首页 >出版文学> Modeste Mignon>第1章

第1章

  TranslatedbyKatharinePrescottWormeley
  DEDICATION
  ToaPolishLady。
  Daughterofanenslavedland,angelthroughlove,witchthroughfancy,childbyfaith,agedbyexperience,maninbrain,womaninheart,giantbyhope,motherthroughsorrows,poetinthydreams,——toTHEEbelongsthisbook,inwhichthylove,thyfancy,thyexperience,thysorrow,thyhope,thydreams,arethewarpthroughwhichisshotawooflessbrilliantthanthepoesyofthysoul,whoseexpression,whenitshinesuponthycountenance,is,tothosewholovethee,whatthecharactersofalostlanguagearetoscholars。
  DeBalzac。
  MODESTEMIGNON
  CHAPTERI
  THECHALET
  AtthebeginningofOctober,1829,MonsieurSimonBabylasLatournelle,notary,waswalkingupfromHavretoIngouville,arminarmwithhissonandaccompaniedbyhiswife,atwhosesidetheheadclerkofthelawyer’soffice,alittlehunchbacknamedJeanButscha,trottedalonglikeapage。Whenthesefourpersonages(twoofwhomcamethesamewayeveryevening)reachedtheelbowoftheroadwhereitturnsbackuponitselflikethosecalledinItaly"cornice,"thenotarylookedabouttoseeifanyonecouldoverhearhimeitherfromtheterraceaboveorthepathbeneath,andwhenhespokeheloweredhisvoiceasafurtherprecaution。
  "Exupere,"hesaidtohisson,"youmusttrytocarryoutintelligentlyalittlemanoeuvrewhichIshallexplaintoyou,butyouarenottoaskthemeaningofit;andifyouguessthemeaningI
  commandyoutotossitintothatStyxwhicheverylawyerandeverymanwhoexpectstohaveahandinthegovernmentofhiscountryisboundtokeepwithinhimforthesecretsofothers。AfteryouhavepaidyourrespectsandcomplimentstoMadameandMademoiselleMignon,toMonsieurandMadameDumay,andtoMonsieurGobenheimifheisattheChalet,andassoonasquietisrestored,MonsieurDumaywilltakeyouaside;youarethentolookattentivelyatMademoiselleModeste(yes,Iamwillingtoallowit)duringthewholetimeheisspeakingtoyou。
  Myworthyfriendwillaskyoutogooutandtakeawalk;attheendofanhour,thatis,aboutnineo’clock,youaretocomebackinagreathurry;trytopuffasifyouwereoutofbreath,andwhisperinMonsieurDumay’sear,quitelow,butsothatMademoiselleModesteissuretooverhearyou,thesewords:’Theyoungmanhascome。’"
  ExuperewastostartthenextmorningforParistobeginthestudyoflaw。ThisimpendingdeparturehadinducedLatournelletoproposehimtohisfriendDumayasanaccompliceintheimportantconspiracywhichthesedirectionsindicate。
  "IsMademoiselleModestesuspectedofhavingalover?"askedButschainatimidvoiceofMadameLatournelle。
  "Hush,Butscha,"shereplied,takingherhusband’sarm。
  MadameLatournelle,thedaughterofaclerkofthesupremecourt,feelsthatherbirthauthorizeshertoclaimissuefromaparliamentaryfamily。Thisconvictionexplainswhythelady,whoissomewhatblotchedastocomplexion,endeavorstoassumeinherownpersonthemajestyofacourtwhosedecreesarerecordedinherfather’spothooks。Shetakessnuff,holdsherselfasstiffasaramrod,posesforapersonofconsideration,andresemblesnothingsomuchasamummybroughtmomentarilytolifebygalvanism。Shetriestogivehigh—bredtonestohersharpvoice,andsucceedsnobetterindoingthatthaninhidinghergenerallackofbreeding。Hersocialusefulnessseems,however,incontestablewhenweglanceattheflower—
  bedeckedcapshewears,atthefalsefrontfrizzlingaroundherforehead,atthegownsofherchoice;forhowcouldshopkeepersdisposeofthoseproductsiftherewerenoMadameLatournelle?Alltheseabsurditiesoftheworthywoman,whoistrulypiousandcharitable,mighthavepassedunnoticed,ifnature,amusingherselfassheoftendoesbyturningouttheseludicrouscreations,hadnotendowedherwiththeheightofadrum—major,andthushelduptoviewthecomicalitiesofherprovincialnature。ShehasneverbeenoutofHavre;shebelievesintheinfallibilityofHavre;sheproclaimsherselfNormantotheverytipsofherfingers;sheveneratesherfather,andadoresherhusband。
