Studentsofarecentcontroversywillobservethat,followingFreeman,heretainsthefamouspalisade,sogrievouslybatteredbytheaxe-strokesofMrHoraceRound。Haroldisapiecemorecompressed,andmuchmoreinaccordancewiththetraditionsofthedrama,thanQueenMary。Thetopicistragicindeed:thesorrowbeingthatofagreatman,agreatking,thebulwarkofapeoplethatfellwithhisfall。Moreover,asthetopicistreated,theplayisrichintheironyusuallyassociatedwiththenameofSophocles。
Victorycomesbeforeafall。Harold,likeAntigone,istornbetweentwoduties——hisoathandtheclaimsofhiscountry。HisruincomesfromwhatAristotlewouldcallhis[Greektextwhichcannotbereproduced],hisfaultinswearingtheoathtoWilliam。Theherohimself;reckinglittle,afterasuperstitiousmoment,oftheconcealedrelicsoverwhichheswore,deemshisoffencetolieinswearingavowwhichhenevermeanttokeep。Thepersuasionswhichurgehimtothiscourseareadmirablypresented:England,Edith,hisbrother'sfreedom,wereatstake。Casuistry,orevenlaw,wouldhaveabsolvedhimeasily;anoathtakenunderduresseisofnoavail。ButHarold's"honourrootedindishonourstood,"andhecannotsoreadilyabsolvehimself。BruceandthebishopswhostoodbyBrucehadnosuchscruples:theyperjuredthemselvesoften,onthemostsacredrelics,especiallythebishops。ButHaroldrisesabovethemediaevalandmagicalconceptionoftheoath,andgoestohisdoomconsciousofastainonhishonour,ofwhichonlyadeeperstain,thatoffalsenesstohiscountry,couldmakehimclean。Thisisatrulytragicstrokeofdestiny。Thehero'scharacterisadmirablynoble,patient,andsimple。TheConfessoralsoisastrueinartastohistory,andhisvisionofthefallandriseofEnglandisanoblepassage。InAldwythwehavesomethingofVivien,withagrainofconscience,andthepartofEdithSwan's-neckhasarestrainedandclassicpathosincontrastwiththemelancholyofWulfnoth。Thepiece,asthepoetsaid,isa"tragedyofdoom,"ofdeepeninganddarkeningomens,asintheOdysseyandNjal'sSaga。Thebattlescene,withthechorusesofthemonks,makesanobleclose。
FitzGeraldremainedloyal,butitwasto"afairyPrincewhocamefromotherskiesthantheserainyones,"and"thewretchedcritics,"
asG。H。Lewescalledthem,seemtohavebeenunfriendly。Infactbesidestheinnatewretchednessofallcritics,theygrudgedthetimeandlabourgiventothedrama,inanundramaticage。HaroldhadnotwhatFitzGeraldcalled"theoldchampagneflavour"ofthevintageof1842。
Becketwasbegunin1876,printedin1879,andpublishedin1884。
Beforethatdate,in1880,Tennysonproducedoneofthevolumesofpoetrywhichwasmorewelcomethanaplaytomostofhisadmirers。
TheinterveningyearspassedintheIsleofWight,atAldworth,intown,andinsummertours,wereofnomarkedbiographicalinterest。
Thepoetwascloseonthreescoreandten——hereachedthatlimitin1879。Thedaysdarkenedaroundhim,asdarkentheymust:inthespringof1879helosthisfavouritebrother,himselfapoetoforiginalgenius,CharlesTennysonTurner。InMayofthesameyearhepublishedTheLover'sTale,whichhasbeentreatedhereamonghisearliestworks。Hishours,andtosomeextenthismeals,wereregulatedbySirAndrewClark。Heplantedtrees,walked,read,loiteredinhisgarden,andkeptuphisoldfriendships,whilehemadethatofthegreatGordon。ComplimentspassedbetweenhimandVictorHugo,whohadentertainedLionelTennysoninParis,andwrote:
