayer;or,TheFirstSteamboatuptheAlabamaRose-moralsTo————,withaRoseUncleJim’sBaptistRevivalHymnTheMocking-birdSongoftheChattahoocheeTheRevengeofHamishTheMarshesofGlynnRemonstranceOppositionMarshSong——AtSunsetABalladofTreesandtheMasterSunriseBibliographySelectPoemsofSidneyLanierIntroductionI。ABriefSketchofLanier’sLife(1842-1881)
SidneyLanierhassorecentlypassedfromusthatitseemsdesirablebrieflytorecountthechiefincidentsofhislife。ThistaskismuchlightenedbyDr。Wm。HayesWard’s`Memorial’,*uponwhich,asstatedinthePreface,isbasedthissectionofmyessay。
BornatMacon,Ga。,February3,1842,SidneyLaniercameofafamilynotedfortheirloveandcultivationofthefinearts。
FromthetimeofQueenElizabethtotheRestoration,severalofhispaternalancestorswereconnectedwiththeEnglishcourtasmusicalcomposersandaspainters。Thefatherofthepoet,however,RobertS。Lanier,wasamostindustriouslawyer,who,afteralingeringillnessofthreeyears,recently**answered`Adsum’
tothesummonsofthesupremetribunal。Thepoet’smother,MaryAnderson,aVirginianofScotchdescent,likewisesprangfromafamilydistinguishedfortheirloveoforatory,music,andpoetry。
——
*Forthefulltitleofworkscitedsee`Bibliography’。
**October20,1893,atMacon,Ga。
——
WithsuchanancestrywearenotsurprisedtolearnthatSidney’searliestpassionwasformusic,andthatinboyhoodhecould,althoughuntutored,playonalmosteverykindofinstrument。Hepreferredtheviolin,inplayingwhichhesometimessankintoadeeptrance,butindeferencetohisfather’sviewgaveitupfortheflute,hispoweroverwhichweshallhearoffartheron。Atfirst,strangetosay,heconsideredmusicunworthyofone’ssoleattention,butlaterhecametorankitashisfullestexpressionofworship。
AtfourteenSidneyenteredtheSophomoreClassofOglethorpeCollege,nearMacon,Ga。,and,withayear’sintermission,graduatedwithfirsthonorin1860,whenjusteighteen。ToProfessorJamesWoodrow,ofOglethorpe,nowPresidentofSouthCarolinaCollege,Lanierdeclaredthatheowed"thestrongestandmostvaluablestimulusofhisyouth。"
OngraduatinghewasgivenatutorshipinhisAlmaMater,apositionthathehelduntiltheoutbreakoftheCivilWar。
Thelecture-roomwasnowexchangedforthebattle-field;
inApril,1861,LanierenteredtheConfederateArmyasaprivateintheMaconVolunteersoftheSecondGeorgiaBattalion,anorganizationamongthefirsttoreachNorfolkandthatstillkeepsupitscorporateexistence。Inthespringof1862Lanierwasjoinedbyhisyoungbrother,Clifford;andthroughoutthewareachseemedtoviewiththeotherinbrotherlylove;
for,whilebothwereofferedpromotion,neitherwouldacceptit,sincetodosowouldhaveentailedseparationfromtheother。
Theleisuretimeofhisfirstyear’sserviceSidneyspentinthestudyofmusicandthemodernlanguages。HewasengagedinseveralbattlesinVirginia,butafterwardwastransferred,withClifford,totheSignalService,withhead-quartersatPetersburg。
Herehehadaccesstoasmalllibrary,ofwhichhemadeseduloususe。
In1863hiscompanywasmounted,andservedinVirginiaandNorthCarolina。
Inthespringof1864bothbrothersweretransferredtoWilmington,thehead-quartersoftheMarineSignalService,inwhichtheyremainedtotheendofthewar。Finallythetwobrotherswereseparated,eachbecomingsignalofficer*ofablockade-runner。Sidney’svesselwascaptured,andforfivemonthshewasaprisoneratPointLookout,Md。,withnothingbuthisflutetosolacehim。Itwastheexposureofprison-life,nodoubt,thatfirstledtodeclineofhealthbydevelopingtheseedsofconsumption,adiseasethatwastocarryoffhismotherandthathewastostrugglewiththelastfifteenyearsofhislife。
ReleasedfromprisoninFebruary,1865,hereturnedtoGeorgia,forthemostpartafoot,andreachedhomeMarch15th。
Anaccountofhiswar-lifeisgiveninhisnovel,`Tiger-lilies’,treatedbelow。
——
*Itissometimeserroneouslystatedthateachwasputinchargeofablockade-runner。
——
Duringthesucceedingnineyears(1865-73)hislifewascheckeredindeed。
Seriouslyillforsixweeks,hearosefromhisbedtoseehismothercarriedoffbyconsumptionandtofindhimselfsufferingwithcongestionofthelungs。Slightlyrelieved,Lanierturnedhishandtovariousprojectsformakingaliving:clerkinginahotelinMontgomery,Ala。,fortwoyears;writing*andpublishinghisnovel,`Tiger-lilies’;teachingatPrattville,Ala。,oneyear,duringwhichtime**
hemarriedMissMaryDay,ofMacon,Ga。;studyingandthenpractisinglawwithhisfatheratMacon,Ga。,forfiveyears;now,inthewinterof1872-73,tryingtorecuperateatSanAntonio,Texas,forhemorrhageshadbegunin1868,andacoughhadsetintwoyearslater;and,finally,settlinginBaltimore,December,1873,todevotehimselftomusicandliterature。
——
*April,1867。
**December19,1867。
——
Againsttheson’sdevotionofhislifetomusicandliteraturethefatherprotested,chieflyonbusinessgrounds,andbeggedhimtorejoinhimselfinthepracticeofthelaw。Thankinghisfatherforhisthoughtfulness,Lanierjustifiedhisowncourseintheseearnestwords:"Mydearfather,thinkhow,fortwentyyears,throughpoverty,throughpain,throughweariness,throughsickness,throughtheuncongenialatmosphereofafarcicalcollegeandofabarearmyandthenofanexactingbusinesslife,throughallthediscouragementofbeingwhollyunacquaintedwithliterarypeopleandliteraryways——Isay,thinkhow,inspiteofallthesedepressingcircumstancesandofathousandmorewhichIcouldenumerate,thesetwofiguresofmusicandpoetryhavesteadilykeptinmyheartsothatIcouldnotbanishthem。