  LittleLatournellewasboldenoughtomarrythisladyaftershehadattainedtheanti—matrimonialageofthirty—three,andwhatismore,hehadasonbyher。Ashecouldhavegotthesixtythousandfrancsofher"dot"inseveralotherways,thepublicassignedhisuncommonintrepiditytoadesiretoescapeaninvasionoftheMinotaur,againstwhomhispersonalqualificationswouldhaveinsufficientlyprotectedhimhadherashlydaredhisfatebybringinghomeayoungandprettywife。Thefactwas,however,thatthenotaryrecognizedthereallyfinequalitiesofMademoiselleAgnes(shewascalledAgnes)andreflectedtohimselfthatawoman’sbeautyissoonpastandgonetoahusband。AstotheinsignificantyouthonwhomtheclerkofthecourtbestowedinbaptismhisNormannameof"Exupere,"MadameLatournelleisstillsosurprisedatbecominghismother,attheageofthirty—
  fiveyearsandsevenmonths,thatshewouldstillprovidehim,ifitwerenecessary,withherbreastandhermilk,——anhyperbolewhichalonecanfullyexpressherimpassionedmaternity。"Howhandsomeheis,thatsonofmine!"shesaystoherlittlefriendModeste,astheywalktochurch,withthebeautifulExupereinfrontofthem。"Heislikeyou,"ModesteMignonanswers,verymuchasshemighthavesaid,"Whathorridweather!"ThissilhouetteofMadameLatournelleisquiteimportantasanaccessory,inasmuchasforthreeyearsshehasbeenthechaperoneoftheyounggirlagainstwhomthenotaryandhisfriendDumayarenowplottingtosetupwhatwehavecalled,inthe"PhysiologieduMariage,"a"mouse—trap。"
  AsforLatournelle,imagineaworthylittlefellowasslyasthepuresthonoranduprightnesswouldallowhimtobe,——amanwhomanystrangerwouldtakeforarascalatsightofhisqueerphysiognomy,towhich,however,theinhabitantsofHavrewerewellaccustomed。Hiseyesight,saidtobeweak,obligedtheworthymantoweargreengogglesfortheprotectionofhiseyes,whichwereconstantlyinflamed。Thearchofeacheyebrow,definedbyathindownofhair,surroundedthetortoise—shellrimoftheglassesandmadeacoupleofcirclesasitwere,slightlyapart。Ifyouhaveneverobservedonthehumanfacetheeffectproducedbythesecircumferencesplacedonewithintheother,andseparatedbyahollowspaceorline,youcanhardlyimaginehowperplexingsuchafacewillbetoyou,especiallyifpale,hollow—cheeked,andterminatinginapointedchinlikethatofMephistopheles,——atypewhichpaintersgivetocats。ThisdoubleresemblancewasobservableonthefaceofBabylasLatournelle。Abovetheatrociousgreenspectaclesroseabaldcrown,allthemorecraftyinexpressionbecauseawig,seeminglyendowedwithmotion,letthewhitehairsshowonallsidesofitasitmeanderedcrookedlyacrosstheforehead。AnobservertakingnoteofthisexcellentNorman,clothedinblackandmountedonhistwolegslikeabeetleonacoupleofpins,andknowinghimtobeoneofthemosttrustworthyofmen,wouldhavesought,withoutfindingit,forthereasonofsuchphysicalmisrepresentation。
  JeanButscha,anaturalsonabandonedbyhisparentsandtakencareofbytheclerkofthecourtandhisdaughter,andnow,throughsheerhardwork,head—clerktothenotary,fedandlodgedbyhismaster,whogavehimasalaryofninehundredfrancs,almostadwarf,andwithnosemblanceofyouth,——JeanButschamadeModestehisidol,andwouldwillinglyhavegivenhislifeforhers。Thepoorfellow,whoseeyeswerehollowedbeneaththeirheavylidslikethetouch—holesofacannon,whoseheadoverweightedhisbody,withitsshockofcrisphair,andwhosefacewaspock—marked,hadlivedunderpityingeyesfromthetimehewassevenyearsofage。Isnotthatenoughtoexplainhiswholebeing?Silent,self—contained,pious,exemplaryinconduct,hewenthiswayoverthatvasttractofcountrynamedonthemapoftheheartLove—without—Hope,thesublimeandaridsteppesofDesire。