"Jelisavecemotionvosverssuperbes;c'estunrefletdegloirequevousm'envoyez。"MrMatthewArnold'scomplimentwasverylikeMrArnold'shumour:"Yourfatherhasbeenourmostpopularpoetforoverfortyyears,andIamofopinionthathefullydeserveshisreputation":suchwas"Mat'ssublimewaggery。"Tennysonheapedcoalsoffireontheotherpoet,biddinghim,ashelikedtobebidden,towritemorepoetry,not"prosethings。"TennysonlivedmuchinthesocietyofBrowningandGeorgeEliot,andmadetheacquaintanceofRenan。InDecember1879MrandMrsKendalproducedTheFalcon,whichranforsixty-sevennights;itis"anexquisitelittlepoeminaction,"asFannyKemblesaid。DuringaContinentaltourTennysonvisitedCatullus'sSirmio:"herehemadehisFraterAveatqueVale,"andthepoetcomposedhisbeautifulsalutationtothe"TenderestofRomanpoetsnineteenhundredyearsago。"
In1880BalladsandotherPoemsprovedthat,likeTitian,thegreatpoetwasnottobedefeatedbytheyears。TheFirstQuarrelwasinhismostpopularEnglishstyle。RizpahdeservedandreceivedthesplendidpanegyricofMrSwinburne。TheRevengeisprobablythefinestofthepatrioticpieces,andkeepsgreenthememoryofanexploitthemostmarvellousintheannalsofEnglishseamen。TheVillageWifeisapendantworthyofTheNorthernFarmer。ThepoemIntheChildren'sHospitalcausedsomeirritationatthemoment,buttherewasonlyoneopinionastotheDefenceofLucknowandthebeautifulre-tellingoftheCelticVoyageofMaeldune。ThefragmentofHomerictranslationwasequallyfortunateinchoiceofsubjectandinrendering。
Intheendof1880thepoetfinishedTheCup,whichhadbeenworkedonoccasionallysincehecompletedTheFalconin1880。ThepiecewasreadbytheauthortoSirHenryIrvingandhiscompany,anditwasfoundthatthemanuscriptcopyneededfewalterationstofititforthestage。Thesceneryandtheactingoftheprotagonistsarenoteasilytobeforgotten。Theplayranforahundredandthirtynights。SirHenryIrvinghadthoughtthatBecketthenunpublished
wouldprovetooexpensive,andcouldonlybeasuccesd'estime。
Tennysonhadfoundoutthat"theworstofwritingforthestageis,youmustkeepsomeactoralwaysinyourmind。"TothisnecessityauthorslikeMoliereandShakespearewere,ofcourse,resignedandfamiliar;theyknewexactlyhowtodealwithalltheirmeans。Butthispartofthebusinessofplay-writingmustalwaysbeacrosstothepoetwhoisnotatonewiththeworldofthestage。
InTheCupMissEllenTerrymadethestrongestimpression,herpartbeingnobleandsympathetic,whileSirHenryIrvinghadtheungratefulpartofthevillain。Tobesure,hewasavillainofmuchcomplexity;andTennysonthoughtthathissubtleblendofRomanrefinementandintellectuality,andbarbarian,self-satisfiedsensuality,wasnot"hitoff。"Synorixis,infact,half-Greek,half-Celt,withaRomaneducation,andthe"blend"israthertooremoteforsuccessfulrepresentation。Thetraditionalvillain,fromIagodownwards,isnotapttouttersuchpoetryasthis:-
"OThou,thatdostinspirethegermwithlife,Thechild,athreadwithinthehouseofbirth,Andgivehimlimbs,thenair,andsendhimforthThegloryofhisfather——ThouwhosebreathIsbalmywindtorobeourbillswithgrass,Andkindleallourvaleswithmyrtle-blossom,Androllthegoldenoceansofourgrain,Andswaythelonggrape-bunchesofourvines,AndfillallheartswithfatnessandthelustOfplenty——makemehappyinmymarriage!"