Doesitnotseemtoyouastome,thatIbegintohavetherighttoenrollmyselfamongthedevoteesofthesetwosublimearts,afterhavingfollowedthemsolongandsohumbly,andthroughsomuchbitterness?"*1*Ofcourse,thefatheryieldedanddidallthathisslendermeanswouldallowtowardkeepinguphisson,whohenceforthdevotedeveryenergytomusicandliterature。
Despitecontinuedill-health,whichnowandagainnecessitatedvisitsofmonths’durationtoFlorida,NorthCarolina,andVirginia,Lanierdidavastamountofwork。HewasengagedasfirstfluteforthePeabodySymphonyConcerts,apositionthathefilledwithraredistinctionforsixyears。Astohisliterarywork,thisbeganwiththepublicationofhisnovel,`Tiger-lilies’,in1867,andinthesameyear,ofoccasionalpoemsin`TheRoundTable’ofNewYork。
`Corn’,publishedin`Lippincott’sMagazine’(Philadelphia)
forFebruary,1875,isthefirstofhispoemsthatattractedgeneralnotice,andtheonethatgainedhimthefriendshipofBayardTaylor。
ToTaylorheowedhisselectiontowritethe`CentennialCantata’,whichgavehimstillgreaternotoriety,though,tobesure,someofitwasnotverygratefultohim。In1876theLippincottspublishedhis`Florida’,andin1877hisfirstvolumeof`Poems’,whichcontainedninety-fourpagesandconsistedchieflyofpieces*2*
previouslypublishedinthemagazines。SoonaftersettlinginBaltimore,LaniermadeacarefulstudyofOldandMiddleEnglish,thefruitsofwhichhepartiallyembodiedincoursesoflecturesgiventohisprivateclassandtothepublic,thelatteratthePeabodyInstitute,in1879。
Duringtheseyears,too,hehadbeensteadilyturningoutpoemsofhighorder。
Onhisbirthday,February3,in1879,hereceivednoticeofhisappointmentasLectureronEnglishLiteratureattheJohnsHopkinsUniversityofBaltimorefortheensuingscholasticyear,withafixedsalary,thefirstsincehismarriage。Inthesummerof1879hewrotehis`ScienceofEnglishVerse’,whichconstitutedthebasisofhisfirstcourseoflecturesattheJohnsHopkinsUniversity。Notwithstandingseriousillness,thissamewinter,1879-80,helecturedatthreeprivateschoolsandkeptuphismusicalengagementatthePeabodyConcerts。
Thenextwinter,1880-81,hecameneardying,butstillkeptwriting(`Sunrise’waswrittenwithafevertemperatureof104Degrees)
andwentthroughhistwelvelecturesattheHopkins,afterwardsembodiedin`TheEnglishNovel’。HowtryingthismusthavebeentohimcanbegatheredfromthefollowingwordsofMr。Ward:
"Afewoftheearlierlectureshepennedhimself;theresthewasobligedtodictatetohiswife。Withtheutmostcareofhimself,goinginaclosedcarriageandsittingduringhislecture,hisstrengthwassoexhaustedthatthestruggleforbreathinthecarriageonhisreturnseemedeachtimetothreatentheend。
Thosewhoheardhimlistenedinasortoffascinatedterror,asindoubtwhetherthehoardedbreathwouldsufficetotheendofthehour。"*3*
AfterthisatripwasmadetoNewYorktoarrangeforissuingsomebooksforboys,andfourwereissued,twoposthumously:`Boy’sFroissart’(1878),`Boy’sKingArthur’(1880),`Boy’sMabinogion’(1881),and`Boy’sPercy’(1882)。Anotherwork,anaccountofNorthCarolinasimilartothatofFlorida,wascontractedforandwasdefinitelyplanned,but,owingtoaggravatinginfirmities,couldnotbecompleted。
——
*1*Ward’s`Memorial’,p。xx。f。
*2*Theyarenamedinthe`Bibliography’。
*3*Ward’s`Memorial’,p。xxviii。
——
Fortheendwasnearathand。DesperateillnesshadmadeitnecessarytoseekreliefnearAsheville,N。C。,wherehewasjoinedbyMrs。Lanierandbyhisfatherandstep-mother。Growingnobetter,hewasmovedtoLynn,PolkCounty,N。C。Oftherestweshallhearinthewordsofhiswife:"Weareleftalone(itisAugust29,1881)
withoneanother。Onthelastnightofthesummercomesachange。
Hisloveandimmortalwillholdoffthedestroyerofoursummeryetonemoreweek,untiltheforenoonofSeptember7th,andthenfallsthefrost,andthatunfalteringwillrendersitssupremesubmissiontothewillofGod。"*Unusuallycheckeredhislifehadbeen,andyetforLanierasforTimrodpoetry(andmusic)had"turnedlife’stastelesswatersintowine,andflushedthemthroughandthroughwithpurpletints。"**
ThebodywastakentoMr。Lanier’shomeinBaltimore,thencetotheChurchofSt。MichaelandAllAngels,whereserviceswereconductedbytherector,theRev。Dr。WilliamKirkus。ItwasthenburiedinGreenmountCemetery,inthelotofMr。andMrs。LawrenceTurnbull,twoofthedearestfriendsthatMr。andMrs。LanierhadinBaltimore。
——
*Ward’s`Memorial’,p。xxx。
**Timrod’s`AVisionofPoesy’,stanzaxliv。
——
Mr。Lanierleftafamilyconsistingofhiswifeandfoursons。
Mrs。Lanier,wholivesatTryon,N。C。,wastheinspirationnotonlyofthoseglorioustributes,`LausMariae’and`MySprings’,butalsoofthepoet’swholelife。Theeldestson,Mr。CharlesDayLanier,wasbornatMacon,Ga。,September12,1868,andwasgraduatedA。B。
