Browningpromisedtoconsiderthesuggestion。Sixweekslater,incompanywithForster,withwhomhehadbecomeintimate,hecalleduponMacready,todiscusstheplotofatragedywhichhehadpondered。Hetoldthetragedianhowdeeplyhehadbeenimpressedbyhisperformanceof“Othello“,andhowthishaddeflectedhisintentionfromamodernandEuropeantoanOrientalandancienttheme。
“BrowningsaidthatIhadBIThimbymyperformanceof`Othello’,andItoldhimIhopedIshouldmakethebloodcome。“The“blood“hadcomeintheguiseofadrama-motivebasedonthecrucialperiodinthecareerofNarses,theeunuch-generalofJustinian。Macreadylikedthesuggestion,thoughhedemurredtooneortwopointsintheoutline:
andbeforeBrowningleftheeagerlypressedhimto“goonwith`Narses’。“
ButwhetherBrowningmistrustedhisowninterestinthetheme,orwasdubiousastothesuccesswithwhichMacreadywouldrealisehisconception,orastothereceptionaplayofsuchnaturewouldwinfromanauditorynolongerreverentofhighdramaticideals,hegaveuptheidea。SomethreemonthslaterMay26thheenjoyedanothereventfulevening。ItwasthenightofthefirstperformanceofTalfourd’s“Ion“,andhewasamongthepersonalfriendsofMacreadywhowereinvitedtothesupperatTalfourd’srooms。
Afterthefallofthecurtain,Browning,Forster,andotherfriendssoughtthetragedianandcongratulatedhimuponthesuccessbothoftheplayandofhisimpersonationofthechiefcharacter。
Theythenadjournedtothehouseoftheauthorof“Ion“。
TohissurpriseandgratificationBrowningfoundhimselfplacednextbutonetohishost,andimmediatelyoppositeMacready,whosatbetweentwogentlemen,onecalmasasummerevening,andtheotherwithatempestuousyouthdominatinghissixtyyears,whomtheyoungpoetatoncerecognisedasWordsworthandWalterSavageLandor。
Everyonewasingoodspirits:thehostperhapsmostofall,whowascelebratinghisbirthdayaswellasthesuccessof“Ion“。
PossiblyMacreadywastheonlypersonwhofeltatallbored
unlessitwasLandorforWordsworthwasnot,atsuchafunction,anentertainingconversationalist。ThereismuchsignificanceinthesuccinctentryinMacready’sjournalconcerningtheLake-poet
“Wordsworth,whopinnedme。“……WhenTalfourdrosetoproposethetoastof“ThePoetsofEngland“everyoneprobablyexpectedthatWordsworthwouldbenamedtorespond。Butwithakindlygracethehost,afterflatteringremarksuponthetwogreatmenthenhonouringhimbysittingathistable,coupledhistoastwiththenameoftheyoungestofthepoetsofEngland“Mr。RobertBrowning,theauthorof`Paracelsus’。“ItwasaveryproudmomentforBrowning,singledoutamongthatbrilliantcompany:anditispleasanttoknow,ontheauthorityofMissMitford,whowaspresent,that“heperformedhistaskwithgraceandmodesty,“looking,theamiableladyadds,evenyoungerthanhewas。Perhaps,however,hewasprouderstillwhenWordsworthleanedacrossthetable,andwithstatelyaffabilitysaid,“Iamproudtodrinkyourhealth,Mr。Browning:“whenLandor,also,withasuperblyindifferentandyetkindlysmile,alsoraisedhisglasstohislipsincourteousgreeting。
OfWordsworthBrowningsawnotalittleintheensuingfewyears,forontherarevisitstheelderlypoetpaidtoLondon,Talfourdneverfailedtoasktheauthorof“Paracelsus“,forwhomhehadasincereadmiration,tomeetthegreatman。
Itwasnotinthenatureofthingsthatthetwopoetscouldbecomefriends,butthoughtheyoungerwassometimesannoyedbytheelder’spooh-poohinghisrepublicansympathies,andcontemptuouslywaivingasideasamerenobodynolessanindividualthanShelley,heneverfailedofrespectandevenreverence。Withwhattendernessanddignityhehascommemoratedthegreatpoet’sfallingawayfromhisearlyideals,maybeseenin“TheLostLeader“,oneofthemostpopularofBrowning’sshortpoems,andlikelytoremainso。Forseveralreasons,however,itisbestaswellasrightthatWordsworthshouldnotbemorethanmerelynominallyidentifiedwiththeLostLeader。
Browningwasalwaysimperativeuponthispoint。
TowardsLandor,ontheotherhand,heentertainedasentimentofgenuineaffection,coupledwithaprofoundsympathyandadmiration:
asentimentdulyreciprocated。Thecareoftheyoungerfortheelder,intheoldageofthelatter,isoneofthemostbeautifulincidentsinabeautifullife。
Buttheeveningwasnottopasswithoutanothermemorableincident,onetowhichweowe“Strafford“,andprobably“ABlotinthe’Scutcheon“。
Justastheyoungpoet,flushedwiththetriumphantpleasureoftheevening,wasabouttoleave,Macreadyarrestedhimbyafriendlygripofthearm。
InunmistakableearnestnessheaskedBrowningtowritehimaplay。