Theyear1881broughtthedeathofanotheroftheoldCambridgefriends,JamesSpedding,thebiographerofBacon;andCarlylealsodied,atruefriend,ifratherintermittentinhisappreciationofpoetry。TherealCarlyledidappreciateit,buttheCarlyleofattitudewastoomuchoftheironCovenantertoexpresswhathefelt。
ThepoemDespairirritatedtheearnestandseriousreadersof"know-
nothingbooks。"Thepoemexpressed,dramatically,amoodlikeanother,ahumanmoodnotsoveryuncommon。Amanruinedinthisworld'shappinesscursesthefaithofhisyouth,andtheunfaithofhisreadingandreflection,andtriestodrownhimself。Thisisoneconclusionofthepracticalsyllogism,anditisafreecountry。
However,therewerefreethinkerswhodidnotthinkthatTennyson'skindofthinkingoughttobefree。Otherearnestpersonsobjectedto"Firstdrinkahealth,"inthere-fashionedsongofHandsallRound。
TheymighthaverememberedaroyalhealthdrunkinwateranhourbeforethedrinkerssweptMackaydownthePassofKilliecrankie。Thepoetdidnotspecifythefluidinwhichthetoastwastobecarried,andthecupmightbethatwhich"cheersbutnotinebriates。""Thecommoncup,"astheremonstrantshadtobeinformed,"hasinallagesbeenthesacredsymbolofunity。"
ThePromiseofMaywasproducedinNovember1882,andthepoetwasoncemoresounfortunateastovexthesusceptibilitiesofadvancedthinkers。Theplayisnotamasterpiece,andyetneitherthegallerygodsnortheMarquisofQueensberryneedhavefelttheirwitherswrung。Thehero,orvillain,Edgar,isaperfectlyimpossibleperson,andrepresentsnokindofpolitical,social,oreconomicalthinker。Amanwouldgiveallotherblissandallhisworldlywealthforthis,towastehiswholestrengthinonekickuponthisperfectprig。Heemploystheargumentsofevolutionandsoforthtojustifytheseductionofalittlegirloffifteen,andlater,bywayofmakingamends,proposestocommitincestbymarryinghersister。
Therehavebeenevolutionists,tobesure,whobelievedinpromiscuity,likeMrEdgar,aspreferabletomonogamy。Butthisonlyprovesthatanevolutionistmayfailtounderstandevolution。TherebealsosuchfolkasStevensoncalls"squirradicals"——squireswhosaythat"thelandisthepeople's。"Probablynoadvocateofpromiscuity,andnosquirradical,waspresentattheperformancesofThePromiseofMay。Butpeopleofadvancedmindshadgotitintotheirheadsthattheirdoctrinesweretobeattacked,sotheywentandmadeahubbubinthesacredcauseoffreedomofthoughtandspeech。Thetruthis,thatcontroversialtopics,politicaltopics,oughtnottobebroughtintoplays,muchlessintosermons。TennysonmeantEdgarfor"nothingthorough,nothingsincere。"Heisthatvenomousthing,theprig-scoundrel:hedoesnotsuitthestage,andhisplace,ifanywhere,isinthenovel。Advocatesofmarriagewithadeceasedwife'ssistermighthaveapplaudedEdgarforwishingtomarrythesisterofamistressassumedtobedeceased,butnootherpartyintheStatewantedanythingexceptthepunchingofEdgar'sheadbyFarmerDobson。
In1883diedEdwardFitzGerald,themostkind,loyal,and,ashesaid,crotchetyofoldanddearCambridgefriends。HedidnotlivetoseethedelightfulpoemwhichTennysonhadwrittenforhim。Inalmosthislatestletterhehadremarked,superfluously,thatwhenhecalledthetaskoftranslatingTheAgamemnon"workforapoet,"he"wasnotthinkingofMrBrowning。"
Intheautumnof1883Tennysonwastaken,withMrGladstone,bySirDonaldCurrie,foracruiseroundthewestcoastofScotland,totheOrkneys,andtoCopenhagen。ThepeopleofKirkwallconferredonthepoetandthestatesmanthefreedomoftheburgh,andMrGladstone,inaninterestingspeech,comparedtherelativechancesofposthumousfameofthepoetandthepolitician。PericlesisnotlessrememberedthanSophocles,thoughShakespeareismoreinmen'smindsthanCecil。
Muchdepends,asfarasthestatesmenareconsidered,oncontemporaryhistorians。ItisThucydideswhoimmortalisesPericles。ButitisimprobablethatthethingswhichMrGladstonedid,andattempted,willbeforgottenmorerapidlythantheconductandcharactersof,say,BurleighorLethington。