attheJohnsHopkinsUniversityin1888。AtonetimehewasAssistantEditorof`TheCosmopolitanMagazine’,apositionthathegaveuponlytobecomeBusinessManagerof`TheReviewofReviews’,withwhichhehasbeenconnectedfromitsbeginning。
Heistheauthorofseveralgracefulsketchesinthemagazines。
Thesecondson,Sidney,ispassionatelyfondofmusic,andwouldhavedevotedhimselftheretobutforlife-longill-health。
AfterteachingthreeyearsinWestVirginia,hehasstartedafruitfarmatTryon,N。C。,wherehehopestobuilduphishealth。
Thethirdson,HenryWysham,waspreventedfromenteringtheJohnsHopkinsbyapartialfailureofsight,andforthreeyearshasdevotedhimselftorailroadengineeringinBaltimoreandinJamaica。Theyoungest,RobertSampson,onlyfourteen,isatTryon,N。C。,withhismother。
ThatinterestinLanier’slifeandworkdidnotceasewithhisdeath,thereisabundantevidence。OnOctober22,1881,amemorialmeetingwasheldbytheFacultyandstudentsoftheJohnsHopkinsUniversity,atwhichaddresses*1*weremadebyPresidentGilmanandProfessorWm。HandBrowne,oftheUniversity,andbytheRev。Dr。WilliamKirkus,ofBaltimore,andaletter*1*wasreadfromthepoet-critic,EdmundC。Stedman,ofNewYork。In1883`TheEnglishNovel’waspublished,andin1884the`Poems’,editedbyhiswife,withtheexcellent`Memorial’
byDr。Wm。HayesWard,whodeclaredthathethoughtLanierwould"takehisfinalrankwiththefirstprincesofAmericansong。"*2*
Numerousreviewsofhislifeandworkswerepublished,notablythosebyMr。Wm。R。Thayer,Dr。MerrillE。Gates,ProfessorCharlesW。Kent,andbytheLondon`Spectator’。OnFebruary3,1888,theJohnsHopkinsUniversityheldanothermemorialmeetinginBaltimore,attendedbymanyfromothercities。"Abustofthepoet,inbronze(modelledbyEphraimKeyser,sculptor,inthelastperiodofLanier’slife,atthesuggestionofMr。J。R。Tait),waspresentedtotheUniversitybyhiskinsman,CharlesLanier,Esq。,ofNewYork。ItwasalsoannouncedthatacitizenofBaltimorehadofferedapedestal,tobecutinGeorgiamarblefromadesignbyMr。J。B。N。Wyatt。OnatemporarypedestalhungthefluteofLanier,whichhadsooftenbeenhissolace,andarollofhismanuscriptmusic。Thebustwascrownedwithawreathoflaurel;thewordsofLanier,`TheTimeneedsHeart’,werewovenintothestringsofaflorallyre;andotherflowers,likewisebroughtbypersonalfriends,weregroupedaroundthepedestal。
Asamementoacard,designedbyMrs。HenryWhitman,ofBoston,wasgiventothosewhowerepresent。Uponitsfacewasawreath,withLanier’snameandthedate,andthemotto——`AspirodumExspiro’;
uponthereverseappearedtheclosinglinesoftheHymnoftheSun,takenfromthepoet’s`HymnsoftheMarshes’——andbeneath,aflutewithivytwinedaboutit。"*3*Theexercises,whichwereinterspersedwithmusic,wereasfollows:
addressesbyPresidentGilmanoftheHopkinsandPresidentGatesofRutgers(nowofAmherst);selectionsfromLanier’spoetry,readbyMissSusanHayesWard,ofNewark,N。J。;apaperonLanier’s`ScienceofEnglishVerse’,byProfessorA。H。Tolman,ofRiponCollege,Wis。
(nowoftheUniversityofChicago);poetictributesbyMrs。LawrenceTurnbull,MissEdithM。Thomas,andMessrs。JamesCummings,RichardE。Burton,andJohnB。Tabb;andlettersfromMessrs。RichardW。Gilder,EdmundC。Stedman,andJamesRussellLowell——allofwhichmaybefoundinPresidentGilman’sdainty`MemorialofSidneyLanier’。Again,areplicaoftheabove-mentionedbust,thegiftalsoofMr。CharlesLanier,wasunveiledatthepoet’sbirthplace,Macon,Ga。,onOctober17,1890;
onwhichoccasiontendertributes*4*wereagainpouredforthinproseandverse,byMessrs。W。B。Hill,HughV。Washington,CharlesLanier,CliffordLanier,Wm。HandBrowne,CharlesG。D。Roberts,JohnB。Tabb,H。S。Edwards,Wm。H。Hayne,CharlesW。Hubner,JoelChandlerHarris,CharlesDudleyWarner,andDanielC。Gilman。
Butmoresignificantthanthesedemonstrations,perhaps,isthesteadilygrowingstudydevotedtoLanier’sworks。
Mr。Higginson*5*tellsus,forinstance,that,whenhewrotehistributein1887,Lanier’s`ScienceofEnglishVerse’hadbeenputuponthelistofHarvardbookstobekeptonlyafortnight,andthat,accordingtothelibrarian,itwasout"literallyallthetime。"
Moreover,itwouldnotbedifficulttocitevariouspoemsthathavebeenmoreorlessmodeleduponLanier’s;itissufficient,perhaps,topointoutthatthemarsh,athemealmostunknowntopoetrybeforeLanierimmortalizedit,isnotinfrequentlythesubjectofpoetictreatmentnow,asintheworksofCharlesG。D。Roberts,*6*ClintonScollard,*7*
andMauriceThompson。*8*Itisnoteworthy,too,thatmanyoftheyoungerpoetsoftheday,bothinCanadaandtheUnitedStates,havesungLanier’spraise。Acompletelistisgiveninthe`Bibliography’。
Stillfurther,adevotedadmirer,Mrs。LawrenceTurnbull,ofBaltimore,in`TheCatholicMan’,hasinthepersonofPaul,thepoet,givenusanimaginativestudyofthecharacterofMr。Lanier。
Finally,onlyafewmonthsagotheChautauquansoftheclassof1898
determinedtocallthemselves"TheLaniers",inhonorofthepoetandhisbrother。
——
*1*Seethe`Bibliography’。
*2*`Memorial’,p。xi。
*3*Gilman’s`AMemorialofSidneyLanier’,pp。5-6。
*4*Publishedin`TheAtlanta(Ga。)Constitution’ofOctober19,1890。
*5*See`TheChautauquan’,ascitedinthe`Bibliography’。
*6*Seerecentfilesof`TheIndependent’(NewYork)。
*7*Seehis`PicturesinSong’(NewYork,1884),pp。45-49。