Withasimplicityequaltotheoccasion,thepoetcontentedhimselfwithreplying,“ShallitbehistoricalandEnglish?WhatdoyousaytoadramaonStrafford?“
Macreadywaspleasedwiththeidea,andhopefulthathisfriendwouldbemoresuccessfulwiththeEnglishstatesmanthanwiththeeunuchNarses。
Afewmonthselapsedbeforethepoet,whohadsetasidethelongworkuponwhichhewasengaged“Sordello“,calleduponMacreadywiththemanuscriptof“Strafford“。Thelatterhopedmuchfromit。
InMarchtheMS。wasready。AbouttheendofthemonthMacreadytookittoCoventGardenTheatre,andreadittoMr。Osbaldiston,“whocaughtatitwithavidity,andagreedtoproduceitwithoutdelay。“
ItwasaneventfulfirstofMayaneventfultwelvemonth,indeed,foritwastheinitialyearoftheVictorianera,notable,too,asthatwhereintheElectricTelegraphwasestablished,and,inletters,whereinanewdramaticliteraturehaditsorigin。For“Strafford“,alreadysignificantofanovelmovement,anddestined,itseemstome,tobestillmoresignificantinthatgreatdramaticperiodtowardswhichwearefastconverging,wasnotlessimportanttotheDramainEngland,asanewdepartureinmethodandradicallyindicativeofafreshstandpoint,than“Hernani“wasinFrance。Butinliteraryhistorythedayitselfisdoublymemorable,forintheforenoonCarlylegavethefirstofhislecturesinLondon。Theplaywasasuccess,despitetheshamefullyinadequateactingofsomeofthoseentrustedwithimportantparts。Therewasonce,perhapsthereweremoreoccasionsthanone,wheresuccesspoisedlikethesoulofaMohammedanontheinvisiblethreadleadingtoParadise,butoneithersideofwhichliesperdition。
Therewasnonetocry`Timbul’saveMacready,exceptMissHelenFaucit,whogainedabrillianttriumphasLadyCarlisle。ThepartofCharlesI。
wasenactedsoexecrablythatdamnationforallwasagainandagainwithinmeasurabledistance。“TheYoungerVane“rantedsothatahiss,likeanembodiedscorn,vibratedonvagrantwingsthroughoutthehouse。
Therewasnotevenanyextraneousaidtoafortunateimpression。
Thehousewasinillrepair:theseatsdusty,the“scenery“commonplaceandsometimesnoticeablyinappropriate,thecostumesandaccessoriesalmostsordid。Butinthefaceofallthis,atriumphwassecured。
ForabriefwhileMacreadybelievedthatthestarofregenerationhadarisen。
Unfortunately’twas,inthewordsofacontemporarydramaticpoet,“arisingsorrowsplendidlyforlorn。“ThefinancialconditionofCoventGardenTheatrewassoruinousthatnoteventhemostsuccessfulplaycouldhaverestoreditsdoomedfortunes。
Afterthefifthnightoneoftheleadingactors,havingreceivedabetterofferelsewhere,suddenlywithdrew。
Thiswasthelaststraw。Acollapseforthwithoccurred。
Inthescrambleforsharesinthefewremainingfundseveryonegainedsomething,excepttheauthor,whowastohavereceived12Poundsforeachperformanceforthefirsttwenty-fivenights,and10Poundseachfortennightsfurther。ThisdisasterwasadeepdisappointmenttoBrowning,andabynomeanstransitoryone,forthreeorfouryearslaterhewroteAdvt。of“BellsandPomegranates“:
“TwoorthreeyearsagoIwroteaplay,aboutwhichthechiefmatterImuchcaretorecollectatpresentis,thatapitfulofgood-naturedpeopleapplaudedit。Eversince,Ihavebeendesirousofdoingsomethinginthesamewaythatshouldbetterrewardtheirattention。“
But,exceptinsofarasitsabruptdeclensionfromthestagehurtitsauthorintheeyesofthecritics,andpossiblyinthoseoftheatricalmanagers,“Strafford“wascertainlynofailure。Ithastheelementsofagreatactingplay。Everything,eventhelanguageandherewasastumbling-blockwithmostofthecriticsandcriticasters,wassubordinatedtodramaticexigencies:thoughthesubordinationwasinconformitywithanovelshapingmethod。“Strafford“wasnot,however,allowedtoremainunknowntothosewhohadbeenunabletovisitCoventGardenTheatre。*Browning’snamehadquitesufficientliteraryreputetojustifyapublisherinriskingtheissueofadramabyhim,one,atanyrate,thathadtheadvantageofassociationwithMacready’sname。
TheLongmansissuedit,andtheauthorhadthepleasureofknowingthathisthirdpoeticworkwasnotproducedattheexpenseofarelative,butatthatofthepublishers。Ithadbutanindifferentreception,however。
*“ItistimetodenyastatementthathasbeenrepeatedadnauseamineverynoticethatprofessestogiveanaccountofMr。Browning’scareer。
Whateverissaidornotsaid,itisalwaysthathisplayshave`failed’
onthestage。Inpointoffact,thethreeplayswhichhehasbroughtouthaveallsucceeded,andhaveowedittofortuitouscircumstancesthattheirtenureontheboardshasbeencomparativelyshort。“
E。W。Gosse,inarticlein`TheCenturyMagazine’。