In1884,afterthisvoyage,withitsroyalfunctionsandcelebrationsatCopenhagen,apeeragewasofferedtothepoet。He"didnotwanttoalterhisplainMr,"andhemusthaveknownthat,whetherheacceptedorrefused,thechorusofblamewouldbelouderthanthatofapplause。Scotthaddesired"suchgrinninghonourasSirWalterhath";thetitlewentwellwiththeoldname,andpleasedhisloveofoldtimes。Tennysonhadbeenblamed"byliterarymen"forthriceevadingabaronetcy,andhedidnotthinkthatapeeragewouldmakesmooththelivesofhisdescendants。Butheconcluded,"WhyshouldI
beselfishandnotsufferanhonourasGladstonesaystobedonetoliteratureinmyname?"Politically,hethoughtthattheUpperHouse,whileitlasts,partlysuppliedtheplaceoftheAmerican"referendum。"HevotedinJuly1884fortheextensionofthefranchise,andinNovemberstatedhisviewstoMrGladstoneinverse。
InprosehewrotetoMrGladstone,"Ihaveastrongconvictionthatthemoresimplethedealingsofmenwithmen,aswellasofmanwithman,are——thebetter,"asentimentwhich,perhaps,didnotalwaysprevailwithhisfriend。Thepoet'sreflectionsonthehorrorofGordon'sdeatharenotrecorded。HeintroducedtheideaoftheGordonHomeforBoys,andlatersupporteditbyaletter,"HaveweforgottenGordon?"totheDailyTelegraph。TheywhocannotforgetGordonmustalwaysbegratefultoTennysonforprovidingthisopportunityofhonouringthegreatestofanillustriousclan,andofhelping,intheirdegree,aschemewhichwasdeartotheheroicleader。
Thepoet,verynaturally,wasmostaversetopersonalappearanceinpublicmatters。Mankindissofashionedthattheadviceofapoetisalwaysregardedasunpractical,andisevenapttoinjurethecausewhichheadvocates。HappilytherecannotbetwoopinionsabouttherightwayofhonouringGordon。Tennyson'spoem,TheFleet,wasalsoinharmonywiththegeneralsentiment。
Inthelastmonthof1884Becketwaspublished。ThethemeofFairRosamundhadappealedtothepoetinyouth,andhehadwrittenpartofalyricwhichhejudiciouslyleftunpublished。ItisgiveninhisBiography。In1877hehadvisitedCanterbury,andhadtracedthestepsofBeckettohisplaceofslaughterintheCathedral。Thepoemwasprintedin1879,butnotpublishedtillsevenyearslater。In1879SirHenryIrvinghadthoughttheplaytoocostlytobeproducedwithmorethanasuccesd'estime;butin1891heputitonthestage,whereitprovedthemostsuccessfulofmodernpoeticdramas。Aspublisheditis,obviously,fartoolongforpublicperformance。Itisnoteasytounderstandwhydramaticpoetsalwaysmaketheirworkssomuchtoolong。Thedramaseems,byitsverynature,tohavealimitalmostasdistinctasthelimitofthesonnet。Itiseasytocalculatehowlongaplayforthestageoughttobe,andwemightthinkthatapoetwouldfindthenaturallimitserviceabletohisart,foritinculcatesselection,conciseness,andconcentration。
Butdespitetheseadvantagesofthenaturalformofthedrama,modernpoets,atleast,constantlyoverflowtheirbanks。Theauthorruitprofusus,andthemanagerhastoreducethepiecetofeasibleproportions,suchasitoughttohaveassumedfromthefirst。
BeckethasbeenhighlypraisedbySirHenryIrvinghimself,forits"momentsofpassionandpathos,……which,whentheyexist,atonetoanaudiencefortheenduranceoflongacts。"Butwhyshouldtheaudiencehavesuchlongactstoendure?Thereader,onefears,isapttousehisprivilegeofskipping。ThelongspeechesofWalterMapandtheimmenseperiodofMargerytemptthestudenttoexercisehisagility。A"chronicleplay"hastheprivilegeofwandering,butBecketwanderstoofarandtoolong。ThepoliticaldetailsofthequarrelbetweenChurchandState,withitsdomesticandinternationalcomplexities,areapttofatiguetheattention。Inevitableandinsolubleasthesituationwas,neitherprotagonistisentirelysympathetic,whetherintheplayorinhistory。ThestruggleinBecketbetweenhisloveofthekingandhisdutytotheChurchorwhathetakestobehisdutyisnoblypresented,andistrulydramatic,whilethereisgrotesqueandterriblereliefinthebanquetoftheBeggars。Inthesceneoftheassassinationthepoet"neverstoopshiswing,"andtherearepassagesoftenderpathosbetweenHenryandRosamund,whileBecket'skeenmemoriesofhisearlydays,justbeforehisdeath,aremoving。
"Becket。IoncewasoutwithHenryinthedaysWhenHenrylovedme,andwecameuponAwild-fowlsittingonhernest,sostillIreach'dmyhandandtouch'd;shedidnotstir;
Thesnowhadfrozenroundher,andshesatStone-deaduponaheapofice-coldeggs。
Look!howthislove,thismother,runsthro'allTheworldGodmade——eventhebeast——thebird!