*8*Seehis`SongsofFairWeather’(Boston,1883),pp。27-28。
——
II。Lanier’sProseWorksWiththisbriefsketchofhislife,letusturntoLanier’sworks,andfirsttothoseinprose。Attheheadofthelistcomes`Tiger-lilies’,anovelwrittenwithinthreeweeksandpublishedimmediatelythereafter,in1867。Underthefigureof"astrange,enormous,terribleflower,"
theseedofwhichhehopesmayperishbeyondresurrection,theauthorpicturesthehorrorofwaringeneralandoftheCivilWarinparticular。
Anentertaininglove-storyrunsthroughthebook,theplotofwhichspacedoesnotallowmetodetail。Inexecutionthenovelhasgravedefects:
itlacksunity;thecharacterstalkaslearnedlyasLanierafterwardwroteofmusic;andattimes,asintheoft-quotedpictureofthewar,*1*
thestyleisgrandiloquent;owingtowhichblemishestheauthorwiselydiscourageditsrepublication。But,inspiteofthesedefects,thebookhasoneverystronglyputscene,*2*theinterviewbetweenSmallinandhisdeserterbrother,andseveralbeautifulpassages*3*
thatdistinctlyproclaimthehigh-souledpoet。
——
*1*`Tiger-lilies’,p。115ff。
*2*`Tiger-lilies’,p。149ff。
*3*Thaton"love"(p。26)isquotedlater。
——
Lanier’snextpublication,`Florida:ItsScenery,Climate,andHistory’,waswrittenbycommissionoftheAtlanticCoastLine,andappearedin1876。
Tousetheauthor’sownepithet,`Florida’is"aspiritualizedguide-book"。
Exclusiveofthe1877volumeof`Poems’,Lanier’snextoriginalworkwas`TheScienceofEnglishVerse’,whichinlecture-formwasdeliveredtothestudentsoftheJohnsHopkinsinthewinterof1879
andwaspublishedin1880。Accordingtocompetentcritics,thebookgivesassearchinganinvestigationofthescienceofverseonitsformalsideasistobehadinanylanguage。Sincethetreatiseissoevidentlyanepoch-makingone,Iregretthatthetechnicalityofthesubjectforbidsmyattemptinginthisconnectionevenabriefexposition*ofitsprinciples。
IcansayonlythatLaniertreatsverseinthetermsofmusic;
that,accordingtothepromiseofthepreface,hegives"anaccountofthetruerelationsofmusicandverse";andthatinsodoinghehasgivenusthebestworkingtheoryforEnglishversefromCaedmontoTennyson。Thisisahighestimate,butitisbynomeanssohighasthatofthelamentedpoet-professor,EdmundRowlandSill,whosaidof`TheScienceofEnglishVerse’,"Itistheonlyworkthathasevermadeanyapproachtoarationalviewofthesubject。
Norarethestandardonesoverlookedinmakingthisassertion。"**
——
*ThismaybefoundinProfessorTolman’sarticle,citedinthe`Bibliography’。
**QuotedbyTolman。
——
Lanier’ssecondcourseoflecturesattheJohnsHopkinsUniversity,deliveredinthewinterandspringof1881,waspublishedin1883
underthetitle,`TheEnglishNovelandthePrinciplesofItsDevelopment’。*
Accordingtotheauthor’sstatement,thepurposeofthebookis"first,toinquirewhatisthespecialrelationofthenoveltothemodernman,byvirtueofwhichithasbecomeaparamountliteraryform;
and,secondly,toillustratethisabstractinquiry,whencompleted,bysomeconcretereadingsinthegreatestofmodernEnglishnovelists"(p。4)。
Addressinghimselftotheformer,Lanierattemptstoprove(1)thatourtime,whencomparedwiththatofAeschylus,showsan"enormousgrowthinthepersonalityofman"(p。5);(2)thatwhatwemodernscallPhysicalScience,Music,andtheNovel,allhadtheiroriginatpracticallythesametime,aboutthemiddleoftheseventeenthcentury(p。9);
and(3)"thattheincreaseofpersonalitiesthusgoingonhasbroughtaboutsuchcomplexitiesofrelationthattheolderformsofexpressionwereinadequatetothem;andthattheresultingnecessityhasdevelopedthewonderfullyfreeandelasticformofthemodernnoveloutofthemorerigidGreekdrama,throughthetransitionformoftheElizabethandrama"(p。10)。Infulfilmentofhissecondpurpose,theauthorgivesadetailedstudyofseveralofthenovelsofGeorgeEliot,whomhetakestobethegreatestmodernEnglishnovelist。Eventhisbriefsynopsisofthebookmustindicateitsbroadandstimulatingcharacter,inwhichrespectitisaworthysuccessorof`TheScienceofEnglishVerse’。
Despitethelimitationsinducedbyfailinglife,whichnecessitatedthecuttingdownofthecourseoflecturesfromtwentytotwelve,**
Iknowoffewmorelife-givingbooks;andIventuretoassertthatitcannotsafelybeoverlookedbyanycarefulstudentofthesubject。
——
*Mrs。Lanierinformsmethat`TheEnglishNovel’willsoonbeissuedinanamendedformandwithanewsub-title,`StudiesintheDevelopmentofPersonality’,whichindicatespreciselywhatMr。Lanierintendedtoattempt,andrelievesthebookofitsseemingincompletenessastoscope。
**`Spann’。
——
AmongotherproseworksImaymentionLanier’searlyextravaganza,`ThreeWaterfalls’;`Bob’,ahappyaccountofapetmocking-bird,worthyofbeingplacedbesideDr。Brown’s`RabandhisFriends’;
hisbooksforboys:`Froissart’,`KingArthur’,`Mabinogion’,and`Percy’,whichhavehad,astheydeserve,alargesale;andhisposthumous`FromBacontoBeethoven’,ahighlyinstructiveessayonmusic。
III。Lanier’sPoetry:ItsThemesButitischieflyasapoetthatwewishtoconsiderLanier,andIturntotheposthumouseditionofhis`Poems’gottenoutbyhiswife。
Attheoutsetletusask,Howdidthepoetlookattheworld?
whatproblemsengagedhisattentionandhowweretheysolved?