  Modestehadchristenedthisgrotesquelittlebeingher"BlackDwarf。"
  ThenicknamesenthimtothepagesofWalterScott’snovel,andheonedaysaidtoModeste:"Willyouacceptaroseagainsttheevildayfromyourmysteriousdwarf?"Modesteinstantlysentthesoulofheradorertoitshumblemud—cabinwithaterribleglance,suchasyounggirlsbestowonthemenwhocannotpleasethem。Butscha’sconceptionofhimselfwaslowly,and,likethewifeofhismaster,hehadneverbeenoutofHavre。
  Perhapsitwillbewell,forthesakeofthosewhohaveneverseenthatcity,tosayafewwordsastothepresentdestinationoftheLatournellefamily,——theheadclerkbeingincludedinthelatterterm。
  IngouvilleistoHavrewhatMontmartreistoParis,——ahighhillatthefootofwhichthecitylies;withthisdifference,thatthehillandthecityaresurroundedbytheseaandtheSeine,thatHavreishelplesslycircumscribedbyenclosingfortifications,and,inshort,thatthemouthoftheriver,theharbor,andthedockspresentaverydifferentaspectfromthefiftythousandhousesofParis。AtthefootofMontmartreanoceanofslateroofsliesinmotionlessbluebillows;
  atIngouvilletheseaislikethesameroofsstirredbythewind。Thiseminence,orlineofhills,whichcoaststheSeinefromRouentotheseashore,leavingamarginofvalleylandmoreorlessnarrowbetweenitselfandtheriver,andcontaininginitscities,itsravines,itsvales,itsmeadows,veritabletreasuresofthepicturesque,becameofenormousvalueinandaboutIngouville,aftertheyear1816,theperiodatwhichtheprosperityofHavrebegan。ThistownshiphasbecomesincethattimetheAuteuil,theVille—d’Avray,theMontmorency,inshort,thesuburbanresidenceofthemerchantsofHavre。Heretheybuildtheirhousesonterracesarounditsampitheatreofhills,andbreathetheseaairladenwiththefragranceoftheirsplendidgardens。Heretheseboldspeculatorscastofftheburdenoftheircounting—roomsandtheatmosphereoftheircityhouses,whicharebuiltcloselytogetherwithoutopenspaces,oftenwithoutcourt—
  yards,——aviceofconstructionwiththeincreasingpopulationofHavre,theinflexiblelineofthefortifications,andtheenlargementofthedockshasforceduponthem。Theresultis,wearinessofheartinHavre,cheerfulnessandjoyatIngouville。ThelawofsocialdevelopmenthasforcedupthesuburbofGravillelikeamushroom。Itisto—daymoreextensivethanHavreitself,whichliesatthefootofitsslopeslikeaserpent。
  AtthecrestofthehillIngouvillehasbutonestreet,and(asinallsuchsituations)thehouseswhichoverlooktheriverhaveanimmenseadvantageoverthoseontheothersideoftheroad,whoseviewtheyobstruct,andwhichpresenttheeffectofstandingontip—toetolookovertheopposingroofs。However,thereexisthere,aselsewhere,certainservitudes。Somehousesstandingatthesummithaveafinerpositionorpossesslegalrightsofviewwhichcompeltheiroppositeneighborstokeeptheirbuildingsdowntoarequiredheight。Moreover,theopeningscutinthecapriciousrockbyroadswhichfollowitsdeclensionsandmaketheampitheatrehabitable,givevistasthroughwhichsomeestatescanseethecity,ortheriver,orthesea。Insteadofrisingtoanactualpeak,thehillendsabruptlyinacliff。Attheendofthestreetwhichfollowsthelineofthesummit,ravinesappearinwhichafewvillagesareclustered(Sainte—AdresseandtwoorthreeotherSaint—somethings)togetherwithseveralcreekswhichmurmurandflowwiththetidesofthesea。Thesehalf—desertedslopesofIngouvilleformastrikingcontrasttotheterracesoffinevillaswhichoverlookthevalleyoftheSeine。Isthewindonthissidetoostrongforvegetation?Dothemerchantsshrinkfromthecostofterracingit?Howeverthismaybe,thetravellerapproachingHavreonasteamerissurprisedtofindabarrencoastandtangledgorgestothewestofIngouville,likeabeggarinragsbesideaperfumedandsumptuouslyapparelledrichman。