JohnofSalisbury。Ay,stillaloverofthebeastandbird?
Butthesearm'dmen——willyounothideyourself?
PerchancethefierceDeBrocsfromSaltwoodCastle,ToassailourHolyMotherlestshebroodToolongo'erthishardegg,theworld,andsendHerwholeheart'sheatintoit,tillitbreakIntoyoungangels。Prayyou,hideyourself。
Becket。Therewasalittlefair-hair'dNormanmaidLivedinmymother'shouse:ifRosamundisTheworld'srose,ashernameimportsher——sheWastheworld'slily。
JohnofSalisbury。Ay,andwhatofher?
Becket。Shediedofleprosy。"
ButthepartofRosamund,herinnocentignoranceespecially,isnotveryreadilyintelligible,notquitepersuasive,andthereisalmostatouchoftheburlesqueinherunexpectedappearanceasamonk。Toweavethatoldandfamousstoryofloveintotheterriblycomplexpoliticalintriguewasataskalmosttoogreat。ThecharacterofEleanorisperhapsmoresuccessfullydrawnintheProloguethaninthescenewheresheoffersthechoiceofthedaggerorthebowl,andisinterrupted,inastartlinglyunexpectedmanner,bytheArchbishophimself。Theopportunitiesforsceniceffectsaremagnificentthroughout,andmusthavecontributedgreatlytothesuccessonthestage。StillonecannotbutregardthepublishedBecketasratherthemarblefromwhichthestatuemaybehewnthanasthestatueitself。Therearefinescenes,powerfulandmasterlydrawingofcharacterinHenry,Eleanor,andBecket,butthereisawantofconcentration,due,perhaps,tothelongperiodoftimecoveredbytheaction。So,atleast,itseemstoareaderwhohasadmittedhissenseofincompetencyinthedramaticregion。Theacutenessofthepoet'spowerofhistoricalintuitionwasattestedbyMrJ。R。GreenandMrBryce。"Onecannotimagine,"saidMrBryce,"amorevivid,amoreperfectlyfaithfulpicturethanitgivesbothofHenryandThomas。"Tennyson'sportraitsofthesetwo"gobeyondandperfecthistory。"Thepoet'ssympathyought,perhaps,tohavebeen,ifnotwiththefalseandruffianlyHenry,atleastwithHenry'ssideofthequestion。ForTennysonhadmadeHaroldleave"ToEnglandMylegacyofwaragainstthePopeFromchildtochild,fromPopetoPope,fromagetoage,Tilltheseawashherlevelwithhershores,OrtillthePopebeChrist's。"
CHAPTERIX——LASTYEARS。
Theendof1884sawthepublicationofTiresiasandotherPoems,dedicatedto"Mygoodfriend,RobertBrowning,"andopeningwiththebeautifulversestoonewhoneverwasMrBrowning'sfriend,EdwardFitzGerald。ThevolumeisrichinthebestexamplesofTennyson'slaterwork。Tiresias,themonologueoftheagedseer,blindedbyexcessoflightwhenhebeheldAtheneunveiled,andunderthecurseofCassandra,isworthyoftheauthorwho,inyouth,wroteOEnoneandUlysses。PossiblytheversesreflectTennyson'sownsenseofpublicindifferencetothevoiceofthepoetandtheseer。Buttheyareofmuchearlierdatethantheyearofpublication:-
"ForwhenthecrowdwouldroarForblood,forwar,whoseissuewastheirdoom,TocastwisewordsamongthemultitudeWasflingingfruittolions;nor,inhoursOfciviloutbreak,whenIknewthetwainWouldeachwasteeach,andbringonboththeyokeOfstrongerstates,wasminethevoicetocurbThemadnessofourcitiesandtheirkings。
Whoeverturn'duponhisheeltohearMywarningthatthetyrannyofoneWaspreludetothetyrannyofall?
MycounselthatthetyrannyofallLedbackwardtothetyrannyofone?