Acarefulinvestigationwillshow,Ibelieve,that,despitethebrevityofhislifeanditsconsumingcares,Lanierstudiedthechiefquestionsofourage,andthatinhispoemshehasofferedusnoteworthysolutions。
What,forinstance,ismorecharacteristicofouragethanitstendencytoagnosticism?Ipassbythemanifestationsofthisspiritintheworldofreligion,ofwhichsomuchhasbeenheard,andgiveanillustrationortwofromthefieldofhistoryandpolitics。
PicturesquePocahontas,wearetold,isnomoretobebelievedin;
moreover,thePilgrimFathersdidnotlandatPlymouthRock,nordidJeffersonwritetheDeclarationofIndependence。Whichwayweturnthereisabiginterrogation-point,oftennotforinformationbutfornegation。Ofthegoodresultingfromtheinquisitivespirit,weallknow;ofthebanefulinfluenceofinquisitivenessthathasbecomeamereintellectualpastimeoramateurishagnosticism,welikewisehavesomeknowledge;buttheevilsideofthistendencyhasseldombeenputmoreforcibly,Ithink,thaninthisstanzafromLanier’s`Acknowledgment’:
"OAgethathalfbeliev’stthouhalfbeliev’st,Halfdoubt’stthesubstanceofthineownhalfdoubt,And,halfperceivingthatthouhalfperceiv’st,Stand’statthytempledoor,heartin,headout!
Lo!whilethyheart’swithin,helpingthechoir,Without,thineeyesrangeupanddownthetime,Blinkingato’er-brightScience,smitwithdesireToseeandnottosee。Hence,crimeoncrime。
Yea,iftheChrist(calledthine)nowpacedyonstreet,Thyhalfnesshotwithhisrebukewouldswell;
LegionsofscribeswouldriseandrunandbeatHisfairintolerableWholenesstwicetohell。"*
——
*`Acknowledgment’,ll。1-12。
——
Morehurtfulthanagnosticism,becauseaffectinglargermassesofpeople,istherapidgrowthofthemercantilespiritduringthepresentcentury,especiallyinAmerica。Thisevilthepoetsawmostclearlyandfeltmostkeenly,aseveryonemaylearnbyreading`TheSymphony’,hisgreatpoeminwhichthespeakersarethevariousmusicalinstruments。
Theviolinsbegin:
"OTrade!OTrade!wouldthouwertdead!
TheTimeneedsheart——’tistiredofhead。"*
Thenallthestringedinstrumentsjoinwiththeviolinsingivingthewailofthepoor,who"standwedgedbythepressingofTrade’shand":
"`Weweaveinthemillsandheaveinthekilns,Wesievemine-meshesunderthehills,AndthievemuchgoldfromtheDevil’sbanktills,Torelieve,OGod,whatmannerofills?——
Thebeasts,theyhunger,andeat,anddie;
Andsodowe,andtheworld’sasty;
Hush,fellow-swine:whynuzzleandcry?
"Swinehoodhathnoremedy"
Saymanymen,andhastenby,Clampingthenoseandblinkingtheeye。
Butwhosaidonce,inthelordlytone,"ManshallnotlivebybreadaloneButallthatcomethfromthethrone"?
HathGodsaidso?
ButTradesaith"No":
Andthekilnsandthecurt-tonguedmillssay"Go:
There’splentythatcan,ifyoucan’t:weknow。
Moveout,ifyouthinkyou’reunderpaid。
Thepoorareprolific;we’renotafraid;
TradeisTrade。"’
"ThereatthispassionateprotestingMeeklychanged,andsoftenedtillItsanktosadrequestingAndsuggestingsadderstill:
`Andoh,ifmenmightsometimeseeHowpiteous-falsethepoordecreeThattradenomorethantrademustbe!
Doesbusinessmean,"Die,you——live,I"?
Then"Tradeistrade"butsingsalie:
’Tisonlywargrownmiserly。
Ifbusinessisbattle,nameitso。’"**
——
*`TheSymphony’,ll。1-2。
**`TheSymphony’,ll。31-61。
——
Ofevenwidersweepthanmercantilismisthespiritofintolerance;
for,whilethediffusionofknowledgeandofgracehasinameasurerepressedthisspirit,itlacksmuchofbeingsubdued。IdonotwonderthatLanier"fledintearsfrommen’sungodlyquarrelaboutGod,"
andthat,inhispoementitled`Remonstrance’,hedenouncesintolerancewithallthevehemenceofaprophetofold。
ButLanierhadaneyeforlife’sbeautiesaswellasitsills。
Tohimmusicwasoneofearth’schiefblessings。Ofhisearlypassionfortheviolinandhissubstitutionoftheflutetherefor,wehavealreadylearned。Accordingtocompetentcriticshewaspossiblythegreatestflute-player*1*intheworld,afactallthemoreinterestingwhenwerememberthat,ashehimselftellsus,*2*heneverhadateacher。
Withsuchatalentformusicthepoethasnaturallystrewnhispageswithfinetributesthereto。In`Tiger-lilies’,forinstance,hetellsusthat,whileexplorerssaythattheyhavefoundsomenationsthathadnogod,heknowsofnonethathadnomusic,andthensumsupthematterinthissentence:"Musicmeansharmony;
harmonymeanslove;andlovemeans——God!"*3*EvenmoreexplicitisthisdeclarationinaletterofMay,1873,toHayne:"Idon’tknowthatI’vetoldyouthatwhateverturnImayhaveforartispurelyMUSICAL;
poetrybeingwithmeAMERETANGENTINTOWHICHISHOOTSOMETIMES。
IcouldplaypassablyonseveralinstrumentsbeforeIcouldwritelegibly,andSINCEthentheverydeepestofmylifehasbeenfilledwithmusic,whichIhavestudiedandcultivatedfarmorethanpoetry。"*4*
Wehavealreadyseenincidentallythatinhis`Symphony’
thespeakersaremusicalinstruments;anditisinthispoemthatoccurshisfelicitousdefinition,"Musicisloveinsearchofaword。"*5*
In`ToBeethoven’hedescribestheeffectofmusicuponhimself:
"Iknownothow,Icarenotwhy,Thymusicbringsthisbroilatease,Andmeltsmypassion’smortalcryInsatisfyingsymphonies。
"Yea,itforgivesmeallmysins,Fitslifetolovelikerhymetorhyme,AndtunesthetaskeachdaybeginsBythelasttrumpet-noteofTime。"*6*
Itwasthisprofoundknowledgeofmusic,ofcourse,thatenabledLaniertowritehisworkon`TheScienceofEnglishVerse’,andgavehimatechnicalskillinversificationakintothatofTennyson。
——