  In1829oneofthelasthouseslookingtowardthesea,andwhichinallprobabilitystandsaboutthecentreoftheIngouvilleto—day,wascalled,andperhapsisstillcalled,"theChalet。"Originallyitwasaporter’slodgewithatrimlittlegardeninfrontofit。Theownerofthevillatowhichitbelonged,——amansionwithpark,gardens,aviaries,hot—houses,andlawns——tookafancytoputthelittledwellingmoreinkeepingwiththesplendorofhisownabode,andhereconstructeditonthemodelofanornamentalcottage。Hedividedthiscottagefromhisownlawn,whichwasborderedandsetwithflower—bedsandformedtheterraceofhisvilla,byalowwallalongwhichheplantedaconcealinghedge。Behindthecottage(called,inspiteofallhiseffortstopreventit,theChalet)weretheorchardsandkitchengardensofthevilla。TheChalet,withoutcowsordairy,isseparatedfromtheroadwaybyawoodenfencewhosepalingsarehiddenunderaluxurianthedge。Ontheothersideoftheroadtheoppositehouse,subjecttoalegalprivilege,hasasimilarhedgeandpaling,soastoleaveanunobstructedviewofHavretotheChalet。
  Thislittledwellingwasthetormentofthepresentproprietorofthevilla,MonsieurVilquin;andhereisthewhyandthewherefore。Theoriginalcreatorofthevilla,whosesumptuousdetailscryaloud,"Beholdourmillions!"extendedhisparkfarintothecountryforthepurpose,asheaverred,ofgettinghisgardenersoutofhispockets;
  andso,whentheChaletwasfinished,nonebutafriendcouldbeallowedtoinhabitit。MonsieurMignon,thenextowneroftheproperty,wasverymuchattachedtohiscashier,Dumay,andthefollowinghistorywillprovethattheattachmentwasmutual;tohimthereforeheofferedthelittledwelling。Dumay,asticklerforlegalmethods,insistedonsigningaleaseforthreehundredfrancsfortwelveyears,andMonsieurMignonwillinglyagreed,remarking,——
  "MydearDumay,remember,youhavenowboundyourselftolivewithmefortwelveyears。"
  Inconsequenceofcertaineventswhichwillpresentlyberelated,theestatesofMonsieurMignon,formerlytherichestmerchantinHavre,weresoldtoVilquin,oneofhisbusinesscompetitors。InhisjoyatgettingpossessionofthecelebratedvillaMignon,thelatterforgottodemandthecancellingofthelease。Dumay,anxiousnottohinderthesale,wouldhavesignedanythingVilquinrequired,butthesaleoncemade,heheldtohisleaselikeavengeance。Andthereheremained,inVilquin’spocketasitwere;attheheartofVilquin’sfamilylife,observingVilquin,irritatingVilquin,——inshort,thegadflyofalltheVilquins。Everymorning,whenhelookedoutofhiswindow,Vilquinfeltaviolentshockofannoyanceashiseyelightedonthelittlegemofabuilding,theChalet,whichhadcostsixtythousandfrancsandsparkledlikearubyinthesun。Thatcomparisonisverynearlyexact。Thearchitecthasconstructedthecottageofbrilliantredbrickpointedwithwhite。Thewindow—framesarepaintedofalivelygreen,thewoodworkisbrownvergingonyellow。Theroofoverhangsbyseveralfeet。Aprettygallery,withopen—workedbalustrade,surmountsthelowerfloorandprojectsatthecentreofthefacadeintoaverandawithglasssides。Theground—floorhasacharmingsalonandadining—room,separatedfromeachotherbythelandingofastaircasebuiltofwood,designedanddecoratedwithelegantsimplicity。Thekitchenisbehindthedining—room,andthecorrespondingroombackofthesalon,formerlyastudy,isnowthebedroomofMonsieurandMadameDumay。Ontheupperfloorthearchitecthasmanagedtogettwolargebedrooms,eachwithadressing—room,towhichtheverandaservesasasalon;andabovethisfloor,undertheeaves,whicharetippedtogetherlikeacoupleofcards,aretwoservants’roomswithmansardroofs,eachlightedbyacircularwindowandtolerablyspacious。
  Vilquinhasbeenpettyenoughtobuildahighwallonthesidetowardtheorchardandkitchengarden;andinconsequenceofthispieceofspite,thefewsquarefeetwhichtheleasesecuredtotheChaletresembledaParisiangarden。Theout—buildings,paintedinkeepingwiththecottage,stoodwiththeirbackstothewalloftheadjoiningproperty。