Thispowerhathwork'dnogoodtoaughtthatlives。"
Theconclusionwasafavouritewiththeauthor,andhisblankverseneverreachedahigherstrain:-
"Butforme,IwouldthatIweregather'dtomyrest,Andmingledwiththefamouskingsofold,Onwhomabouttheirocean-isletsflashThefacesoftheGods——thewiseman'sword,Heretrampledbythepopulaceunderfoot,Therecrown'dwithworship——andtheseeyeswillfindThemenIknew,andwatchthechariotwhirlAboutthegoalagain,andhuntersraceTheshadowylion,andthewarrior-kings,Inheightandprowessmorethanhuman,striveAgainforglory,whilethegoldenlyreIseversoundinginheroicearsHeroichymns,andeverywaythevalesWind,cloudedwiththegratefulincense-fumeOfthosewhomixallodourtotheGodsOnonefarheightinonefar-shiningfire。"
ThenfollowsthepatheticpieceonFitzGerald'sdeath,andtheprayer,notunfulfilled-
"That,whenIfromhenceShallfadewithhimintotheunknown,Mycloseofearth'sexperienceMayproveaspeacefulashisown。"
TheAncientSage,withitslyricinterludes,isoneofTennyson'smeditationsonthemysteryoftheworldandofexistence。Likethepoethimself,theSagefindsagleamoflightandhopeinhisownsubjectiveexperiencesofsomeunspeakablecondition,alreadyrecordedinInMemoriam。Thetopicwasoneonwhichheseemstohavespokentohisfriendswithfreedom:-
"Andmore,myson!formorethanoncewhenI
Satallalone,revolvinginmyselfThewordthatisthesymbolofmyself,ThemortallimitoftheSelfwasloosed,AndpastintotheNameless,asacloudMeltsintoHeaven。Itouch'dmylimbs,thelimbsWerestrangenotmine——andyetnoshadeofdoubt,Bututterclearness,andthro'lossofSelfThegainofsuchlargelifeasmatch'dwithoursWereSuntospark——unshadowableinwords,Themselvesbutshadowsofashadow-world。"
Thepoet'shabitof"RevolvinginmyselfThewordthatisthesymbolofmyself"-
thatis,ofdwellingonthesoundofhisownname,wasfamiliartotheArabs。M。LefeburehasdrawnmyattentiontoapassageintheworksofamediaevalArabphilosopher,IbnKhaldoun:{17}"Toarriveatthehighestdegreeofinspirationofwhichheiscapable,thedivinershouldhaverecoursetotheuseofcertainphrasesmarkedbyapeculiarcadenceandparallelism。Thusheemancipateshismindfromtheinfluenceofthesenses,andisenabledtoattainanimperfectcontactwiththespiritualworld。"IbnKhaldounregardsthe"contact"asextremely"imperfect。"Hedescribessimilareffortsmadebyconcentratingthegazeonamirror,abowlofwater,orthelike。Tennysonwasdoubtlessunawarethathehadstumbledaccidentallyonamethodof"ancientsages。"Psychologistswillexplainhisexperiencebytheword"dissociation。"Itisnoteverybody,however,whocanthusdissociatehimself。Thetemperamentofgeniushasoftenbeensubjecttosuchinfluence,asM。LefeburehasshowninthemoderninstancesofGeorgeSandandAlfreddeMusset:wemightaddShelley,Goethe,andevenScott。
Thepoet'sversatilitywasdisplayedintheappearancewiththeserecordsof"weirdseizures",oftheIrishdialectpieceTo-morrow,thepopularSpinster'sSweet-Arts,andtheLocksleyHallSixtyYearsAfter。Theoldfireoftheversificationisunabated,buttheherohasrelapsedonthegloomoftheheroofMaud。Herepresentshimself,ofcourse,notTennyson,oronlyoneofthemoodsofTennyson,whichweresometimesblackenough。AverydifferentmoodchantstheChargeoftheHeavyBrigade,andspeaksof"GreenSussexfadingintoblueWithonegrayglimpseofsea。"
ThelinesToVirgilwerewrittenattherequestoftheMantuans,bythemostVirgilianofallthesuccessorsofthe"Wielderofthestateliestmeasureevermouldedbythelipsofman。"
NeverwasTennysonmoreVirgilianthaninthisunmatchedpanegyric,thesumandflowerofcriticismofthat"Goldenbranchamidtheshadows,kingsandrealmsthatpasstorisenomore。"