*1*SeeWard’s`Memorial’,pp。xx,xxxi。
*2*Hayne’s(P。H。)`APoet’sLetterstoaFriend’。
*3*`Tiger-lilies’,p。32。
*4*Hayne’s`APoet’sLetterstoaFriend’。AftersettlinginBaltimoreLanierdevotedmoretimetopoetrythantomusic,aswemayseefromthissentencetoJudgeBleckley,inhisletterofMarch20,1876:
"Asforme,lifehasresolvedsimplyintoatimeduringwhichImustgetuponpaperasmanyaspossibleofthepoemswithwhichmyheartisstuffedlikeaschoolboy’spocket。"
*5*`TheSymphony’,l。368。
*6*`ToBeethoven’,ll。61-68。
——
Likemostgreatpoetsofmoderntimes,Lanierwasasincereloverofnature。
Anditseemstomethatwithhimthislovewasasall-embracingaswithWordsworth。Lanierfoundbeautyinthewavingcorn*1*andtheclover;*2*
inthemocking-bird,*3*therobin,*4*andthedove;*5*
inthehickory,*6*thedogwood,*6*andthelive-oak;*7*
inthemurmuringleaves*8*andthechatteringstreams;*9*
intheoldredhills*10*andthesea;*11*intheclouds,*12*
sunrise,*13*andsunset;*14*andeveninthemarshes,*15*
which"burstintobloom"forthisworshiper。Again,Lanier’sloveofnaturewasnolessinsistentthanWordsworth’s。Weallrememberthelatter’soft-quotedlines:
"TomethemeanestflowerthatblowscangiveThoughtsthatdooftenlietoodeepfortears;"*16*
andbesidethemonemayputthislineofLanier’s,"Thelittlegreenleaveswouldnotletmealoneinmysleep,"*17*
because,asthecontextshows,hewas"Shakenwithhappiness:
Thegatesofsleepstoodwide。"*18*
Andhownaiveandtenderwasthisnature-worship!Hespeaksoftheclover*19*andtheclouds*20*ascousins,andoftheleaves*21*
assisters,andinsodoingremindsusoftheearliestItalianpoetry,especiallyof`TheCanticleoftheSun’,bySt。FrancisofAssisi,whobrothersthewind,thefire,andthesun,andsistersthewater,thestars,andthemoon。Noticethetendernessintheselinesof`Corn’:
"TheleavesthatwaveagainstmycheekcaressLikewomen’shands;theembracingboughsexpressAsubtletyofmightytenderness;
Thecopse-depthsintolittlenoisesstart,Thatsoundanonlikebeatingsofaheart,Anonliketalk’twixtlipsnotfarapart;"*22*
towhichwefindabeautifulparallelinapoembyPaulHamiltonHayne,himselfareverentnature-worshiper:
"Ah!NatureseemsThroughsomethingsweeterthanalldreamsTowoome;yea,sheseemstospeakHowclosely,kindly,herfondcheekRestedonmine,hermysticbloodPulsingintenderneighborhood,Andsoftasanymortalmaid,Halfveiledinthetwilightshade,WholeansaboveherlovetotellSecretsalmostineffable!"*23*
Moreover,thisworshipisrestful:
"Oh,whatisabroadinthemarshandtheterminalsea?
SomehowmysoulseemssuddenlyfreeFromtheweighingoffateandthesaddiscussionofsin,BythelengthandthebreadthandthesweepofthemarshesofGlynn……
"Bysomanyrootsasthemarsh-grasssendsinthesodIwillheartilylaymea-holdonthegreatnessofGod:
Oh,liketothegreatnessofGodisthegreatnesswithinTherangeofthemarshes,theliberalmarshesofGlynn。"*24*
ButtoLaniertheministrationofnaturewasbynomeanspassive;
andwefindhimcallingupontheleavesactivelytoministertohisneedandeventointercedeforhimtotheirMaker:
"Yelispers,whisperers,singersinstorms,Yeconsciencesmurmuringfaithsunderforms,Yeministersmeetforeachpassionthatgrieves,Friendly,sisterly,sweetheartleaves,Oh,rainmedownfromyourdarksthatcontainmeWisdomsyewinnowfromwindsthatpainme,——
Siftdowntremorsofsweet-within-sweetThatadvisemeofmorethantheybring,——repeatMethewoods-smellthatswiftlybutnowbroughtbreathFromtheheaven-sidebankoftheriverofdeath,——
Teachmethetermsofsilence,——preachmeThepassionofpatience,——siftme,——impeachme,——
Andthere,ohthereAsyehangwithyourmyriadpalmsupturnedintheair,Praymeamyriadprayer。"*25*
InthisearnestascriptionofspiritualitytotheleavesLanierrecallsRuskin。*26*
——
*1*See`TheWavingoftheCorn’and`Corn’。
*2*See`Clover’。
*3*See`TheMocking-Bird’and`ToOurMocking-Bird’。
*4*See`TampaRobins’。
*5*See`TheDove’。
*6*See`FromtheFlats’,laststanza。
*7*See`Sunrise’。
*8*See`Sunrise’and`Corn’。
*9*See`TheSongoftheChattahoochee’and`Sunrise’。
*10*See`Corn’。
*11*See`Sunrise’and`AtSunset’。
*12*See`Individuality’。
*13*See`Sunrise’,etc。
*14*See`AtSunset’。
*15*See`TheMarshesofGlynn’,andreadBarbe’stributetoLanier,citedinthe`Bibliography’。
*16*`IntimationsofImmortality’,ll。202-203。
*17*`TheSymphony’,l。3。
*18*`TheSymphony’,ll。13-14。
*19*`Clover’,l。57。
*20*`Individuality’,l。1。
*21*`Sunrise’,l。42。
*22*`Corn’,ll。4-9。Compare`TheSymphony’,ll。183-190。
*23*Hayne’s`IntheGrayofEvening’:Autumn,ll。37-46,in`Poems’(Boston,1882),p。250。
*24*`TheMarshesofGlynn’,ll。61-64,75-78。
*25*`Sunrise’,ll。39-53。
*26*Seehis`ModernPainters’,vol。v。,partvi。,chapteriv。,andScudder’snotetothesameinher`IntroductiontoRuskin’
(Chicago,1892),p。249。
——
Totakeuphisnexttheme,Lanier,likeeverytrueTeuton,fromTacitustothepresent,saw"somethingofthedivine"inwoman。
Itwasthisfeelingthatledhimsoseverelytocondemnavicethatissaidtobegrowing,themarriageforconvenience。Iquotefrom`TheSymphony’,andthe"meltingClarionet"isspeaking:
"SohathTradewitheredupLove’ssinewyprime,Menlovenotwomenasinoldentime。
Ah,notinthesecoldmerchantabledaysDeemmentheirlifeanopalgray,whereplaysTheoneredsweetofgraciousladies’-praise。
Now,comesasuitorwithsharppryingeye——
Says,`Here,youlady,ifyou’llsell,I’llbuy:
Come,heartforheart——atrade?What!weeping?why?’