  Theinteriorofthischarmingdwellingharmonizedwithitsexterior。
  Thesalon,flooredentirelywithiron—wood,waspaintedinastylethatsuggestedthebeautiesofChineselacquer。Onblackpanelsedgedwithgold,birdsofeverycolor,foliageofimpossiblegreens,andfantasticorientaldesignsglowedandshimmered。Thedining—roomwasentirelysheathedinNorthernwoodscarvedandcutinopen—worklikethebeautifulRussianchalets。ThelittleantechamberformedbythelandingandthewellofthestaircasewaspaintedinoldoaktorepresentGothicornament。Thebedrooms,hungwithchintz,werecharmingintheircostlysimplicity。Thestudy,wherethecashierandhiswifenowslept,waspanelledfromtoptobottom,onthewallsandceiling,likethecabinofasteamboat。TheseluxuriesofhispredecessorexcitedVilquin’swrath。Hewouldfainhavelodgedhisdaughterandherhusbandinthecottage。Thisdesire,wellknowntoDumay,willpresentlyservetoillustratetheBretonobstinacyofthelatter。
  TheentrancetotheChaletisbyalittletrellisedirondoor,theuprightsofwhich,endinginlance—heads,showforafewinchesabovethefenceanditshedge。Thelittlegarden,aboutaswideasthemorepretentiouslawn,wasjustnowfilledwithflowers,roses,anddahliasofthechoicestkind,andmanyrareproductsofthehot—houses,for(anotherVilquinardgrievance)theelegantlittlehot—house,averywhimofahot—house,ahot—houserepresentingdignityandstyle,belongedtotheChalet,andseparated,orifyouprefer,unitedittothevillaVilquin。Dumayconsoledhimselfforthetoilsofbusinessintakingcareofthishot—house,whoseexotictreasureswereoneofModeste’sjoys。Thebilliard—roomofthevillaVilquin,aspeciesofgallery,formerlycommunicatedthroughanimmenseaviarywiththishot—house。Butafterthebuildingofthewallwhichdeprivedhimofaviewintotheorchards,Dumaybrickedupthedoorofcommunication。
  "Wallforwall!"hesaid。
  In1827VilquinofferedDumayasalaryofsixthousandfrancs,andtenthousandmoreasindemnity,ifhewouldgiveupthelease。Thecashierrefused;thoughhehadbutthreethousandfrancsfromGobenheim,aformerclerkofhismaster。DumaywasaBretontransplantedbyfateintoNormandy。ImaginethereforethehatredconceivedforthetenantsoftheChaletbytheNormanVilquin,amanworththreemillions!Whatcriminalleze—milliononthepartofacashier,toholduptotheeyesofsuchamantheimpotenceofhiswealth!Vilquin,whosedesperationinthemattermadehimthetalkofHavre,hadjustproposedtogiveDumayaprettyhouseofhisown,andhadagainbeenrefused。Havreitselfbegantogrowuneasyattheman’sobstinacy,andagoodmanypersonsexplaineditbythephrase,"DumayisaBreton。"Asforthecashier,hethoughtMadameandMademoiselleMignonwouldbeill—lodgedelsewhere。Histwoidolsnowinhabitedatempleworthyofthem;thesumptuouslittlecottagegavethemahome,wherethesedethronedroyaltiescouldkeepthesemblanceofmajestyaboutthem,——aspeciesofdignityusuallydeniedtothosewhohaveseenbetterdays。
  Perhapsasthestorygoeson,thereaderwillnotregrethavinglearnedinadvanceafewparticularsastothehomeandthehabitualcompanionsofModesteMignon,for,atherage,peopleandthingshaveasmuchinfluenceuponthefuturelifeasaperson’sowncharacter,——
  indeed,characteroftenreceivesineffaceableimpressionsfromitssurroundings。
  CHAPTERII
  APORTRAITFROMLIFE
  FromthemannerwithwhichtheLatournellesenteredtheChaletastrangerwouldreadilyhaveguessedthattheycamethereeveryevening。
  "Ah,youareherealready,"saidthenotary,perceivingtheyoungbankerGobenheim,aconnectionofGobenheim—Keller,theheadofthegreatbankinghouseinParis。