HardlylessadmirableisthetributetoCatullus,andtheoldpoetisyoungagaininthebird-songofEarlySpring。ThelinesonPoetsandtheirBibliographies,withTheDeadProphet,expressTennyson'slifelongabhorrenceofthecriticsandbiographers,whosejoyisinthefutileandtheunimportant,inpersonalgossipandthesweepingsofthestudio,thesalvageofthewastepaperbasket。ThePrefatoryPoemtomyBrother'sSonnetsisnotonlytouchinginitself,butprovesthatthepoetcan"turntofavourandtoprettiness"suchanafflictionastheruinoussummerof1879。
Theyear1880broughtdeeperdistressinthedeathofthepoet'ssonLionel,whoseillness,beguninIndia,endedfatallyintheRedSea。
Theinterestofthefollowingyearswasmainlydomestic。Thepoet'shealth,hithertorobust,wassomewhatimpairedin1888,buthisvividinterestinaffairsandinletterswasunabated。HeconsoledhimselfwithVirgil,Keats,Wordsworth,Gibbon,Euripides,andMrLeaf'sspeculationsonthecompositenatureoftheIliad,inwhichColeridge,perhapsaloneamongpoets,believed。"Youknow,"saidTennysontoMrLeaf;"Ineverlikedthattheoryofyoursaboutthemanypoets。"ItwouldbeatleastaseasytoprovethatthereweremanyauthorsofIvanhoe,orperhapsitwouldbeagooddealmoreeasy。However,headmittedthatthreelineswhichoccurbothintheEighthandtheSixteenthBooksoftheIliadaremoreappropriateinthelaterbook。Similarexamplesmightbefoundinhisownpoems。
Hestillwrote,intheintervalsofamaladywhichbroughthim"asneardeathasamancouldbewithoutdying。"Hewasanexampleofthegreatphysicalstrengthwhich,onthewhole,seemsusuallytoaccompanygreatmentalpower。Thestrengthmaybedissipatedbypassion,orbyunduelabour,asincaseseasilyrecalledtomemory,butneithercausehadimpairedthevigourofTennyson。LikeGoethe,helivedoutallhislife;andhiseightiethbirthdaywascheeredbothbypublicandprivateexpressionsofreverenceandaffection。
OfTennyson'slastthreeyearsonearthwemaythink,inhisownwords,thathis"Life'slatesteveenduredNorsettledintohuelessgrey。"
Naturewasasdeartohimandasinspiringasofold;menandaffairsandletterswerenotslurredbyhisintactandenergeticmind。HisDemeterandotherPoems,withthededicationtoLordDufferin,appearedintheDecemberoftheyear。ThededicationwasthelamentforthedeadsonandthesalutationtotheViceroyofIndia,apieceofresignedandmanlyregret。TheDemeterandPersephoneisamodernandtenderstudyofthethemeofthemostbeautifulHomericHymn。
TheancientpoethadnosuchthoughtoftherestoredPersephoneasthatwhichimpelsTennysontodescribeher"Faintasaclimate-changingbirdthatfliesAllnightacrossthedarkness,andatdawnFallsonthethresholdofhernativeland。"
Thespring,therestoredPersephone,comesmorevigorousandjoyoustotheshoresoftheAEgeanthantoours。AllTennyson'sownisDemeter'saweofthose"imperialdisimpassionedeyes"ofherdaughter,comefromthebedandthethroneofHades,theLordofmanyguests。Thehymn,happyinitsending,hasnothoughtofthegreyheadsoftheFates,andtheiranswertothegoddessconcerning"fatebeyondtheFates,"andthebreakingofthebondsofHades。TheballadofOwdRoaisoneofthemostspiritedoftheessaysindialecttowhichTennysonhadoflateyearsinclined。Vastnessmerelyexpresses,intermsofpoetry,Tennyson'sconvictionthat,withoutimmortality,lifeisaseriesofworthlesscontrasts。Anoppositeopinionmaybeentertained,butamanhasarighttoexpresshisown,which,comingfromsogreatamind,isnotundeservingofattention;or,atleast,ishardlydeservingofreproof。Thepoet'sideaisalsostatedthusinTheRing,intermswhichperhapsdonotfallbelowthepoetical;or,atleast,donotdropinto"theutterlyunpoetical":-
