”his”，v。5，thesun’s。”Yethuman”，v。6：though`kindred’tothesun，yetproved`human’……`whenthefirstsummons’，etc。”Thisisthesamevoice”，v。11，i。e。，avoiceofthesameimportaswas”thefirstsummons”——oneinvokinghelp。Thenouns”interchange”，”splendour”，”benediction”，vv。17，18，19，areappositivesof”what”，v。17。”Neverconclude”，v。20，tobeconstruedwith”commence”，v。13：”Never[mayI]conclude”。”Theirutmostupandon”，v。23，tobeconstruedwith”yearn”，v。21。”so”，v。23，looksbackto”raisinghandandhead”，etc。”Somewhiteness”……v。25，”Somewanness”……v。26，tobeconstruedwith”blessingback”。
　　SeeanelaborateanalysisofthisInvocation，byDr。F。J。Furnivall，readattheforty-eighthmeetingoftheBrowningSociety，February25，1887，beingNo。39oftheSociety’sPapers。
　　But，afterall，thedifficultiesinBrowningwhichresultfromtheconstructionofthelanguage，bethatwhatitmay，arenotthemaindifficulties，ashasbeentoogenerallysupposed。
　　THEMAINDIFFICULTIESAREQUITEINDEPENDENTOFTHECONSTRUCTION
　　OFTHELANGUAGE。
　　Manyreaders，especiallythosewhotakeanintellectualattitudetowardallthings，intheheavensaboveandintheearthbeneath，supposethattheyarepreparedtounderstandalmostanythingwhichisunderstandableifitisonlyPUTright。Thisisamostegregiousmistake，especiallyinrespecttothesubtleandcomplexspiritualexperienceswhichthemoredeeplysubjectivepoetryembodies。
　　WhatDeQuinceysaysinhispaperonKant，*ofthecomprehensionofthehigherphilosophicaltruths，can，withstillbetterreason，besaidoftheresponsivenesstothehigherspiritualtruths：”Nocomplexorveryimportanttruthwaseveryettransferredinfulldevelopmentfromonemindtoanother：truthofthatcharacterisnotapieceoffurnituretobeshifted；itisaseedwhichmustbesown，andpassthroughtheseveralstagesofgrowth。Nodoctrineofimportancecanbetransferredinamaturedshapeintoanyman’sunderstandingfromwithout：itmustarisebyanactofgenesiswithintheunderstandingitself。”——
　　*`LetterstoaYoungMan’。LetterV——
　　Andsoitmaybesaidinregardtotheresponsivenesstothehigherspiritualtruths——Idon’tsayCOMPREHENSIONofthehigherspiritualtruthsthatwordpertainsrathertoanintellectualgrasp，butRESPONSIVENESStothehigherspiritualtruths。Spiritualtruthsmustbespirituallyrespondedto；
　　theyarenotandcannotbeintellectuallycomprehended。Theconditionofsuchresponsivenessitmayrequirealongwhiletofulfil。
　　Newattitudesofthesoul，ameta/noia，maybedemanded，beforesuchresponsivenessispossible。Andwhatsomepeoplemayregardinthehigherpoetryasobscure，byreasonofthemodeofitspresentationonthepartofthepoet，maybeonlyrelativelyso——thatis，theobscuritymaybewhollyduetothewrongattitudes，orthenoattitudes，oftheirownsouls，andtothelimitationsoftheirspiritualexperiences。Inthatcase”thepatientmustministertohimself”。
　　Whileonthesubjectof”obscurity”，ImustnoticeadifficultywhichthereaderatfirstexperiencesinhisstudyofBrowning’spoetry——adifficultyresultingfromthepoet’sfavoriteart-form，thedramaticorpsychologicmonologue。*Thelargestportionofhisvoluminouspoetryisinthisform。Somespeakerismadetorevealhischaracter，and，sometimes，byreflection，ordirectly，thecharacterofsomeoneelse——tosetforthsomesubtleandcomplexsoul-mood，somesupreme，all-determiningmovementorexperienceofalife；or，itmaybe，toRATIOCINATEsubtlyonsomecuriousquestionoftheology，morals，philosophy，orart。Nowitisinstrictlypreservingthemonologuecharacterthatobscurityoftenresults。Amonologueoftenbeginswithastartlingabruptness，andthereadermustreadalongsomedistancebeforehegatherswhatthebeginningmeans。
　　TakethemonologueofFraLippoLippiforexample。Thesituationisnecessarilyleftmoreorlessunexplained。Thepoetsaysnothing`inpropriapersona’，andnoreplyismadetothespeakerbythepersonorpersonsaddressed。Sometimesalook，agesture，oraremark，mustbesupposedonthepartoftheoneaddressed，whichoccasionsaresponsiveremark。SometimesthespeakerIMPUTES