  Thisyoungmanwithalividface——ablondeofthetypewithblackeyes,whoseimmovableglancehasanindescribablefascination,soberinspeechasinconduct,dressedinblack,leanasaconsumptive,butneverthelessvigorouslyframed——visitedthefamilyofhisformermasterandthehouseofhiscashierlessfromaffectionthanfromself—interest。Heretheyplayedwhistattwosousapoint;adress—
  coatwasnotrequired;heacceptednorefreshmentexcept"eausucree,"
  andconsequentlyhadnocivilitiestoreturn。ThisapparentdevotiontotheMignonfamilyallowedittobesupposedthatGobenheimhadaheart;italsoreleasedhimfromthenecessityofgoingintothesocietyofHavreandincurringuselessexpenses,thusupsettingtheorderlyeconomyofhisdomesticlife。Thisdiscipleofthegoldencalfwenttobedathalf—pastteno’clockandgotupatfiveinthemorning。Moreover,beingperfectlysureofLatournelle’sandButscha’sdiscretion,hecouldtalkoverdifficultbusinessmatters,obtaintheadviceofthenotarygratis,andgetaninklingoftherealtruthofthegossipofthestreet。Thisstolidgold—glutton(theepithetisButscha’s)belongedbynaturetotheclassofsubstanceswhichchemistrytermsabsorbents。EversincethecatastropheofthehouseofMignon,wheretheKellershadplacedhimtolearntheprinciplesofmaritimecommerce,nooneattheChalethadeveraskedhimtodothesmallestthing,nomatterwhat;hisreplywastoowellknown。TheyoungfellowlookedatModestepreciselyashewouldhavelookedatacheaplithograph。
  "He’soneofthepistonsofthebigenginecalled’Commerce,’"saidpoorButscha,whoseclevermindmadeitselffeltoccasionallybysuchlittlesayingstimidlyjerkedout。
  ThefourLatournellesbowedwiththemostrespectfuldeferencetoanoldladydressedinblackvelvet,whodidnotrisefromthearmchairinwhichshewasseated,forthereasonthatbotheyeswerecoveredwiththeyellowfilmproducedbycataract。MadameMignonmaybesketchedinonesentence。Heraugustcountenanceofthemotherofafamilyattractedinstantnoticeasthatofonewhoseirreproachablelifedefiestheassaultsofdestiny,whichneverthelessmakesherthetargetofitsarrowsandamemberoftheunnumberedtribeofNiobes。
  Herblondewig,carefullycurledandwellarrangeduponherhead,becamethecoldwhitefacewhichresembledthatofsomeburgomaster’swifepaintedbyHalsorMirevelt。Theextremeneatnessofherdress,thevelvetboots,thelacecollar,theshawlevenlyfoldedandputon,allboretestimonytothesolicitouscarewhichModestebestoweduponhermother。
  Whensilencewas,asthenotaryhadpredicted,restoredintheprettysalon,Modeste,sittingbesidehermother,forwhomshewasembroideringakerchief,becameforaninstantthecentreofobservation。Thiscuriosity,barelyveiledbythecommonplacesalutationsandinquiriesofthevisitors,wouldhaverevealedeventoanindifferentpersontheexistenceofthedomesticplottowhichModestewasexpectedtofallavictim;butGobenheim,morethanindifferent,noticednothing,andproceededtolightthecandlesonthecard—table。ThebehaviorofDumaymadethewholesceneterrifyingtoButscha,totheLatournelles,andabovealltoMadameDumay,whoknewherhusbandtobecapableoffiringapistolatModeste’sloverascoollyasthoughhewereamaddog。
  AfterdinnerthatdaythecashierhadgonetowalkfollowedbytwomagnificentPyreneeshounds,whomhesuspectedofbetrayinghim,andthereforeleftinchargeofafarmer,aformertenantofMonsieurMignon。Onhisreturn,justbeforethearrivaloftheLatournelles,hehadtakenhispistolsfromhisbed’sheadandplacedthemonthechimney—piece,concealingthisactionfromModeste。Theyounggirltooknonoticewhateverofthesepreparations,singularastheywere。