"TheGhostinMan,theGhostthatoncewasMan,ButcannotwhollyfreeitselffromMan,Arecallingtoeachotherthro'adawnStrangerthanearthhaseverseen;theveilIsrending,andtheVoicesofthedayAreheardacrosstheVoicesofthedark。
Nosuddenheaven,norsuddenhell,forman,Butthro'theWillofOnewhoknowsandrules-
Andutterknowledgeisbututterlove-
AEonianEvolution,swiftorslow,Thro'alltheSpheres——aneveropeningheight,Aneverlesseningearth。"
TheRingis,infact,aghoststorybasedonalegendtoldbyMrLowellaboutahousenearwherehehadoncelived;oneofthosehousesvexedby"Afootstep,alowthrobbinginthewalls,Anoiseoffallingweightsthatneverfell,Weirdwhispers,bellsthatrangwithoutahand,Door-handlesturn'dwhennonewasatthedoor,Andbolteddoorsthatopen'dofthemselves。"
Thesephenomenaweredoubtlesscausedbyratsandwater-pipes,buttheydonotdestroythepityandthepassionofthetale。ThelinestoMaryBoyleareallofthenormalworld,andworthyofapoet'syouthandofthespring。MerlinandtheGleamisthespiritualallegoryofthepoet'sowncareer:-
"Arthurhadvanish'dIknewnotwhither,Thekingwholovedme,Andcannotdie。"
Soatlast"AllbutinHeavenHoversTheGleam,"
whitherthewayfarerwassoontofollow。Thereisamarvelloushopeandpathosinthemelancholyoftheseallbutthelatestsongs,reminiscentofyouthandlove,andevenofthedimhauntingmemoriesanddreamsofinfancy。NootherEnglishpoethasthusroundedallhislifewithmusic。Tennysonwasinhiseighty-firstyear,whenthere"cameinamoment"thecrownofhiswork,theimmortallyric,CrossingtheBar。ItishardlylessmajesticandmusicalintheperfectGreekrenderingbyhisbrother-in-law,MrLushington。Foronceatleastapoemhasbeen"pouredfromthegoldentothesilvercup"withoutthespillingofadrop。Thenewbook'sappearancewascoincidentwiththedeathofMrBrowning,"solovingandappreciative,"asLadyTennysonwrote;afriend,notarival,howeverthepartisansofeitherpoetmightstrivetostiremulationbetweentwomenofsuchloftyandsuchvariousgenius。
CHAPTERX——1890。
Intheyear1889thepoet'shealthhadpermittedhimtotakelongwalksonthesea-shoreandalongthecliffs,oneofwhich,byreasonofitswhiteness,hehadnamed"Taliessin,""thesplendidbrow。"HismindranonapoemfoundedonanEgyptianlegendofwhichthesourceisnotmentioned,tellinghow"despairanddeathcameuponhimwhowasmadenoughtotrytoprobethesecretoftheuniverse。"HealsothoughtofadramaonTristram,who,intheIdylls,istreatedwithbrevity,andnotwiththesympathyoftheoldwriterwhocries,"GodblessTristramtheknight:hefoughtforEngland!"Butearlyin1890Tennysonsufferedfromasevereattackofinfluenza。InMayMrWattspaintedhisportrait,and"Divinelythroughallhindrancefoundtheman。"
TennysonwasagreatadmirerofMissAusten'snovels:"Therealismandlife-likenessofMissAusten'sDramatisPersonaecomenearesttothoseofShakespeare。Shakespeare,however,isasuntowhichJaneAusten,thoughabrightandtruelittleworld,isbutanasteroid。"
Hewasthereforepleasedtofindapple-blossomsco-existingwithripestrawberriesonJune28,asMissAustenhasbeenblamed,byminutephilosophers,forintroducingthiscombinationinthegardenpartyinEmma。Thepoet,likemostofthegoodandgreat,readnovelseagerly,andexcitedhimselfovertheconfirmationofanadultmaleinastorybyMissYonge。OfScott,"themostchivalrousliteraryfigureofthecentury,andtheauthorwiththewidestrangesinceShakespeare,"hepreferredOldMortality,anditisagoodchoice。
Hehated"morbidandintrospectivetales,withtheiroceansofshamphilosophy。"Atthistime,withcatholictaste,hereadMrStevensonandMrMeredith,MissBraddonandMrHenryJames,OuidaandMrThomasHardy;MrHallCaineandMrAnstey;MrsOliphantandMissEdnaLyall。
第11章