　　aquestion；andthereaderissometimesobligedtostopandconsiderwhetheraquestionisimputedbythespeakertotheoneheisaddressing，orisadirectquestionofhisown。Thisisoftenthecasethroughout`TheRingandtheBook’。Buttotheinitiated，thesefeaturesofthemonologuepresentlittleornodifficulty，andtheyconducetogreatcompactnessofcomposition——
　　aclosenessoftexturewhichthereadercomesintimetoenjoy，andtoprefertoamorelooselywovendiction。
　　*Thedramaticmonologuediffersfromasoliloquyinthis：
　　whilethereisbutonespeaker，thepresenceofasilentsecondpersonissupposed，towhomtheargumentsofthespeakerareaddressed。
　　PerhapssuchasituationmaybetermedanoveltyofinventioninourPoet。Itisobviousthatthedramaticmonologuegainsoverthesoliloquyinthatitallowstheartistgreaterroominwhichtoworkouthisconceptionofcharacter。Wecannotgazelongatasolitaryfigureonacanvas，howeverpowerfullytreated，withoutfeelingsomeneedofrelief。Inthesamewayasoliloquycomp。thegreatsoliloquiesofShakespearecannotbeprotractedtoanygreatlengthwithoutwearyingthelistener。Thethoughtsofamaninself-communionareapttoruninacertaincircle，andtoassumeamonotony。Theintroductionofasecondpersonactingpowerfullyuponthespeakerthroughout，drawsthelatterforthintoamorecompleteandvariedexpressionofhismind。
　　Thesilentpersoninthebackground，whomaybeallthetimemasterofthesituation，suppliesapowerfulstimulustotheimaginationofthereader——Rev。Prof。E。Johnson’s”Paperon`BishopBlougram’sApology’”`BrowningSoc。Papers’，Pt。III。，p。279——
　　Themonologueentitled`MyLastDuchess。Ferrara’isagoodexampleoftheconstitutionofthisart-form。Itisoneofthemostperfectinartistictreatment，andexhibitsallthefeaturesIhavejustnoticed。
　　Originally，thismonologueandthatnowentitled`CountGismond。
　　AixinProvence’，hadthecommontitle，`ItalyandFrance’，theformerbeingNo。I。Italy；thelatter，No。II。France。Thepoet，nodoubt，afterwardthoughtthattheDukeoftheonemonologue，andtheCountoftheother，couldnotjustlybepresentedasrepresentatives，respectively，ofItalyandFrance。
　　Ingivingthemonologuesnewtitles，`MyLastDuchess’and`CountGismond’，headdedtotheone，`Ferrara’，andtotheother，`AixinProvence’，thuslocallyrestrictingtheorderofcharacterwhichtheyseverallyrepresent。
　　In`MyLastDuchess’，thespeakerisasoullessVIRTUOSO——
　　anaturalproductofaproud，arrogant，andexclusivearistocracy，ontheonehand，andontheother，ofanoldandeffetecity，likeFerrara，whereart，ratherthanministeringtosoul-lifeandtruemanlinessofcharacter，hasbecomeanendtoitself——
　　isvaluedforitsownsake。
　　TheDukeisshowing，withtheweakprideofthemerevirtuoso，aportraitofhislastDuchess，tosomeonewhohasbeensenttonegotiateanothermarriage。Weseethatheishavinganentertainmentorreceptionofsomekindinhispalace，andthathehaswithdrawnfromthecompanywiththeenvoytothepicture-galleryonanupperfloor。Hehaspulledasidethecurtainfrombeforetheportrait，andinremarkingontheexpressionwhichtheartist，FraPandolf，hasgiventotheface，heismadetorevealafiendishjealousyonhispart，occasionedbythesweetnessandjoyousnessofhislateDuchess，who，hethought，shouldshowinterestinnothingbuthisownfossilizedself。”Shehad，”hesays，”aheart——
　　howshallIsay?——toosoonmadeglad，tooeasilyimpressed；
　　shelikedwhate’ershelookedon，andherlookswenteverywhere。
　　Sir，’twasallone！Myfavouratherbreast，thedroppingofthedaylightintheWest，theboughofcherriessomeofficiousfoolbrokeintheorchardforher，thewhitemulesherodewithroundtheterrace——allandeachwoulddrawfromheraliketheapprovingspeech，orblush，atleast。Shethankedmen，——good！
　　butthankedsomehow——Iknownothow——asifsherankedmygiftofanine-hundred-years-oldnamewithanybody’sgift。”