Shameonsuchwooer’sdapper-mercery!"*1*
Andthenfollowsawooingthat,tomymind,shouldbeirresistible,andthat,atanyrate,isquiteashigh-souledasBrowning’s`OneWayofLove’,whichIhavelongconsideredthehigh-water-markofthechivalrousinlove。
TheLadyClarionetisstillspeaking:
"IwouldmyloverkneelingatmyfeetInhumblemanlinessshouldcry,`OSweet!
Iknownotifthyheartmyheartwillgreet:
Iasknotifthylovemylovecanmeet:
Whate’erthyworshipfulsofttongueshallsay,I’llkissthineanswer,beityeaornay:
IdobutknowIlovethee,andIprayTobethyknightuntilmydyingday。’"*2*
Iimagine,too,thatanywifethateverlivedwouldbesatisfiedwithhisglorioustributetoMrs。Lanierin`MySprings’,whichclosesthus:
"Deareyes,deareyes,andrarecomplete——
Beingheavenly-sweetandearthly-sweet——
ImarvelthatGodmadeyoumine,Forwhenhefrowns,’tisthenyeshine。"*3*
Almostequallyfelicitousaretheselinesof`Acknowledgment’:
"Somehowbythee,dearLove,Iwincontent:
ThyPerfectstopsth’Imperfect’sargument。"*4*
ButthecleverestthingthatLanierhaswrittenofwomanoccursinhis`LausMariae’:
"Butthouwithinthyself,dearmanifoldheart,Dostbindallepochsinonedaintyfact。
Oh,Sweet,myprettysumofhistory,Ileaptthebreadthoftimeinlovingthee!"*5*
——ascrapworthytobeplacedbesideSteele’s"Toloveherisaliberaleducation,"whichhasoftenbeendeclaredthehappiestthingonthesubjectintheEnglishlanguage。
——
*1*`TheSymphony’,ll。232-240。
*2*`TheSymphony’,ll。241-248。
*3*`MySprings’,ll。53-56。
*4*`Acknowledgment’,ll。41-42。
*5*`LausMariae’,ll。11-14。
——
ToLaniertherewasbutonethingthatmadelifeworthliving,andthatwaslove。Eventhesuperficialreadermustbestruckwiththefrequentuseoftheterminthepoet’sworks,whileallmustbeupliftedbyhisconceptionofitspurposeandpower。
Theillsofagnosticism,mercantilism,andintoleranceallfindtheirsolutionhereandhereonly,asisadmirablysetforthin`TheSymphony’,ofwhichtheopeningstrainis,"Weareallforlove,"
andtheclosing,"Lovealonecando。"Thematterisnolesshappilyputin`Tiger-lilies’:"ForIamquiteconfidentthatloveistheonlyropethrownoutbyHeaventouswhohavefallenoverboardintolife。
Loveforman,loveforwoman,loveforGod,——thesethreechimelikebellsinasteepleandcallustoworship,whichistowork……
Inasmuchaswelove,insomuchdoweconquerdeathandflesh;
byasmuchaswelove,bysomucharewegods。ForGodislove;
andcouldweloveasHedoes,wecouldbeasHeis。"*1*
Tothesameeffectishisstatementin`TheEnglishNovel’:
"Arepublicisthegovernmentofthespirit。"*2*Thesamethoughtrecurslater:"Inlove,andloveonly,cangreatworkthatnotonlypullsdown,butbuilds,bedone;itislove,andloveonly,thatistrulyconstructiveinart。"*3*Inthepoementitled`HowLoveLookedforHell’,MindandSenseatLove’srequestgotoseekHell;buteverastheypointitouttoLove,whetherinthematerialortheimmaterialworld,itvanishes;forwhereLoveistherecanbenoHell,since,inthewordsofTolstoi’sstory,"WhereLoveisthereisGod。"ButinoneofhispoemsLaniersumsupthewholematterinaline:
"Whenlife’salllove,’tislife:aughtelse,’tisnaught。"*4*
——
*1*`Tiger-lilies’,p。26。
*2*`TheEnglishNovel’,p。55。
*3*`TheEnglishNovel’,p。204。
*4*`InAbsence’,l。42。
——
Itisbutashortwayfromlovetoitssource,——God。
And,asLanierwascontinuallyintheatmosphereoftheone,so,Ibelieve,hewaseverinthepresenceoftheother;forthepoet’s"LovemeansGod"
isbutanotherphrasingoftheevangelist’s"Godislove"。*1*
OfLanier’sgriefoverchurchbroilsandofhislongingforfreedomtoworshipGodaccordingtoone’sownintuition,wehavealreadylearnedfromhis`Remonstrance’。WhathethoughtoftheChristwelearnfrom`TheCrystal’,whichcloseswiththisinvocation:
"ButThee,butThee,OsovereignSeeroftime,ButThee,Opoets’Poet,Wisdom’sTongue,ButThee,Oman’sbestMan,Olove’sbestLove,Operfectlifeinperfectlaborwrit,Oallmen’sComrade,Servant,King,orPriest,——
WhatIForYET,whatmole,whatflaw,whatlapse,Whatleastdefectorshadowofdefect,Whatrumor,tattledbyanenemy,Ofinferenceloose,whatlackofgraceEvenintorture’sgrasp,orsleep’s,ordeath’s——
Oh,whatamissmayIforgiveinThee,Jesus,goodParagon,ThouCrystalChrist?"*2*
HowtenderlyLanierwastouchedbythelifeofourLordmaybeseeninhis`BalladofTreesandtheMaster’,adramaticpresentationofthesceneinGethsemaneandonCalvary。HowimplicitwashistrustintheChristmaybegatheredfromthisparagraphinalettertotheelderHayne:
"Ihaveaboywhoseeyesareblueasyour`Aethra’s’。EverydaywhenmyworkisdoneItakehiminmystrongarms,andlifthimup,andporeinhisface。Theintenserepose,penetratedsomehowwithathrillingmysteryof`potentialactivity’,whichdwellsinhislarge,openeye,teachesmenewthings。Isaytomyself,WherearethestrongarmsinwhichI,too,mightlaymeandrepose,andyetbefullofthefireoflife?Andalwaysthroughthetwilightcomeanswersfromtheotherworld,`Master!Master!thereisone——Christ——
inHisarmswerest!’"*3*Perhaps,however,Lanier’snotionofGod,whomhedeclared*4*allhisroadsreached,ismostclearlyexpressedinascrapquotedbyWard,apparentlytheoutlineforapoem:
"Ifledintearsfromthemen’sungodlyquarrelaboutGod。
Ifledintearstothewoods,andlaidmedownontheearth。
Thensomewhatlikethebeatingofmanyheartscameuptomeoutoftheground;
andIlookedandmycheeklayclosetoaviolet。Thenmyhearttookcourage,andIsaid:`IknowthatthouartthewordofmyGod,dearViolet。
Andoh,theladderisnotlongthattomyheavenleads。
Measurewhatspaceavioletstandsabovetheground。’Tisnofurtherclimbingthatmysoulandangelshavetodothanthat。’"*5*InthishighspiritualityLanierisinlinewiththegreatestpoetsofourrace,from"Caedmon,inthemornA-callingangelswiththecow-herd’scallThatlatebroughtupthecattle,"*6*
tohim"Whoneverturnedhisback,butmarchedbreastforward,Neverdoubtedcloudswouldbreak,Neverdreamed,thoughrightwereworsted,wrongwouldtriumph,Heldwefalltorise,arebaffledtofightbetter,Sleeptowake。"*7*
——
*1*1John4:16。
*2*`TheCrystal’,ll。100-111。
*3*Hayne’s`APoet’sLetterstoaFriend’。
*4*In`AFloridaSunday’,l。85。
*5*Ward’s`Memorial’,p。xxxix。
*6*Lanier’s`TheCrystal’,ll。90-93。
*7*Browning’s`Asolando’:Epilogue,ll。11-15。
——
PerhapsImayappendhereaparagraphuponLanier’scriticismsofotherwriters,fortheyseemtomeacuteintheextreme。
DespitetheelaborateessaysindefenceofWhitman’spoetrybyDowden,*1*Symonds,*2*andWhitmanhimself,IbelieveLanierisrightindeclaringthat"Whitmanispoetry’sbutcher。Hugerawcollopsslashedfromtherumpofpoetryandnevermindgristle——
iswhatWhitmanfeedsoursoulswith。AsnearasIcanmakeitout,Whitman’sargumentseemstobe,that,becauseaprairieiswide,thereforedebaucheryisadmirable,andbecausetheMississippiislong,thereforeeveryAmericanisGod。"*3*Notice,again,howwellthedefectof`ParadiseLost’ispointedout:
"AndIforgiveThee,Milton,thosethycomic-dreadfulwarsWhere,armedwithgrossandinconclusivesteel,ImmortalssmiteimmortalsmortalwiseAndfillallheavenwithfolly。"*4*
FewbetterthingshavebeensaidofLanglandthanthis,——
"ThatwithbutatouchOfarthadstsungPiersPlowmantothetopOfEnglishsongs,whereof’tisdearest,nowAndmostadorable;"*5*
orofEmersonthanthis,——
"Mostwise,thatyet,infindingWisdom,lostThySelf,sometimes;"*6*
orofTennysonthanthis,——
"LargestvoiceSinceMilton,yetsomeregisterofwitWanting。"*7*
`TheCrystal’aboundsinsuchhappycharacterizations。
——
*1*SeeDowden’s`StudiesinLiterature’,pp。468-523。
*2*SeeSymonds’s`WaltWhitman:AStudy’。London,1893。
*3*Ward’s`Memorial’,p。xxxviii。
*4*`TheCrystal’,ll。66-70。
*5*Ibid。,ll。87-90。
*6*Ibid。,ll。93-94。
*7*Ibid。,ll。95-97。
——
IV。Lanier’sPoetry:ItsStyleSomuchforthepoet’sthoughts;whatshallwesayoftheirexpression?
Inotherwords,isLaniertheliteraryartistequaltoLaniertheseer?
Inorderthebettertoanswerthisquestion,letusbeginatthebeginning,withtheelementsofstyle,someofwhich,however,Ipassbyasnotcallingforspecialcomment。
OfLanier’sfelicitouschoiceofwordswehavealreadyhadincidentalillustration;butitisdesirable,perhaps,togrouphereafewofhishappiestphrases,toshowthat,asLowell*1*said,heis"amanofgeniuswithararegiftforthehappyword。"
Noticethisspeechaboutthebrook:
"Anddownthehollowfromafernynook`Lull’singsalittlebrook!"*2*
andthisofthewell-bucket:
"TherattlingbucketplumpsSousedownthewell;"*3*
andthisoftheoutburstofabird:
"Dumbwoods,haveyeutteredabird?"*4*
andthedescriptionofamocking-birdas"YontrimShakspereonthetree;"*5*
andofmidnightas"Death’sandtruth’sunlockingtime。"*6*
Moreover,itshouldbeobservedthatLanierfrequentlyusessignificantcompounds,——ahabitacquired,nodoubt,fromhisstudyofOldEnglish,inwhich,asinGerman,suchcompoundsabound。
——
*1*See`Lowell’in`Bibliography’。
*2*`FromtheFlats’,ll。23-24;citedbyGates。[Line24waschanged(to"Brightleapsalivingbrook!")inlatereditions。——A。L。,1998。]
*3*`Clover’,ll。29-30。
*4*`Sunrise’,l。57;citedbyGates。
*5*`TheMocking-Bird’,l。14。
*6*`TheCrystal’,l。1。Otherillustrationsmaybefoundintheparagraphonfiguresofspeech。
第1章