  Thoughshort,thick—set,pockmarked,andspeakingalwaysinalowvoiceasiflisteningtohimself,thisBreton,aformerlieutenantintheGuard,showedtheevidenceofsuchresolution,suchsang—froidonhisfacethatthroughoutlife,eveninthearmy,noonehadeverventuredtotriflewithhim。Hislittleeyes,ofacalmblue,werelikebitsofsteel。Hisways,thelookonhisface,hisspeech,hiscarriage,wereallinkeepingwiththeshortnameofDumay。Hisphysicalstrength,well—knowntoeveryone,puthimabovealldangerofattack。Hewasabletokillamanwithablowofhisfist,andhadperformedthatfeatatBautzen,wherehefoundhimself,unarmed,facetofacewithaSaxonattherearofhiscompany。Atthepresentmomenttheusuallyfirmyetgentleexpressionoftheman’sfacehadrisentoasortoftragicsublimity;hislipswerepaleastherestofhisface,indicatingatumultwithinhimmasteredbyhisBretonwill;aslightsweat,whicheveryonenoticedandguessedtobecold,moistenedhisbrow。Thenotaryknewbuttoowellthatthesesignsmightresultinadramabeforethecriminalcourts。InfactthecashierwasplayingapartinconnectionwithModesteMignon,whichinvolvedtohismindsentimentsofhonorandloyaltyoffargreaterimportancethanmeresociallaws;andhispresentconductproceededfromoneofthosecompactswhich,incasedisastercameofit,couldbejudgedonlyinahighercourtthanoneofearth。Themajorityofdramasliereallyintheideaswhichwemaketoourselvesaboutthings。Eventswhichseemtousdramaticarenothingmorethansubjectswhichoursoulsconvertintotragedyorcomedyaccordingtothebentofourcharacters。
  MadameLatournelleandMadameDumay,whowereappointedtowatchModeste,hadacertainassumedstiffnessofdemeanorandaquiverintheirvoices,whichthesuspectedpartydidnotnotice,soabsorbedwassheinherembroidery。Modestelaideachthreadofcottonwithaprecisionthatwouldhavemadeanordinaryworkwomandesperate。Herfaceexpressedthepleasureshetookinthesmoothpetalsoftheflowershewasworking。Thedwarf,seatedbetweenhismistressandGobenheim,restrainedhisemotion,tryingtofindmeanstoapproachModesteandwhisperawordofwarninginherear。
  BytakingapositioninfrontofMadameMignon,MadameLatournelle,withthediabolicalintelligenceofconscientiousduty,hadisolatedModeste。MadameMignon,whoseblindnessalwaysmadehersilent,wasevenpalerthanusual,showingplainlythatshewasawareofthetesttowhichherdaughterwasabouttobesubjected。Perhapsatthelastmomentsherevoltedfromthestratagem,necessaryasitmightseemtoher。Hencehersilence;shewasweepinginwardly。Exupere,thespringofthetrap,waswhollyignorantofthepieceinwhichhewastoplayapart。Gobenheim,byreasonofhischaracter,remainedinastateofindifferenceequaltothatdisplayedbyModeste。Toaspectatorwhounderstoodthesituation,thiscontrastbetweentheignoranceofsomeandthepalpitatinginterestofotherswouldhaveseemedquitepoetic。
  Nowadaysromance—writersarrangesucheffects;anditisquitewithintheirprovincetodoso,fornatureinallagestakesthelibertytobestrongerthanthey。Inthisinstance,asyouwillsee,nature,socialnature,whichisasecondnaturewithinnature,amusedherselfbymakingtruthmoreinterestingthanfiction;justasmountaintorrentsdescribecurveswhicharebeyondtheskillofpainterstoconvey,andaccomplishgiantdeedsindisplacingorsmoothingstoneswhicharethewonderofarchitectsandsculptors。
  Itwaseighto’clock。Atthatseasontwilightwasstillsheddingitslastgleams;therewasnotacloudinthesky;thebalmyaircaressedtheearth,theflowersgaveforththeirfragrance,thestepsofpedestriansturninghomewardsoundedalongthegravellyroad,theseashonelikeamirror,andtherewassolittlewindthatthewaxcandlesuponthecard—tablessentupasteadyflame,althoughthewindowswerewideopen。Thissalon,thisevening,thisdwelling——whataframefortheportraitoftheyounggirlwhomthesepersonswerenowstudyingwiththeprofoundattentionofapainterinpresenceoftheMargharitaDoni,oneofthegloriesofthePittipalace。Modeste,——blossomenclosed,likethatofCatullus,——wassheworthalltheseprecautions?