　　Herfreshinterestinthings，andthesweetsmileshehadforall，duetoageneroussoul-life，provedfataltothelovelyDuchess：”Ohsir，shesmiled，nodoubt，whene’erIpassedher；butwhopassedwithoutmuchthesamesmile?Thisgrew；Igavecommands；
　　thenallsmilesstoppedtogether。”
　　Hesucceeded，andheseemstobeproudofit，inshuttingoffallherlife-currents，pure，andfresh，andsparkling，astheywere，andwemustsupposethatshethansankslowlyanduncomplaininglyaway。
　　Whatadeeppathosthereisin”thenallsmilesstoppedtogether”！*——
　　*”Igavecommands”certainlymustnotbeunderstoodtomeancommandsforherdeath，asitisunderstoodbythewriterofthearticlesin`TheSaintPaul’sMagazine’forDecember，1870，andJanuary，1871。
　　{SeePreface：NotetotheThirdEdition。}——
　　Thecontemptiblemeannessandselfishnessofjealousywereneverexhibitedwithgreaterpower，thantheyareexhibitedinthisshortmonologue——apowerlargelyduetotheartistictreatment。
　　ThejealousyofLeontes，in`TheWinter’sTale’，ofShakespeare，isnobilityitself，incomparisonwiththeDuke’s。Howdistinctly，whileindirectly，thesweetDuchessis，withafewmasterlytouches，placedbeforeus！Thepoetshowshisartisticskillespeciallyinhisindirect，reflectedportraitures。
　　Thisshortcomposition，comprisingasitdoesbutfifty-sixlines，is，ofitself，sufficienttoprovethepoetaconsummateartist。
　　Tennyson’sTECHNIQUEisquiteperfect，almost”faultilyfaultless”，indeed；butinnooneofhiscompositionshasheshownanequaldegreeofart-power，inthehighestsenseoftheword。
　　{`MyLastDuchess’}”That’smylastDuchesspaintedonthewall，Lookingasifshewerealive。IcallThatpieceawonder，now：FraPandolf’shandsWorkedbusilyaday，andthereshestands。
　　Will’tpleaseyousitandlookather?Isaid，`FraPandolf’bydesign：forneverreadStrangerslikeyouthatpicturedcountenance，Thedepthandpassionofitsearnestglance，ButtomyselftheyturnedsincenoneputsbyThecurtainIhavedrawnforyou，butI
　　Andseemedastheywouldaskme，iftheydurst，Howsuchaglancecamethere；so，notthefirstAreyoutoturnandaskthus。Sir，’twasnotHerhusband’spresenceonly，calledthatspotOfjoyintotheDuchess’cheek：perhapsFraPandolfchancedtosay`HermantlelapsOvermylady’swristtoomuch’，or`PaintMustneverhopetoreproducethefaintHalf-flushthatdiesalongherthroat’：suchstuffWascourtesy，shethought，andcauseenoughForcallingupthatspotofjoy。ShehadAheart——howshallIsay?——toosoonmadeglad，Tooeasilyimpressed；shelikedwhate’erShelookedon，andherlookswenteverywhere。
　　Sir，’twasallone！Myfavouratherbreast，ThedroppingofthedaylightintheWest，TheboughofcherriessomeofficiousfoolBrokeintheorchardforher，thewhitemuleSherodewithroundtheterrace——allandeachWoulddrawfromheraliketheapprovingspeech，Orblush，atleast。Shethankedmen，——good！butthankedSomehow——Iknownothow——asifsherankedMygiftofanine-hundred-years-oldnameWithanybody’sgift。Who’dstooptoblameThissortoftrifling?EvenhadyouskillInspeech——whichIhavenot——tomakeyourwillQuitecleartosuchanone，andsay，`JustthisOrthatinyoudisgustsme；hereyoumiss，Orthereexceedthemark’——andifsheletHerselfbelessonedso，norplainlysetHerwitstoyours，forsooth，andmadeexcuse，——E’enthenwouldbesomestooping；andIchooseNevertostoop。Ohsir，shesmiled，nodoubt，Whene’erIpassedher；butwhopassedwithoutMuchthesamesmile?Thisgrew；Igavecommands；
　　Thenallsmilesstoppedtogether。ThereshestandsAsifalive。Will’tpleaseyourise?We’llmeetThecompanybelow，then。Irepeat，TheCountyourmaster’sknownmunificenceIsamplewarrantthatnojustpretenceOfminefordowrywillbedisallowed；
　　Thoughhisfairdaughter’sself，asIavowedAtstarting，ismyobject。Nay，we’llgoTogetherdown，sir。NoticeNeptune，though，Tamingasea-horse，thoughtararity，WhichClausofInnsbruckcastinbronzeforme！*——
　　*ClausofInnsbruckandalsoFraPandolfv。3areimaginaryartists。