  Youhaveseenthecage;beholdthebird!Justtwentyyearsofage,slenderanddelicateasthesirenswhichEnglishdesignersinventfortheir"BooksofBeauty,"Modestewas,likehermotherbeforeher,thecaptivatingembodimentofagracetoolittleunderstoodinFrance,wherewechoosetocallitsentimentality,butwhichamongGermanwomenisthepoetryoftheheartcomingtothesurfaceofthebeingandspendingitself——inaffectationsiftheownerissilly,indivinecharmsofmannerifsheis"spirituelle"andintelligent。Remarkableforherpalegoldenhair,Modestebelongedtothetypeofwomancalled,perhapsinmemoryofEve,thecelestialblonde;whosesatinyskinislikeasilkpaperappliedtotheflesh,shudderingatthewinterofacoldlook,expandinginthesunshineofalovingglance,——
  teachingthehandtobejealousoftheeye。Beneathherhair,whichwassoftandfeatheryandworninmanycurls,thebrow,whichmighthavebeentracedbyacompasssopurewasitsmodelling,shoneforthdiscreet,calmtoplacidity,andyetluminouswiththought:whenandwherecouldanotherbefoundsotransparentlyclearormoreexquisitelysmooth?Itseemed,likeapearl,tohaveitsorient。Theeyes,ofabluevergingongrayandlimpidastheeyesofachild,hadallthemischief,alltheinnocenceofchildhood,andtheyharmonizedwellwiththearchoftheeyebrows,faintlyindicatedbylineslikethosemadewithabrushonChinesefaces。Thiscandorofthesoulwasstillfurtherevidencedaroundtheeyes,intheircorners,andaboutthetemples,bypearlytintsthreadedwithblue,thespecialprivilegeofthesedelicatecomplexions。Theface,whoseovalRaphaelsooftengavetohisMadonnas,wasremarkableforthesoberandvirginaltoneofthecheeks,softasaBengalrose,uponwhichthelonglashesofthediaphanouseyelidscastshadowsthatweremingledwithlight。Thethroat,bendingassheworked,toodelicateperhaps,andofmilkywhiteness,recalledthosevanishinglinesthatLeonardoloved。Afewlittleblemisheshereandthere,likethepatchesoftheeighteenthcentury,provedthatModestewasindeedachildofearth,andnotacreationdreamedofinItalybytheangelicschool。Herlips,delicateyetfull,wereslightlymockingandsomewhatsensuous;thewaist,whichwassuppleandyetnotfragile,hadnoterrorsformaternity,likethoseofgirlswhoseekbeautybythefatalpressureofacorset。
  Steelanddimityandlacingsdefinedbutdidnotcreatetheserpentinelinesoftheelegantfigure,gracefulasthatofayoungpoplarswayinginthewind。
  Apearl—graydresswithcrimsontrimmings,madewithalongwaist,modestlyoutlinedthebustandcoveredtheshoulders,stillratherthin,withachemisettewhichleftnothingtoviewbutthefirstcurvesofthethroatwhereitjoinedtheshoulders。Fromtheaspectoftheyounggirl’sface,atonceetherealandintelligent,wherethedelicacyofaGreeknosewithitsrosynostrilsandfirmmodellingmarkedsomethingpositiveanddefined;wherethepoetryenthroneduponanalmostmysticbrowseemedbeliedattimesbythepleasure—lovingexpressionofthemouth;wherecandorclaimedthedepthsprofoundandvariedoftheeye,anddisputedthemwithaspiritofironythatwastrainedandeducated,——fromallthesesignsanobserverwouldhavefeltthatthisyounggirl,withthekeen,alertearthatwakedateverysound,withanostrilopentocatchthefragranceofthecelestialfloweroftheIdeal,wasdestinedtobethebattle—groundofastrugglebetweenthepoesiesofthedawnandthelaborsoftheday;